• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Are you a Tweeter Lover?

What do you do with your tweeter?

  • Always turn it off

    Votes: 79 31.0%
  • Always full on

    Votes: 29 11.4%
  • Always have it attenuated

    Votes: 52 20.4%
  • Adjust it depending on need

    Votes: 79 31.0%
  • What is a tweeter, some type of carrot?

    Votes: 16 6.3%

  • Total voters
    255
  • Poll closed .
Depends on where the crossover splits the frequencies & what type of driver it is.
Horn tweeters are ok, but I have to suffice with them, because I play with some much O/D I'd blow a piezo tweeter in seconds, & I don't mean figuratively.
I usually use a pick and plenty of top end, but I too generally play with a ton of gain, and the only reason I don't turn my one tweeter completely off is that I can't. I have it turned down as far as it goes, but I really should look into just disconnecting it. Even when I used to favor a cleaner, solid state sound, I still didn't like the sound of a tweeter in my rig at that time. We're talking '90s Mesa and Ampeg gear here, so I don't doubt they're good for what they are, but I'd just assume do without them.
 
  • Like
Reactions: Killed_by_Death
Absolutely always off. I have plenty of treble content in my sound already... more than I usually want, in fact. Not only do I never, ever have my tweeter on, I also tend to turn the treble knob down a touch in the amp stack itself. Maybe if I played metal and had some ridiculous scooped EQ I'd feel differently. *shrug*
 
Very rarely I find a tweeter so clicky/hissy that I can't tame with EQ and have to turn it off for good. For clean fingerstyle tones I'm in for a horn. Not so much when overdriven and/or using a pick, very few tweeters seem to take that gracefully. I have a harder time dealing with sketchy crossover decisions (annoying hi-mid peaks -I've played a Stingray5 for almost 20 years and it really hates horns giving slack under 4khz-) than with a plain hissy/harsh speaker per se.
 
Mine's always off. I have a HPF, but wish I'd have bought a combo HPF-LPF pedal.
I wonder whether I should disconnect the tweeter or take this approach. I don't spend a ton of time down there, but I do tune my 5th string as low as G sometimes, so I'd be setting a lower limit very low (if at all) to try and preserve some of that fundamental.
 
Last edited:
No.

For the life of me (and this is after having more than a few very smart people explain it to me. . . .), I don't know why I need a bass guitar cabinet that goes to 18 or 20khz, and I've never heard of a bass guitar pickup package that's putting out any useable content up there. Of course, it's entirely possible I'm a complete dooofussss when it comes to this, but I still have never been presented with a practical reason that it's useful in the real world, not the world of scopes and measured responses. I'm more than happy to have hiss, line noise, and pickup anomalies trapped above the frequency response of most average cabs.

So if I want some extra high end, I'd prefer smaller cone-type speaker matched to the design.
I'm voting for You!