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Best musical advice you ever got

... After just a week and a half of sitting down with the bass for an hour a day (usually a couple hours but at least an hour), it's a whole different ballgame. The fire is back.

And then I went and played a doo wop show today with Bowzer and 7 other acts from the 50's and 60's and used none of my revitalized wankery.

But I noticed that my solidity is improving, my concentration during the gig is better, and I'm making a lot fewer mistakes. I've always been solid, but the extra confidence just makes it that much more solid.

And I'm not just practicing fast stuff. I'm also practicing slow stuff. Can't always assume that you can play the slow stuff if you can play the fast stuff, you know? Slow stuff is important at a doo wop show. Got to hit those whole notes on the one in 12/8 time at just the right moment. Spent a good 10 minutes every session working on that as well.

...I'll just say that anyone can do it...all you need is to put in the time and learn the right things to practice to get the most improvement. And that's learning the fundamentals of reading and writing music, learning how chords work and how to move in between them, and studying the greats to get ideas for your own playing.

:bassist:
 
My High School band teacher told us that the most important notes you will ever play are the first and last notes of any piece of music. To paraphrase he meant if you can start and stop together then you have over half of the song down, I am sure he was emphasizing playing together/team work.

This has stuck with me for 35 years.
 
During an indoor percussion practice, we where playing consistantly awful, and out of time with the metronome. After about 5 reps my instructor becomes furious and yells,
"Do you hear that thing clicking behind you!?!?!?!?!? THAT'S NOT A SUGGESTION BOX!"

probly not the best advise, but it is defenitly worth noting, and pretty entertaining.
 
I give all of my students a sheet of paper in their first lesson and ask them to read it aloud to me (no matter their skill level). On the paper is this quote:

"The most important thing you can do with this instrument is to not play fast, not play solos, but to get a good sound." - Ray Brown

I think this goes for music in general.

f
 

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