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Best single cab solution for small clubs?

Not sure if it meets your price requirement, but the AK Hathor 112T or better yet Changeling 112T would be my first choice for smallest lightest to get the job done and the Mesa Subway 115 would also be excellent albeit a little larger and I think slightly heavier (but nothing earth shattering).
 
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Last month I, somewhat foolishly, sold off my Italian-made Jeff Berlin 15" combo. For the last 5-6 years, I was using this rig to play anything from small outdoor events (decks/small festivals), to small clubs/bars. Now, I'm trying to find a lightweight single-cab solution (under 50 pounds or so) to run with my TH500. I tried one of the Ashdown Mag 210s in store and I didn't like it all. It sounded pretty muddy/indistinct to my ears given it's a 210. It sounded even muddier w an Ampeg PF running through it. In addition, I tried one of the new Fender Bassman Neo 115s. I liked that cab more. Also, I haven't been a fan of any GK cabs I've tried in the best. I could get better clarity and decent low end, but I didn't sound better to me (tonally) than the Aggie DB112s I have kicking around my apartment. I would use the Aggie for those gigs, but I hate the form factor, it's too low of a profile for me to just run one, and it tends to get lost in a band more, where the Berlin had no issues.

At this point, I have my eyes on 210s, 15s, and maybe "super 12s" w a more vertical profile. I would like to avoid 212 enclosures. A lot of the stuff I want to try out has been discontinued or hard to find used, i.e., older Epifani stuff. I'm looking for good bottom end and clarity, and evenness in the mids. A little bump in the low mids is fine, just not interested in cabs that are scooped in the mids or aggressive in the upper mids. I'm exclusively playing 4 string passive Fender basses w flats and nickel rounds atm, so I'm not interested in any cab that specializes in extended super lows. Budget: would like to keep it below $750 new or used. Any cab suggestions?
Last month I, somewhat foolishly, sold off my Italian-made Jeff Berlin 15" combo. For the last 5-6 years, I was using this rig to play anything from small outdoor events (decks/small festivals), to small clubs/bars. Now, I'm trying to find a lightweight single-cab solution (under 50 pounds or so) to run with my TH500. I tried one of the Ashdown Mag 210s in store and I didn't like it all. It sounded pretty muddy/indistinct to my ears given it's a 210. It sounded even muddier w an Ampeg PF running through it. In addition, I tried one of the new Fender Bassman Neo 115s. I liked that cab more. Also, I haven't been a fan of any GK cabs I've tried in the best. I could get better clarity and decent low end, but I didn't sound better to me (tonally) than the Aggie DB112s I have kicking around my apartment. I would use the Aggie for those gigs, but I hate the form factor, it's too low of a profile for me to just run one, and it tends to get lost in a band more, where the Berlin had no issues.

At this point, I have my eyes on 210s, 15s, and maybe "super 12s" w a more vertical profile. I would like to avoid 212 enclosures. A lot of the stuff I want to try out has been discontinued or hard to find used, i.e., older Epifani stuff. I'm looking for good bottom end and clarity, and evenness in the mids. A little bump in the low mids is fine, just not interested in cabs that are scooped in the mids or aggressive in the upper mids. I'm exclusively playing 4 string passive Fender basses w flats and nickel rounds atm, so I'm not interested in any cab that specializes in extended super lows. Budget: would like to keep it below $750 new or used. Any cab suggestions?
I'm very happy with my Markbass Traveler 123 cab...a 12", a mid and a tweeter, takes 800 watts at 8 ohms, moves a lot of air.. weighs about 48 lbs, but is easy to get in and out of car.. new price is $829, but musician's friend frequently has decent sale prices on their stuff....problem is, nobody has them in their stores, so it was a leap of faith, albeit one I was happy I took....
 
Dual voice coils?

Good guess - that would be one way to do it! In fact I had a sample custom dual voice coil woofer made for me several years ago, with different DC resistance for each coil, but it fell short in other areas. And it was quite expensive.

Actually I use a "high 4 ohms" woofer, with a voice coil whose DC resistance is just below 4 ohms. Then a switch places slightly over 1 ohm of resistance in series with everything in the cab (crossover and all), raising the impedance just enough that the cab is now effectively a "low 8 ohms" load, but still safe to run in parallel with another 8 ohm cab. We lose about 1 dB in efficiency and about 2 dB in voltage sensitivity with the switch engaged, but the woofer is fairly efficient to begin with, such that our 2.83 volt sensitivity ends up very close to that of the stock Kappalite 3015 (non-LF).

If you look at the voice coil DC resistance of Eminence's woofers that are often used for electric bass, you'll find several "8 ohm" woofers with a DC resistance between 5.0 and 5.1 ohms. Noticing that was what got my wheels a-turning in the first place.

The electrical Q is also raised proportionate to the increase in DC resistance, so the low end isn't quite as "tight" in "8 ohm" mode, but the cab has multiple pluggable ports so that can be addressed to some extent. But I wouldn't want to do this if the 4 ohm woofer's DC resistance was much lower - I think the downsides of adding much more series resistance would start to outweigh the benefits of being able to run a second cab in parallel.

I ran this scheme by the engineer who designed the Kappalites (including my custom version thereof) and he said it didn't raise any red flags as long as my resistor bank has adequate power handling. And it does.

Imo the cab sounds a bit better in "4 ohm" mode, so the switch isn't really useful as a voicing option - it's just to make it possible to add a second cab for loud gigs. And it can be omitted, saving a pound or so in weight (I use a lot of resistors in parallel) and a few bucks in price.
 
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Speaking of GK, I just saw NRBQ last weekend. The bassist had a GK neo 410 w/ GK amp that sounded incredible. The bassist (can't remember name, Casey?) played flats on an old possibly 1960s era Fender Mustang. He played with pick or with his thumb. Either way, what I heard were tones that were reminiscent of James Jamerson, Carol Kaye and an upright w/ gut strings all rolled into one.

I saw him at Fitzgerald’s in Berwyn, Illinois a couple years back and I was also blown away by his sound- it was amazing! Casey McDonough- awesome player, great sound! I couldn’t stop thinking about how wonderful his bass tone was.

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Could just be a UK thing. I’ve seen lots of pictures of peeling tolex, missing feet, handles coming loose etc. Never bothered saving them because it wasn’t that interesting, easier just to move on and buy/sell something with a better reputation.

Of course, this can be true of lots of brands or individual products. If ever we came across something with repeated issues we’d just delist it very quickly. You have to have a bit of faith that everything you sell is of good quality and won’t let a customer down on a gig.

There is definitely a thing about owners not wanting to go public because they want to shift their cabs quickly.

We heard so many issues in the store about how easily they damaged and saw some first-hand examples. It was enough to stop us taking them in exchange even though we knew they would probably sell fairly quickly.

I ordered two Big Baby 2 and had them delivered overseas. One of them had a tag that said Factory Second. They sounded fine and for some time I couldn't understand what was wrong.

It wasn't rattling and nothing was really coming loose. Things changed after I put my Markbass Multiamp onto the cab and left it there for several months.

The rubber was melting the Tolex or whatever they covered the one that had a tag that said Factory Second. Luckily I literally peeled it off (made that horrible crackling sound as I yanked it off) in time but there is a circle melted mark on the top of the cab to prove my point. Clearly some chemical reaction was going on.

Now, this is what I don't get. Barefaced didn't even bother to take that tag off!! I never got a response on this and needless to say, the least they could have done was to take the bloody tag off and at least try to fake it. Afterall I PAID FULL PRICE for these two.

How lazy could you be? Or was it an act of spite, as in who cares about what you the customer thinks. I gave these guys over 6 weeks beyond the deadline to complete my order. I was nice because I wasn't going to be back to pick them up on the due date. The least they could have done was to schlack that Tolex or whatever that covers the cab correctly, after all I bought two and had them shipped overseas, and gave them close to 2 extra months. These things aren't cheap. They are in the same league as the Bergs and Aguilars in my country.

Sure they sound fine. But I travel a lot. I thought I would be bringing these to wherever I would be moving in the next 12 months. Within 2 years, I would be putting my cabs onto the airplane at least 3 times. And each time is 2 legs. Quite frankly the build quality on my Big Baby2 makes me cringe, thinking about doing 6 legs. They sound great, but I didn't buy the likes of an Italian leather shoes that look good, wears well, but last one season.

I bought these so that I wouldn't have to worry about getting more cabs. My wife accepts the fact that I have many guitars and I just had a custom storage made for them. But cabs are a different topic. They just take up too much space to just store. Now I have to buy yet another cab because I am not confident in the build quality. Last thing I want is to pay extra to haul them onto the plane and then have them crap out at the destination.

I don't get paid to say nice things. I pay to get nice things. Unlike most of the peeps here who love their BF, this is my honest assessment of the shoddy business practice. I do not recommend them. I would have gladly paid that enormous shipping price and gone Greenboy / Fearful had I known.

I can't get rid of these in Ukraine because no one has the money to spend after that stupid revolution. Besides it cost me a bloody fortune to load them onto Turkish Airlines and bring them to Zookraine. Financial suicide soaked in blood all the way to hell. Questionable build quality bleeding into all part of my life, now and into the future.

This is my experience. I am not sugar coating anything. Everyone has a different story to tell. But I realized that I should return TB members a favor for the information and help I got from people over the last 3 years by giving people a different take on this cab. They sound great but not worth it. This is my experience.

Well on the positive side, I'll be able to own and hear why people are loving their Bergs. LOL
 
A common issue with playing in small clubs is the lack of space on stage, forcing you to stand over your speaker cabinet. With your sound at ankle level it's hard to hear yourself. Lifting the cabinet off the ground loses bottom end, so the answer can be to tilt the cab back, aiming the sound up towards your ears. Many small cabs are now
My Fearless F112 velcro'd Puma_0528.JPG
designed with this in mind. I've been playing through a Greenboy fearless f112H for a number of years now and am completely happy with it.
 
Re: Cab pointing at your ankles/hearing yourself issues:
I prefer to swap the usual band stage arrangement. I try to have my cab by the guitarist away from me and have their cab by me. It works really well for: 1. Hearing myself, 2. Not getting into a volume war, and 3. Just works better for working together.

Anyone care to chime in on why they don't do this (having to get within your guitarist personal space to tweak your head EQ/volume not acceptable reason :))?
 
Re: Cab pointing at your ankles/hearing yourself issues:
I prefer to swap the usual band stage arrangement. I try to have my cab by the guitarist away from me and have their cab by me. It works really well for: 1. Hearing myself, 2. Not getting into a volume war, and 3. Just works better for working together.

Anyone care to chime in on why they don't do this (having to get within your guitarist personal space to tweak your head EQ/volume not acceptable reason :))?

Glad that it works for you, but the farther away from my cab that I am, the louder I'd probably want it so I can hear myself. IMO it kind of defeats the purpose... like having your vocals only go to the wedge in front of the guitarist, and having his vocals only go through yours.

And then there's the amp settings thing. For low volume gigs I'd see there being less of an issue, but for louder stages I definitely want my amp pointing directly at me so that I can keep the stage volume as low as possible.
 

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