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Here they are. Here's George of BSD lifting the 410 with one finger on each handle. This one weighs 49 pounds. They both sound fantastic. The 210 is bound to be a favorite, at 33 pounds, with unbelievable tone and volume (but then again, as you know, I am a fanboi). They should be on the street within a month or two.
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What would you like to know?any more details on these cabs? Both look to be of interest.
I should be able to do that next week.I find the CN410 interesting. Looking forward to someone comparing the CN410 to the CN212.
It's a speaker switcher. It has eight switchable outputs from one input.Man that looks cool. In some other pictures I saw that box that's under the B|amp with single, unmarked knob. I wonder what that is?
A lot of thought went into it.Hmmm... Lots of 1's and 0's involved here id love to try one against a similar non-digital SS amp just as far as tone, I think this guy spanks the competition as far as bells and whistles!
I can absolutely tell. Smarter men than I build amps!A lot of thought went into it.
What would you like to know?
so it's been a number of hours... and no more info about this!I don't care that this timezone thingy means that most of you might be asleep!
To those who have heard it.... what does it sound like? I'm guessing the way that the profiles can tune the Eq, HPF, multiband compression and limiting to the cab - a bit like Jim did with the ip series - but what does the preamp on this thing sound like?
Man it would be great to have a footswitch w/ an amp like this, so you could do EQ presets and muting, in addition to optimizing for cab out puts. That would be great for doublers. One setting for Upright, another for electric...boost, solo, etc. Maybe down the road. -DK
Actually, Jim's in Hall E, which is notably quieter than the cacophonous upper halls, so you can actually hear what's being played. It's difficult to describe sound in words. I'll give it a shot after Sunday. The amp is clean and versatile. It's more akin to GK than Aguilar (but really has its own voice, which is to say not very much inherent coloration with everything at noon). I didn't spend much time dialing in different frequency centers, but I should have a chance to do that next week. I'll add more info in the next couple days. Clean and pristine would be appropriate adjectives.You can't really tell much at NAMM - can't turn up loud enough and too much other noise. My bet would be this tends towards the clean/pristine side of things.
Actually, Jim's in Hall E, which is notably quieter than the cacophonous upper halls, so you can actually hear what's being played. It's difficult to describe sound in words. I'll give it a shot after Sunday. The amp is clean and versatile. It's more akin to GK than Aguilar (but really has its own voice, which is to say not very much inherent coloration with everything at noon). I didn't spend much time dialing in different frequency centers, but I should have a chance to do that next week. I'll add more info in the next couple days. Clean and pristine would be appropriate adjectives.