I too found Online Bass Lessons at StudyBass.com to have value. I also found Ed's book "Building Walking Bass Lines" to be on track and have great value. There is one more bass line book I would recommend, "Bass lines in minutes" by Kris Berg. "Bass Guitar for Dummies" is a good get started book, as it has a little bit of everything you will need to know right at first; like how to hold the bass, how to tune it, etc. Your public library will probably have a copy.
My old standby chart of generic bass lines using the major scale box as a Rosetta stone may help:
Code:
Bass Patterns based upon the Major Scale box.
Major Scale Box.
Code:
G|---2---|-------|---3---|---4---| 1st string
D|---6---|-------|---7---|---8---|
A|---3---|---4---|-------|---5---|
E|-------|---R---|-------|---2---|4th string
Want to play over the Cmaj7 chord? Find a C on the 3rd or 4th string, lets use the C @ the 4th string 8th fret, place the box's R over it and play the R-3-5-7 scales degrees within the box. You just played a bass line for the Cmaj7 chord. Print the box's pattern and use it with this.
http://search.yahoo.com/search?ei=u...e=W3i_YT,191,8_4,Search,20111251,18370,0,18,0 I like the second chart shown.
Basic Chords
• Major Triad = R-3-5
• Minor Triad = R-b3-5
• Diminished Chord = R-b3-b5
7th Chords
• Maj7 = R-3-5-7
• Minor 7 = R-b3-5-b7
• Dominant 7 = R-3-5-b7
• ½ diminished = R-b3-b5-b7
• Full diminished = R-b3-b5-bb7
A large part of the music we play will be in 4/4 time, i.e. four quarter notes per measure. Those 7th chords listed above fit a 4/4 time very nicely. Root on the 1st beat to start with. Yes that is boring, so put something on the 3rd beat. The 8 will always fit. I use both the 8 or the 5 most of the time, R-5-8-5 is an easy fingering and does make a generic bass line that fits most anything. The 3 and the 7 fit into the 2 and 4 beats nicely. Keep reading...
See a chord and play it's chord tones. As every key will have three major, three minor and one diminished chord it's a good idea to get your major, minor and diminished bass line chord tones into muscle memory so when you see a chord your fingers just know what will work. Now the song may only give you enough room for the root, or root five - adapt and get as many chord tones into your bass line as needed. Root on 1 and a steady groove from the other chord tones plus something to call attention to the chord change is what we do.
Generic Notes - for your bass line.
• The root, five and eight are generic and fit most any chord. Remember the diminished has a flatted 5.
• The 3 is generic to all major chords. So R-3-5-3 will fit under any major chord.
• The b3 is generic to all minor chords. And R-b3-5-8 will fit under any minor chord. Why the 8? Well the 8 is just another root in the next octave.
• The 7 is generic to all maj7 chords. Yep, R-3-5-7 fits nicely.
• The b7 is generic to all dominant seventh and minor seventh chords. G7 = R-3-5-b7 or Gm7 = R-b3-5-b7.
• The 6 is neutral and adds color, help yourself to 6’s. Love the sound of R-3-5-6 with a major chord.
• The 2 and 4 make good passing notes. Don’t linger on them or stop on them, keep them passing.
• In making your bass line help yourself to those notes, just use them correctly.
• Roots, fives, eights and the correct 3 & 7 will play a lot of bass.
Screen # 2 on this will help.
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http://www.activebass.com/v597--Using-Simple-Shapes-To-Create-Bass-Lines-Lesson-With-Scott-Devine Scott Devine talks about using shapes or patterns. On the video Scott will show a different pattern than the major scale pattern I listed above, do not let that throw you. Point being
YOUR shape, which ever one you use, can help you know how to get to the notes you want.
Scales
• Major Scale = R-2-3-4-5-6-7 Home base
• Major Pentatonic = R-2-3-5-6 Leave out the 4 & 7
• Natural Minor Scale = R-2-b3-4-5-b6-b7 Major scale with the 3, 6 & 7 flatted.
• Minor Pentatonic = R-b3-4-5-b7 Leave out the 2 & 6.
• Blues = R-b3-4-b5-5-b7 Minor pentatonic with the blue note b5 added.
• Harmonic Minor Scale = R-2-b3-4-5-b6-7 Natural minor with a natural 7.
• Melodic Minor Scale = R-2-b3-4-5-6-7 Major scale with a b3.
Let the major scale be your home base then change a few notes and you have something different. No need to memorize a zillion patterns. Let the major scale pattern be your go to pattern - then adapt/adjust from there.
Why scales? I do not know of any instrument that you can skip over learning your scales. Because running your scales let your fingers know where the good notes are and your ear gets to recognizing the sound of the good notes from the sound of the bad notes. Scales to get your fingers going to the right note. Now do the same with the chord tones, see a Cmaj7 chord and your fingers just know what to do. Next chord coming up is the G7, there is a G note up a string and over two frets move your box there.... That's kinda important, from your root, where are the other notes? Memory work.
Print this off and keep it handy, too much to digest in one reading. Next thing to do? Use the above to play songs. Find some sheet music. I use fake chord sheet music? Why fake chord? Finding standard notation bass clef (piano music) on the Country or Praise music I play is hard to do, however, finding fake chord on a song is easy. That and the bands I play with pass fake chord among themselves - so I am expected to be able to play from fake chord. Next step is to find standard notation, lead sheet, or fake chord sheet music. Notice I did not list tabs. Tabs for a specific riff, etc. is OK, but for a whole song, it's a dead end. Don't waste your time. Find your sheet music and start using all of the "stuff" I listed above to help you play some songs.