rashbeep said:you'll find differing opinions on the subject, personally i did not find much change in the sound after using them for a while.
Good to know. Thanks.
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rashbeep said:you'll find differing opinions on the subject, personally i did not find much change in the sound after using them for a while.
Jazzdogg said:Thanks, Walter.
Hard to inspect the cables to see if they seem robust when shopping online.
Does anyone know if there's a model designation to look for if you're trying to buy "the thicker ones?"
walterw said:yeah, that's the first i've ever even heard the idea of "burn-in" on IEMs.
(it's probably "burn-in" of you getting used to how they sound)
walterw said:the only thing to look at with these is the physical shape; my old superfi5 pros look just like these, and the weird thing is that they're configured so that the bend in the housing makes them stick out of your ears like the bolts in the frankenstein monster's neck!
i popped them off the removable cables and swapped them around left to right, so that they went the other way, with the bend nestling back into my ear instead of out into the air.
much less visually obtrusive on stage.
There are actually many after market emplacement cables out there. Just use the search tool in either Amazon or eBay. There Are some that promise "monster cable" type specs, but really, I bought one spare cable a year ago just to have on hand and it's still in its original wrapper. I haven't had a bit of trouble with my stock set of cables.
As a hint, as soon as you get home from your gig, not the next day...but right when you get home, take your ear buds out and hang them up to "dry out". This will greatly extent the life of the product by giving them a chance to dry out from all the ear sweat.
F-Clef-Jef said:I've never really noticed much difference with burning in my Atrios either, but I did it anyhow, because I wanted to feel more audiophile-ish!
JCRob said:Hehehe. I had a long hearing session last night!!
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Keithwah said:They are addictive aren't they. BTW, the extra cables were the actual UE cables I found on eBay for like $30. I really don't know if dropping $80-$150 on a replacement bud cable would give you the audio results they claim, but my experience has led me to buy good quality cables instead of the very high priced boutique versions. Your signal chain is only as good as its weakest link. I figure since I'm sending from my AT 3000 wireless to my Line 6 Pod Pro out to a $75 Jensen loaded DI, there's where my signal takes a hit big enough to negate the boutique cables. But who knows. I know I have never heard a difference between a Rapco Quad Flex mic cable and a Canare or Mogami or Monster.
that's what i'm using, except the earlier non-removable cable versions; they just sound hi-fi and even, everything in its place.I'm using Westone UM3X RCs, and was floored by the sound. They sound better (both fuller and more articulate) than my studio monitors.
that's what i'm using, except the earlier non-removable cable versions; they just sound hi-fi and even, everything in its place.
my older superfi 5pros have a crunchy high end by comparison.
I've been using Future Sonics Atrios for a few years, they work really great for bass. Those have a single dynamic driver, but they totally kick a$$.