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Big E Speakers Part 4 - Quadraphenia

MAS and tube amps are well reported here. Spiritbass will testify! My best sound ever is my Superbassman 300 with the original MAS BigE 48. I cheese out with compact heads if the gig is no big deal,(most of what I do), but I am going to drag the SB300 out more often for me and whoever cares in the club. Strong back weak mind holding thus far.
 
And also............I sympathize and respect alphamans post, this is not in anyway against your experience-just sharing mine and my opinion for the masses.

Reference the cab delivery situation........mike speaks for himself but I have shared my praise for him before. Disclaimer: I am friends with mike and play his cabs exclusively by choice.

I have experienced a delay before from mike before but I have always been understanding because he is a one man operation. It’s hard for me to stay mad at a dude who has invited me into his home so many times and involved me in the testing of gear. Or stay mad at a pro player is laid back enuff to take advise from a nobody like me about straps or amps and allow me to influence him. He is One man with a line of cabs and was also building amps and......attending both NAMMS and Musikmese in Europe. Im not trying to make excuses for him, but personal sickness and family tragedy’s have been a factor-just like the rest of us have had come up when we have to cancel a gig or show. I have also had NUMEROUS debates with mike about money, but he has always been fair and sometimes even called me days later and been more than fair about whatever we had previously agreed based on the circumstances. In a perfect world, I want MY product right now, only amazon and the substandard crap available at guitar center can promise that. I will wait for the BEST just like I work for the BEST. If you want the BEST, you gotta wait in line at the Apple store or put your money down and wait two years for your tesla. Subjective and emotional, but I think y’all get my point.


MAS players ✌
 
The only Mesa amp I've used to push my Flex 110 with was a Walkabout and it was good. After I invested in a Reeves C225, the Mesa was up for sale. I bought a Shaw B150 which is also awesome. If I were playing out (my rig stays in the sanctuary of my church), I would bring the Shaw because it is lighter. One does not have to die and go to heaven to experience amazing tone. The tube amp and MAS cab of your choice will put you on 'cloud nine'. Mick Jagger always had such a hard time getting satisfaction, but I don't anymore. :cool:
 
Curious if anyone has tried the DSM Noisemaker OmniCabSim with any of the MAS cabs - it seems to be the Swiss Army Knife of EQing!
Bet they would be a killer combination.

I would bet this as well, the voicings possible are just stellar. Love love love my OCS.
 
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Well, I'm jumping in here. I have a 210 Flex in my possession and am hoping it will be sufficient (with PA support, of course) for the Boulder Theater (capacity 1200) and the Fillmore in Denver (5000?). Haven't had a chance to really fire it up in a big room yet. Am I expecting too much from it? Head will be an Alembic F2B and Crest Powerlite 3.0. Excited but a bit nervous.
 
Well, I'm jumping in here. I have a 210 Flex in my possession and am hoping it will be sufficient (with PA support, of course) for the Boulder Theater (capacity 1200) and the Fillmore in Denver (5000?). Haven't had a chance to really fire it up in a big room yet. Am I expecting too much from it? Head will be an Alembic F2B and Crest Powerlite 3.0. Excited but a bit nervous.

As with any cab, there are a lot of factors that go into whether it will be "enough" or not -- how loud you play, how much deep low end is in your signal, room acoustics, bodies in the room, the mix, so it's hard to give a definitive answer. Mike did mention building a modular 310 Flex in the past for a performer who ran insanely loud stage volumes.

That said, you've got PA support. I've played a 210 Flex (modular version) at a few loud shows with and without support (albeit smaller capacity than you mention) and never came close to maxing it out. It's efficient, voiced (with the switches it has lots of voices) to be present (without being obnoxious) in a busy mix, and will go LOUD. Just how loud, I don't know, but I think safely as loud as a really good 610. Loudness aside -- or maybe in addition to the loudness -- the lows and lows mids are incredibly clear -- my impression listening to mine while another player sat in was that it cleared up the sound of the whole band -- it retains its dynamics better at volume than just about anything you've heard, and the dispersion is great. Put another way, if it's a "one fridge" gig, I think you'd be okay. A "two fridge" gig, I don't know. That's my best guess, anyway.

I haven't played the Alembic pre -- if it has a lot of sub-lows and you're going to be pushing the rig, you might benefit from using an HPF with it, regardless of cab. The Prolite 3.0 is listed at 870 W/channel @ 4 Ohms. If this is legit, I'd think it would push the cab pretty well. If you do bridge, be careful with that 3 kW.

When are the gigs? If you have a chance to open it up with your setup beforehand, I would.

Good luck!
 
Imo having used a flex primarily for a couple of years, you’re good. It’s deceivigly loud and the low end can be pushed well beyond what anyone could expect from a 210 before it starts to even break a sweat. I would say it is on par output wise with a high-quality 410, Although I think it has better lowend delivery, and better dispersion. Unless a high-quality 410 is not enough for you, I think you’ll be fine
 
It's a used Flex. I won't bridge the Crest (blew out too many JBLs and Faitals doing that). The gigs are tonight at the Theater and then next Wednesday at the Fillmore. If it were just me playing, I would be so concerned about trying it, but I'm also back lining for guest bass players. It's our yearly recreation of The Band's Last Waltz as a benefit for the Denver Rescue Mission, so it's about 60 musicians over the course of the night. Great music and spectacular hang.

The Last Waltz - Revisited