• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Bass lines that make you yawn

Think there's something wrong with me, 'cause playing almost one note bass lines have never bored me... Hell! I also really had fun playin Hard as A rock and Who made Who by Ac/Dc!!!

Anyone that gets bored playing simple bass lines is probably not putting any feeling into those lines and is probably is playing the wrong instrument.
 
I used to be a huge Coldplay fan. I turned to prog metal, prog rock (Rush, Porcupine Tree, Weather report, Dream Theater, Opeth, Yes) afterwards. A drastic change, certainly, but even as a metalhead and prog snob, I still enjoyed this bassline:


+1 on Coldplay making me yawn. Put Muse in there too. No... wait... Muse also makes me laugh as those guys and their audience thinks they're something special...

... and they're soooooooo not.

Zzzzzzzzzzzzzzzzzz to Coldplay and Muse.
 
The difficulty or complexity of a bass line are unrelated to wether or not it does a great job.
With or without you and Papa was a rolling stone are song with 4 and 3 notes respectively for the whole song yet they are brilliant.
Private investigations is let for almost 3 minutes with a single note.
Then you have the proverbial Pachelbel Canon with its 8 note riff repeated 60 times.
 
  • Like
Reactions: GregC and The Rage
Every time my band plays what's up by four non blondes I contemplate unplugging and getting a drink at the bar. And I have literally (literally) yawned in that song dozens of times.
There are awesome funky and slapped bass lines all along the album yet the song that sold the best had the simplest root pedaling line. The audience may be trying to tell us something.
 
  • Like
Reactions: The Rage
Funny, a lot of songs have been mentioned that I have a blast playing; even in my Reggae days where I could be playing one one or two measure riddim that repeated the whole song I never got bored. I guess I'd focus on precision, on the feeling of the line, on singing, on enjoying how the part forms the whole - I don't know.
Been playing a long time, and never really got bored. EXCEPT - the only song I remember getting bored during, and started dreading playing, was Stranglehold by The Nuge. Maybe cuz it's over 7 or 8 minutes with only one little change the whole song (which was a pain, cuz you couldn't just zone out & get thru the song; you had to pay attention so as not to miss that part & trainwreck the song!). Probably didn't help that I just didn't like the song that much, but I've played others that I haven't liked listening to and gotten into playing them. God, I forgot about that song... been quite a while.
That is a boring bass line.
 
The title and premise of the thread fills me with dismay. Music is a sum of parts. Try taking some of the tunes mentioned and imagine them without the bass. If the overall feel of the arrangement is compromised then the bass part, no matter how simple, is important and should, IMHO, be respected as such. Even in the most simple parts I can usually find scope to add a few personal touches...
 
  • Like
Reactions: ArteK and GregC
Yellow Submarine.

John Entwistle, remarked after touring with Ringo and his Allstars, that he "had the dubious pleasure of playing Yellow Submarine more times than Paul.

I'd be thinking, "do I want room service to deliver me a club sandwich after the show, do I want them to put the mayo on the side, otherwise it will make the toast soggy............ad infinitum".

Oh. The song is over?
Ringo always seemed to get lumbered with the tunes that noone else liked, what goes on, octopuses garden, i wanna be your man,yellow submarine , I know he wrote octopuses garden but you get my point
 
Anyway the one that I hate playing with my band is Roll with it by Oasis, the verse is pretty much one note throughout, i've started adding in my own fills during the verse to liven it up a bit, i am a pretty simple root,5th,octave kind of player but playing this one just bores the pants off me
 
The title and premise of the thread fills me with dismay. Music is a sum of parts. Try taking some of the tunes mentioned and imagine them without the bass. If the overall feel of the arrangement is compromised then the bass part, no matter how simple, is important and should, IMHO, be respected as such. Even in the most simple parts I can usually find scope to add a few personal touches...
That's exactly why I said What's Up. I just feel like it's equally or even more suited to being played acoustically.
 
  • Like
Reactions: SteveCS