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Anyone NOT like the SVT?

Lol, I can't wait to see what JimmyM has to say about that...

I've never really disliked them, but I wouldn't buy one. Different strokes for different folks.

Yes, we must listen to Jimmy-aMpeg when we talk Ampeg.

As for my view of Ampeg. One can not dislike Ampeg as there is so much music recorded on an Ampeg! Any one of us heard a great great bass line which was perfect, also due to the fact it was an Ampeg. .... just like a P-bass.
 
I bet I've played a couple hundred "SVT's" over the years...outdoors can be a tricky way to judge an amp...I've owned a couple...the ones I've played through ranged from unlistenable to life changing...The 2 or 2pro being the best more often than not...which is it? 2? 2Pro? The 80's ones with the graphic eq? I like that one :) Never found one for a decent price and really don't want to carry so much weight anymore if I don't have to...still got a couple lead sleds...LOVE. Shocked to find out how much I love Genz Benz stuff...knew I would for upright, but electric? Yep...Love. And I am NOT a set it flat, slap and pop dude by any stretch. Put any decent amp/cab/instrument intot the hands of a real musician and it'll sound cool, one way or another :)
 
SVTs especially through an 8x10 have slight grit that climbs through a mix and fits real well. It's not the tone I prefer. Is that all right with you all? :)

This is America. People fought and died so that you and I can walk in a music store and pick out any amp we want.
Right now I'm trying to decide between the 1000w Peavuilar and the Gallienpeg. Ashoogies are too expensive.
 
SVTs especially through an 8x10 have slight grit that climbs through a mix and fits real well. It's not the tone I prefer. Is that all right with you all? :)

This is America. People fought and died so that you and I can walk in a music store and pick out any amp we want. You know, not one with the name of the State on it with a Swastika plate on the grill cloth.
nice godwin's law, bro!
 
SVT's are not as clear or punchy as Hartke and when I owned a BAR, the only amp that broke down was a freshly serviced SVT just picked up before the show. I loaned the guy a HA 5500 which he played though his equally vintage Ampeg 8x10 box.

It is wise to remember that Eric Clapton said that Cream did not put all those Marshalls on stage to be show offs, there was no QA as we know it today and amps simply could not be trusted.

While I lust over a vintage bass guitar with the best of them, I do not consider old vintage amps any sort of bargain. They are inferior to modern bass amps in my experience.
 
SVT's are not as clear or punchy as Hartke and when I owned a BAR, the only amp that broke down was a freshly serviced SVT just picked up before the show. I loaned the guy a HA 5500 which he played though his equally vintage Ampeg 8x10 box.

It is wise to remember that Eric Clapton said that Cream did not put all those Marshalls on stage to be show offs, there was no QA as we know it today and amps simply could not be trusted.
actually it was because amps weren't very high power back then and that was the only way to fill an arena stage with sound.
 
I love the Ampeg SVT -- IMO nothing sounds better than one run in the "sweet spot".

But I'm not completely in love. The big negatives:
  • Bulk and weight
  • The "sweet spot" exists only within a certain volume range (there's too clean on one end, too dirty on the other)

So, my creaky 52 year old back prefers lightweight SVT emulation (check my profile), which produces my desired level of tube-style grit at any volume.