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Big E Speakers Part 4 - Quadraphenia

The 66 looks GREAT! One thing I notice, though, is that nice leather strap handle, intelligently placed on the side so as to not interfere with an amp. As a musician who regularly does urban schleps, it seems rotating it 90 degrees to run parallel with the long edge of the cabinet makes sense. Mike, am I wrong?
The 66 is big enough to warrant two handles, so I think that the rotation is correct for that carry.

The 46 has only one handle, but the orientation isn't as critical---the handle is on the 13 1/2" x 14 1/2" side--so you can carry it both ways.

Also (and a note to the mods---this question has been asked but I didn't have the time to find the quote) the 8 ohm drivers for the 46 are on order so the 46 can be either 4 or 8 ohms. I may be able to put a switch on the 8 ohm version for flat (ter) or more elevated midrange.
 
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In an ongoing effort to improve I feel that we've addressed these issues with the new generation. My current gigging cab is the new 66. The reason we went with the multiple 3's was to get an overlap in the mids/upper mids to do exactly what you say. A bit of a challenge crossover-wise. (glad we have Duke on the team).
Might not be apparent from my nitpickiness and the way I write, but the emphasis in my experience with the 2nd gen. 66 is on the "capable and versatile" part, not on all the things I'd change if I could have my ideal cab (whatever that might be) spring forth fully formed like Venus from the head of Zeus. Every time I've taken it out, I've gotten a better result with it, and the last time (outdoors) was very good indeed.

The hot/sizzly was my attempt to see how far to push the tweets to get a bit more high--high definition. Oops! Too far.
At home, for me, it's a bit much, but then I'm coming from a tweeterless (2x12+mid) cab. On stage, standing near the cab, it's less pronounced but still there (the overall effect is smooth, though). Out in the audience, even 8 or 10 feet, a non-issue, even for me. I think at some point I'll get it padded back a couple of dB like we discussed, but I don't want people to get the wrong idea. I've let a couple of accomplished players play through this cab while I listened and vice-versa. The only one with any nit to pick about the top-end was me, and that only when I'm on top of the cab. With any distance and a little volume, it's well integrated with the rest of the sound.

It's been mentioned that the cabs change character with volume, and that the effect begins pretty low. Not sure exactly where that begins or how it "ramps up", but I will say that I think this cab really comes into its own on the gig. I don't know where its limits are yet, as it's never shown any strain, but I'm enjoying finding out what it can do and how it behaves under different circumstances.

Miscellaneous note: Having gotten used to taking a little Markbass combo most places, this cab felt like a chunker to me at first. A couple of carries now and I'm used to it. It is still a two-hand carry for me (I can pick it up with one hand, but wouldn't want to go any distance that way), but an easy load-in/out. The kind I wouldn't have blinked at back when I still got any exercise! I even walked a block with it held to my chest -- don't want to do a lot of those, but it happened!
 
Having a party tomorrow night in Austin. Should be pretty cool. Hopefully a few people will stop by and jam. I was thinking about running a little recorded music through the 45/110, that should be ok right? I noticed a few other mentioning having done so with their 26's or 25's. I'm thinking he 45/110 might make my little house bump like a club... I have the cabs running through the crossover, everything should be fine, right?
 
Quick gig report 21O flex....
Location.. Hotel Ballroom
Music.... Funk with no P.A. support
Result.... Complaints about bass 3 floors up in another wing of the Hotel.

This Cab is a Jack Hammer at volume.
 
I was really pleased to speak to Mike last week while arranging for my 8ohm 46, he is super cool and very humble. I was shocked he called me after I'd sent an email, super cool, and it was a Saturday.

On a side note I hooked up the iPhone to the Minnie running into the 45/110. The cabs are running at 8ohms through the cross over with a -3db pad. I set spotify to Rebirth Brass Band and let it fly. It kicked off with "Do what cha wanna". Holy moly. The party is gonna bump tonight folks. It sound like there's a brass band in the living room, lol.
 
And did I mention Mike has the customer service thing nailed!

Oh man---he's being way too nice about this! His cab was almost 4 weeks late. It's the first cab made by a cabinet maker that will be doing a lot of my construction. The good news is that he's a better cabinet maker and is more timely than me. The only bad news was that we had to get all of the details clear on the drawings. Poor guy made two cabs with one (important) detail wrong. Not his fault. He made a new one and I just finished it. It has the new Min E filter in it which did improve the cab.
 
I was really pleased to speak to Mike last week while arranging for my 8ohm 46, he is super cool and very humble. I was shocked he called me after I'd sent an email, super cool, and it was a Saturday.

On a side note I hooked up the iPhone to the Minnie running into the 45/110. The cabs are running at 8ohms through the cross over with a -3db pad. I set spotify to Rebirth Brass Band and let it fly. It kicked off with "Do what cha wanna". Holy moly. The party is gonna bump tonight folks. It sound like there's a brass band in the living room, lol.
Rock it, Dom!