Alright, I was typing from my phone earlier (ergo the thrift with words), but those were some sweet tones. I loved the way the Wild Goose was sounding toward the end, not to mention the Motorhead tones coming out of the Wayfarer for a while there. You could totally rock some Ace of Spades with that thing dimed.
I play only passive instruments, so I design around that aesthetic. Most of them work pretty well with active stuff, but they shine with a passive setup. I also only make a pedal as a production unit if I feel like it does something qualitatively different than something else. So, for instance, even though it might look like a Phat Phuk with that one little knob I don't know anything that acts quite like the Wayfarer on bass.
Same with the new joint. This may surprise you, but she is the product of me wishing that there was a way to get in the same tonal universe as a RAT but with way less gain and way more touch sensitivity. I reversed the tone control so that it acts like you think it should (not like a RAT) but it works in the same basic manner by filtering out bass so that you can dial in a "tight" overdrive, should that be your thing. In an Americana band that "tight" overdrive has been money for me.