Yes, I've seen some nice Atelier Z and Momose basses, too.
This thing's incredible!
This thing's incredible!
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I've always kept an eye on Bacchus, mainly because they're not too expensive and do some crazy finishes. I just wish they'd do all that for the P-bass shape, because 95% of their offerings are jazz basses.
I hate offset bodies. But Japan has a massive hard-on for jazz basses.
But anyway back to the bass itself, why richlite isn't used more? Well, I hear that people say that it doesn't produce as good of a sound as actual wood fretboards (though I'm convinced they couldn't tell the difference). That and richlite has the stigma of being just plastic, and no one really wants a plastic fretboard.
If you're talking about graphite necks, that's another story. Those were made as improvements (no need for truss rods, no dead spots, etc..) with a real purpose.And yet graphite/cf is essentially a plastic...a very strong plastic, but still plastic compared to a natural fiber.
I considered them. So many choices it'll make your head spin.I bought mine from BassJapanDirect and the shipping to New Zealand was free.
I've only been talking about it for five years or so, just didn't like the idea of having one shipped from Japan and spending another $150 or so, not to mention dealing with customs.
I've seen a few nice ones from time to time here in the states, but never one this nice!
Bacchus WL4-FM Custom III Ash Flame Maple Jazz MIJ.
Now for the waiting game.
UPS, supposedly they've stepped up their game as of late. Hey, if I get it by next Friday I'll consider it fast enough.
View attachment 4035606View attachment 4035607View attachment 4035608
Today is November 23.Picked it up yesterday at UPS.
Top-notch fit and finish, very smooth satin neck. Turbo-boost switch gives it more tone options than a regular jazz bass.
Seriously, even nicer than I hoped it would be.
One of those basses you have to keep taking a look at because it just looks so good.
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I've always kept an eye on Bacchus, mainly because they're not too expensive and do some crazy finishes. I just wish they'd do all that for the P-bass shape, because 95% of their offerings are jazz basses.
I hate offset bodies. But Japan has a massive hard-on for jazz basses.
But anyway back to the bass itself, why richlite isn't used more? Well, I hear that people say that it doesn't produce as good of a sound as actual wood fretboards (though I'm convinced they couldn't tell the difference). That and richlite has the stigma of being just plastic, and no one really wants a plastic fretboard.
Very Nice! I've been very impressed with what I've seen from them online. Never had the chance to play one. Sounds like a lot of manufacturers are going to composite fretboards, curious if they're that much different from wood.
Good point!Today is November 23.
Did you sell it or trade it yet.
I had to ask as I know your ways over the last few years.
You've had some nice basses in the past and I hope it works for you and you get many years of enjoyment out of it.![]()