I had a very unique situation; in some ways you could say I won the lottery(so to speak), but on the other hand the law of averages was with me, I'd done my homework, and I put some effort into it. Not exactly a game of chance. So, don't be hatin'.
Some of you fellow elderly people here might remember a magazine called Musician, from the 80's on through to the 90's. Yes, a world in which there was a place for a magazine called 'Musician'. You didn't have to be a musician to get something out of it, but they always featured timely articles...interesting, challenging, and well thought-out, on a variety of current, under-the-radar trends, forgotten legacies, ground breakers, game changers, etc., but little time for mainstream stuff. Since the early 80's, I had been a huge fan of fretless bassist Mick Karn, a very esoteric player/artist who came to prominence in a British band, 'Japan'; one that could be described as progressive new wave with heavy world music(primarily Asian)influences. He went on to a wide variety of projects and collaborations, one being a King Crimson-ish trio with drummer Terry Bozzio and avant guitarist David Torn, called 'Polytown', 1994.
To promote their album, their label, CMP(from Germany)partnered with Musician for a contest requiring entrants to write an essay describing/singing the praises of the band. Having been in record wholesale/retail for a long time, I'd seen plenty of industry promo publicity hype, so I purposely avoided that direction and went with a more flowery(poetic, or something)account. The likelihood is high that I was only one of a few submissions; Karn was a notable Wal Bass user, as well as Trace-Elliot amplification, so they pitched in the prizes; that's right, baby, I won the contest, and eventually received a Wal fretless and a little TE combo amp, the weird one with a slot port in front of the driver. It took me a while to make the arrangements, I had to get up in the middle of the night to call Wal in the UK, and fortunately I was at NAMM that year to talk to TE directly and get the amp.
Ironically, I wasn't that smitten with the bass; Wal necks have this unusual "V" shape that I really couldn't get used to, and while I loved the electronics, I sold it off after a couple of years. The amp was a bit underpowered, and because of the unusual cab design, lacked in the upper mids/high end department; it too went away. Still, that made up for all the times I entered those early Bass Player contests and didn't get anywhere. In addition, I got to see the short-lived band live, free and up close, at an in-store appearance at Virgin Records. That in itself was far more special. Karn died from cancer in early 2011.