Over the years Ive owned 60s Jazzs and Precisions, a couple of Gibsons,
5 Warwicks, a Status, a Tune Bass Maniac, 4 or 5 80s - 90s Fenders and 4
Stingrays, plus a few more not worth mentioning. In all honesty I must agree with Rick Rice. After playing my Stingrays I just dont want use anything else for live work. They seem to cut through the mix and not only can I hear every note Im playing, I can feel them too. Not something that I get with Fenders at the same volume. Second best for me is Warwick, then the Status, which is an old series 2 (No. 130.) These also cut through very well.
Ive had more Fenders than any other make and most of them have been good, but not the best. Until about 10 years ago nobody could persuade me that Fender was not the best but you live and learn.
Im sure that there are other makes out there that I havent tried that are also great and this is why this site is so good. I would love to try a G & L 2000 and a Carvin but I havent seen any here in the UK yet.
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5 Warwicks, a Status, a Tune Bass Maniac, 4 or 5 80s - 90s Fenders and 4
Stingrays, plus a few more not worth mentioning. In all honesty I must agree with Rick Rice. After playing my Stingrays I just dont want use anything else for live work. They seem to cut through the mix and not only can I hear every note Im playing, I can feel them too. Not something that I get with Fenders at the same volume. Second best for me is Warwick, then the Status, which is an old series 2 (No. 130.) These also cut through very well.
Ive had more Fenders than any other make and most of them have been good, but not the best. Until about 10 years ago nobody could persuade me that Fender was not the best but you live and learn.
Im sure that there are other makes out there that I havent tried that are also great and this is why this site is so good. I would love to try a G & L 2000 and a Carvin but I havent seen any here in the UK yet.
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