• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

best advice you ever got from an experienced player...

A friend who played a mean bass in a biker bar blues baand used to call me up to sit in and would stand behind me while we played and scream advice in my ear like

Hold the g-damn bottom you stupid fck!
And
Hold the bottom. Don't play that John Entwistle sht. It's the fking blues, not The Who.

I learned to hold the bottom. And then, when the time was right and the song calls for it, I go Entwistle on it.
 
Nothing said. But I got a deep sense of the beat when trading licks with Leslie Langston, former bassist for Throwing Muses at my apt in Somerville. It never left me once I sensed it in her. She was actually a funk bassist as she proved quite definitively.
 
I'm struck by some of these comments how little creativity and how much lack of ambition there is among many bass players on this site. These comments like "as few notes as possible" and "simple is better" are patently false unless followed with "if you want to work in an a formulaic band that sounds like everyone else". I'm not saying simple playing is bad by the way. I'm saying be yourself. Don't artificially limit your vocabulary for non musical reasons such as an ideology that was created to make studio sessions more predictable and therefore cheaper. Use your ears and let them take you where the music is going.

Bass Player magazine just published a list of their top 100 bass players. While not exactly the top 100 I would have chosen the likely suspects are all there. What connects all of these players? It not some false formula for determining whether a bass line is good by how many notes per measure. It's having a distinctive musical personality that makes the music they participate in better, or at least different, than it would be without them.

To me the best advice would be "be yourself" or "work to develop a vocabulary, an identity that's you". Without that you can be a bass player and maybe a financially successful one but you'll never be a "bassist". If your worried about playing less notes just to play fewer notes all you'll be doing is making subpar guitarists have wet dreams so they don't have to learn to listen and musically communicate with others.

Oh, and definitely bang the drummer's girl. I don't see how that could go wrong.
 
I'm struck by some of these comments how little creativity and how much lack of ambition there is among many bass players on this site. These comments like "as few notes as possible" and "simple is better" are patently false unless followed with "if you want to work in an a formulaic band that sounds like everyone else". I'm not saying simple playing is bad by the way. I'm saying be yourself. Don't artificially limit your vocabulary for non musical reasons such as an ideology that was created to make studio sessions more predictable and therefore cheaper. Use your ears and let them take you where the music is going.

Bass Player magazine just published a list of their top 100 bass players. While not exactly the top 100 I would have chosen the likely suspects are all there. What connects all of these players? It not some false formula for determining whether a bass line is good by how many notes per measure. It's having a distinctive musical personality that makes the music they participate in better, or at least different, than it would be without them.

To me the best advice would be "be yourself" or "work to develop a vocabulary, an identity that's you". Without that you can be a bass player and maybe a financially successful one but you'll never be a "bassist". If your worried about playing less notes just to play fewer notes all you'll be doing is making subpar guitarists have wet dreams so they don't have to learn to listen and musically communicate with others.

Oh, and definitely bang the drummer's girl. I don't see how that could go wrong.



You saved it right at the end there .
Nice dismount.
 
1. Years back a guy told me to stop using cheat sheets. I said something about knowing what the chords changes. He told me "you just gotta hear it."

2. I've been going to a jam where there's a really good bass player... I told him that hearing him play makes me want to practice. He told me "don't over-practice though. You loose the spontaneity that way."