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Any one else unable to pick a clear #1 bass?

I’ve gone through so many. Forced myself to downsize and only keep the insanely best. Down from 16. I really want that clear cut #1 forever bass. I keep rotating, as soon as I think ah yes, this one is #1 a month later I pick up another one and end up playing it for a month and the cycle continues..... I need a therapist!!!! Anyone else struggle to decide on their clear #1 bass?

Sandberg California VM4
Spector NS2
Fender Custom Shop with Aeros and Nordstrand
‘88 2 band Stingray

4BCB01A0-709D-4760-A9F0-383E7960FF9A.jpeg
 
The struggle is real. Especially when they all sound so good and play so well. There are times that I wonder about having too much of a good thing, but really whatever makes me not have to agonize over difficult decisions is best. Can't figure out what to keep? Eh, they all stay.

Life was a lot simpler when I had one amp, one cab, and one bass -- I spent a *lot* of time figuring out how to get the best sound from that particular combination. These days, I know I'm gonna sound "great" at the gig, but am I gonna sound as good as I possibly can with the tools that I have? Maybe not. And maybe it doesn't matter.
 
I’ve gone through so many. Forced myself to downsize and only keep the insanely best. Down from 16. I really want that clear cut #1 forever bass. I keep rotating, as soon as I think ah yes, this one is #1 a month later I pick up another one and end up playing it for a month and the cycle continues..... I need a therapist!!!! Anyone else struggle to decide on their clear #1 bass?

Sandberg California VM4
Spector NS2
Fender Custom Shop with Aeros and Nordstrand
‘88 2 band Stingray

View attachment 4180764
Four Different Strings For Different Things
 
As much as I love my No. 1 bass, I think you should be just as happy *not* to have a clear No. 1. My No. 1 bass has been my No. 1 since I originally bought it nearly 20 years ago -- a now heavily modded Carvin LB70 with Aero pickups. I've owned many basses during the intervening years, including some multiple times more expensive from some of the big names (Zon, Fender, Gibson, etc.), and have played tons of others, but I simply haven't found anything that can replace the Carvin. To state it simply, the Carvin has sounded great in literally every scenario I have used it, both live and on recording, and does everything I need a four-string fretted bass to do, whereas ever other instrument I've tried is missing at least something that the Carvin has. This means, frankly, that I always have a little bit of fear as to what would happen if disaster struck, as I do not have a lot of confidence that I would be able to find anything that could fully replace the Carvin other than through sheer dumb luck given that it hasn't already happened through 20ish years of trying things out.

Frankly, I was very much hoping that my customized Zon VB-4 would become my new No. 1, or at least reach equal status, primarily because it is so light and comfortable to play, whereas the Carvin is on the heavy side of average with its walnut body and maple neck, but alas it was not to be.

So having an undisputed No. 1 is definitely a blessing, but there is a touch of curse involved as well.
 
I have a clear-cut, lifetime #1 active five-string in my G&L M-2500, but beyond that there's no clear #1. My G&L JB is my favorite four-string stage bass, but I'm just as attached to my 2003 MIA Fender J. And, even though I normally prefer the J-basses, sometimes my SB-2 is the best for a gig or project.

If I ever find a lightweight five-string J-bass that works for me in every way, that could become a clear #1. My G&L JB-5 is close, but I just don't dig the 9.5" fretboard radius.