I once sold a bass because it had a "clicking" sound every time I played a note!!
Turned out I needed to trim my fingernails.
Turned out I needed to trim my fingernails.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You got me convinced with that statement.
I'd hope Ed wasn't EQing his amp to make the clips he puts up sound better. That helps no one but the company making the product.
I run my test rig the same for any bass I demo: bass boosted to 1 or 2 o'clock max, low mids set to 120Hz with a boost to 1 or 2 o'clock, hi mids and treble flat. This is how I typically use any Genz Benz amp, I adjust the gain depending on the instrument's output. The amp does have a way of making basses sound good though. Not a problem in my opinion!
My goal is to present the instrument as true to form as I can. If the bass features onboard eq, I usually try to show what it can do. No additional eq occurs, though mic placement may vary from shoot to shoot, just slightly.
As far as the original question - yes, I have sold many basses because they didn't sound the way I wanted. And yes, eq can make up for some of what might be lacking with a bass... but I feel if it's not in the bass naturally, I'm not going to be happy with it. For me it's about choosing the right wood combination and pickup configuration first. And of course, that is still no guarantee, tone is an individual thing. Not every alder body Jazz bass sounds equal.
If I have to rely on the amp to fix it, the bass will not stick around long.
If you don't get a smile on neutral settings with your rig, it's not worth tweaking to find the sweet spot.
Why not? Just because you can't immediately find it does not mean it's not there.
I've been doing that too, but I think at a certain point, I became over-critical as I'm on my 25th bass. I just wish I was more open to fiddling with the EQ more to get different sounds out of my basses, instead of getting a different bass for each particular sound.
You're right but here's why I agree with the other guy: it's been far less time consuming/frustrating for me to find things that work great without tweaking to spend time tweaking something that doesn't. And I've never had something I had to tweak sound better after tweaking than the other gear that sounded great without it.
As a gigging musician, where time can be critical, tweaking is the last thing I want to be forced to do with an instrument.
If you're dealing with one bass and really want to like it, cool. It hasn't been hard for me to find gear that fits my mindset.
That's been my MO for years and it's saved me a ton of time. I don't have to fight instruments on gigs just to make them sound decent.
Who said anything about on gigs?
I get my sound through both the bass I play and the amp I play it through. I've "tweaked" it to do what I want, with what some might consider extreme EQ. I found my settings at rehearsal and at home, though, not at gigs.
Who said anything about on gigs?

I get my sound through both the bass I play and the amp I play it through. I've "tweaked" it to do what I want, with what some might consider extreme EQ. I found my settings at rehearsal and at home, though, not at gigs.
So, it's ok to invest lots of time in perfecting the set-up, but not investigating the possible sounds of the bass?
Can you honestly tell me that's what you got from what you quoted?
That's nice. Those settings are usually useless IME when I change environments.
For YOU. You might pursue a very different sound than I do. I overdrive the amp and crank the mids up while cutting out a little bit of low. I'm not aiming for amplifier transparency at all. You might be the opposite.
No need to get all sarcastic and snippy.

