Double Bass Bass as only harmony instr?

[rolandm]

I love that subtle, down low, E-string growl.

 

[Treyzer]

@Don, So I guess it's not all about improvements in recording techniques and technology.

 

[Groove Doctor]

More often, though, the simplest line is the most elegant, and underpins the soloist's efforts without cluttering it up.

I do like to free up my right hand to groove a little bit more during those times where I am supporting a soloist, whether on the bass guitar or upright. And honestly, I've gotten more compliments on my tone and my playing from the audience when I make my left hand all about the foundation of the song.

Great thoughts... Simple doesn't have to mean boring, just as varying things up doesn't guarantee it sounds better.

It can be hard making 4 crotchets every bar sound awesome, but simply spicing up your right hand expression could be all that's needed.

 

[davidhilton]

A question for bass players: In a trio with drums and sax, when the sax solo's and you are laying down the harmony, do you go out of your way to play the root note on the downbeat of one? The reason for the question is, as a guitar player I know how the 3&7 guide tones really define the chords, make you "hear" the changes. I've been fiddling with a bass lately and catch myself often instinctually playing one of those "important" notes before I walk my way to the root. Obviously with a piano or guitar comping things could be different. Your thoughts please.

I think its always a good idea to hit the root on the downbeat of one... or somewhere near it....
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