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Bass POD Pro LIVE XT...Real World Review

I'll never own one, because I can't stand having to tweak any programs. I'm not savy at it, and have no desire to be. Hey Tom, where's that bottle of berry juice you said you'd send me?????

That's another beautiful thing about it - once you have tweaked the patches and are really happy with your saved patches, experienced them live, recorded etc etc - THAT IT! You can get that sound everywhere without any fuss - just select the right mode and its all there.
 
Hope these work... They are all from some demo ideas so not real drums and no production etc. Let me know what you think!

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- Kind of a mixed slap/finger thing - pretty rough but blasted it out so I could remember the flow!

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- Another clip but with me playing the same pattern through the whole song - it works really well against the whole piece but probo is lost in this little clip!

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- Fingerstyle bit where I was feeling a bit Mike Porcaro-ish
 
Well, several of you have convinced me of my 'need' for one of these. Just picked up a Bass Pod XT Live last evening. I just started to get the hang of programming the bugger just before I headed off to bed (where I finished the manual).

One question: any reason why the MIC option doesn't appear in the same window while I'm choosing cabinets? Am I doing something wrong?
 
Hey, I got a PodXT Live (yeah... the guitarist version - I got the bass expansion for it... I don't think there's a guitar expansion pack for the bass pod... is there???)

Anyway, is anyone else here using a PodXT and would be willing to share your tones? I've been tweaking some - but I feel kind of really lost.
 
AH! I figured it out. I just had to change my "Output Destination" to Studio and all is well. The mic'ing options change the tones quite a bit. I am pleased. My FlipTop patch now sounds like a warm, slightly growling B-15 with the right mic & cab combo.

I've only gotten about 3 hours of knob time with this thing but I am really, really liking it. I think it will save me money down the road. For instance, I no longer feel the need to acquire a Trace SMX-series head since the Aguilar patch (with a lot of tweaking) gets that zinging pick-grind nicely. I didn't even know/care that it offered stomp boxes. Having played with a couple of them I see some potential, expecially with the distortions.

The biggest hurdle that I see with this thing is making sure that I get enough sleep. I'll be twiddling for weeks.
 
I just bought one of these.

I am in tone heaven. After reading threads about the notorius tones of my two favoruite bass players; Timmy C and Justin Chancellor, I began to be a bit depressed about my current gear / tone. "I dont have a swamp ash bass! I dont have an Ampeg with two bi-amped 8x10's, i dont have this or that..."

I spent a relatively brief ammount of time tweaking and experimenting in my room at home. I wasnt able to crank the volume too much, but got a sound I was reasonably happy with and was pleased with the potential of the unit.

Then I took it to band practice and opened up a whole other realm. Amazing. I had a tone VERY close to that of Justin Chancellor, that very bright metallic but punchy sound. Now bearing in mind that im a fingers player and I had it hooked up to some quite cheap gear (behringer 1x15 cabinet and a Peavey deltabass head, I play a warwick rockbass corvette 5-string) I was blown away. My bandmates were amazed and it fulled both mine and their creativity for the evening. I sat perfectly in the mix. The drummer even said he could hear every nuance I was playing, and the guitarist was blown away by the perfect combination of the bright clanky high's and the punchy low's / low mids that made our three piece outfit sound wider overnight.

Now, If I managed to achieve something VERY close to a bass tone that is continuously praised and involved the use of an incredible ammount of expensive equipment (and studio magic) within 2 days of owning one of these units, imagine what lies ahead.

I hear the words "warmth" "creamy" "thick" "buttery" "fat" used to describe some player's prefered tones. I am personally more of a "bright" "clanky" "punchy" "metallic" guy. Whether or not you can squeeze an amazing vintage jazz tone out of the Line6 Bass Pod XT Live is something I am not familiar with. Bear that in mind, however I have read a number of reviews across the internet from more 'vintage-inclined' players who were pleasantly suprised at the capabilities of the line6 modelling. One guy even claimed to have sold ALL his preamp and FX equipment after discovering the Line6.

It has been said that the wah and distortion FX are not quite up to par on the Line6. I'm sure it wouldnt take much tweaking to get a distortion that you like, there are plenty of models, however I still use my Boss ODB-3 until I have done some more experimentation. As for the wah, I have little experience in using a wah, although I got something that sounded close to the 'calm like a bomb' sound from timmy C. It sounds a little weak on the low notes though and rolls them off pretty quick, but that may just be down to my error or just how a wah pedal works.

Its also worth mentioning that I am a big tweaker. I enjoy sitting and messing with knobs and buttons and settings. I would also say that I am very rapidly becoming an audiophile and a bass tone freak. I'm not one to fully enjoy playing a show or a practice if I dont sound good.

The orignal poster stated that naturally, using the pod with cheap gear and a cheap bass would result in a bad sound. For me, the Pod TRANSFORMED the gear that I was using and I was able to get the sound I had been looking for using low-end rehearsal room gear and my semi-pro level rockbass.

I also value the portability. I am a university student and I rely on public transport. Me and my bandmates catch a bus to the rehearsal rooms or the gigs. Me and the guitar player both appreciate being digital players (he owns a Boss GT-8). It literally is tone in a box. On top of that you can program individual song tones into it. Or you can use it as a 3am practice partner with headphones and of course recording.

Speaking of recording. The only dissapointment I so far have with Line6 is that there are still NO windows vista USB drivers for the Bass Pod XT Live. Vista just seems to be horrible for any audio related software. In essence, I cannot record or update the software on my pod OR use Line6 edit / gearbox. I also can't download or upload custom tones. A big annoyance for home-use.

I hope that helps shed some light on the product and if anyone would like to discuss it with me I'd be more than happy. I'm still experimenting to discover what this thing can do!

Aharon.:bassist:
 
rasthedoctor... my PodXT Live works with Vista... I just downloaded all the drivers, Line 6 Monkey & Gearbox from the Line 6 website. The only thing that I can't get to work is Line 6 edit and it's something to do with the software itself, not the USB connection (or maybe i should say... it's related to the compatibility of Vista and Line 6 edit).
 
These are very cool units, no doubt. Unfortunately, I found that I don't have the patience to do all the tweaking necessary. So, I sent mine down the road in favor of a Sansamp Para Driver and I couldn't be happier.

I'm sure if I would have spent more time with it, I'd have gotten what I was looking for with it.
 
Breathing..... breathing........ deeeeeeeeep breaths...... okay. Whew. Thank you for letting me know that, you two. Isn't Line6 Edit the one you need in order to tweak your settings? I guess I'll have to uninstall my current Java and replace it with 1.5.0...

Hi mate,

If you download the Edit programme it actually gives you the option of installing Java 1.5.0 within the programme installation setup, so just make sure you select it and uninstall the new java beforehand. It should all work swimmingly now.

The interface is really good and very useful for editing patches and organising tones/backing up settings. If you are in a studio very often it is good to have the interface open on a separate screen when recording for easy tweaks if the pod is racked away somewhere out of easy reach.

Cheers
ped
 
Hi guys

Interesting thread.

I would like to have an X3 Live or XT Live units for effects etc....
but my main question & concern is:

Will the unit suck the tone out of your rig or is it true by pass?

I'll be using it with my (soon to be here) SVT-VR & GK800RB
but I don't want it to change the killer tone of my VR or the GK unless
I want it to change it.

So what's the word?
Does it suck the tone?
If it does,
Is there a way around it on my amp setup?

Please let me know
thanks,
Charles