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Biggest mistake a band ever made

I was as well until I finally saw Gilmour live.

The experience of seeing the Wall tour twice, and seeing how committed and passionate Roger was, and then catching Gilmour's phoned in, "I clearly don't want to be onstage", performance, and underwhelming stage show (e.g. lighting was basically the stuff he used in 2006, which is really outdated by current standards) last tour....kinda put a nail in that coffin.

That Wall tour was a modern, expensive show; no expenses were spared on making that experience awesome for the audience. It reminded me that Waters is a passionated committed artist first, and foremost.

Gilmour's tour charged a similar amount, but was clearly more focused on profitability than actually presenting a good show. It was so poorly presented that it seemed like whoever was responsible either wasn't capable of knowing what a modern show should be like, or just did not care at all.

It made me, personally, accept that Roger was always the committed artist he claimed he was...and that Gilmour was the "not-artist, in it for the cash" type he's been accused of being.

YMMV.


Yeah the mileage varies. Roger is still rehashing the same stage musical he did in the '80s and Gilmour has moved on completely from the huge stage shows and bombast of the Floyd days and does his own thing. I can't agree that it shows Roger is the committed artist, in fact I think it shows that he's about profitability as much or more as everyone else. Gilmour put out a new album in 2015 and did a smaller tour, so I can't see how the in it for the money angle is supposed to fit here. If he was into that he'd be playing Dark Side of the Moon with Nick Mason and making much more.

As you said it's all opinions.
 
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Yeah the mileage varies. Roger is still rehashing the same stage musical he did in the '80s.....

Stopped reading right there.

It's clear you didn't see the Wall show. So while I can see you have an opinion, it's not informed by factual experience.

Roger's show was an audience focused multi-media event.

Dave's was a few dudes standing on stage with an outdated light show.

You needed to see them to understand the gap. You didn't. So you don't. You didn't see how budget Gilmor's setup was so the money grab concept is lost on you.

Gilmore would lose money if Mason was involved. It wouldn't double profits, and he'd want his half. So that argument is invalid.

Also not clear how spending more on your huge band and extensive stage show, and then charging the same for tickets as the guy that does neither, is being *more* focused on money. That literally makes no sense.
 
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-Black Sabbath fired Ozzy and then Ozzy went and kicked their ass for a decade or two before reconciliation measures brought them back together.

-Kiss took off their makeup, the only thing the band ever had going for them.

-Alice Cooper dumped his band and his records just turned into mush.

-Guns and Roses breaking up was bad for everyone but Slash.


So, what are the biggest mistakes other bands have made..???

here where your wrong:

1. some of us prefer Dio sabbath.

2. gimmicks (makeup) only get you so far, if the songs werent enjoyable they would not have not lasted over 40 years

3. Welcome To My Nightmare? mush? seriously? if that was the only album he made after the original group it would still prove you wrong. sure he's had ups and downs like any artist, but the majority of coops stuff is great.

4. I (and others) love what Duff has done since Gnr. plus he would be dead if he had stayed in the group. sounds like that was a win for him. he turned his life completely around in many ways after GnR.
 
Frank Zappa and the Mothers of Invention for never getting beyond Frank's sarcastic, condescending misanthropic personality and his penchant for juvenile lyrics. This could have been one of the truly great bands of all time if it didn't lose so much to Frank constantly having to be a smartass - and not very funny once you ran out of pot and tried listening to some of his music. I knew a guitarist like that. Dude could really play as well as write a great song. But he always had to weigh them down with bitter and sarcastic lyrics loaded with sexual innuendo - which he refused to change.

So it goes. You can't argue with crazy.

I agree on Zappa. People always quote him as if he had these pearls of infinite wisdom, but he was just an over opinionated guy who didn't think a lot of his opinions through like the rest of us. IMO of course.

That's the problem with self-confessed 'geniuses' like Frank Zappa and John Lennon. Bright guys who are clever with words who eventually become so enamored of their own 'superior' intelligence that they develop an absolute loathing for the rest of humanity.
It's very refreshing to hear something other than unabashed praise for Zappa's and Lennon's perceived superior insight and wisdom.

My picks for biggest mistakes are artistic rather than commercial - Kool & the Gang and the Commodores abandoning serious funk in favor of R&B/pop. Oh, they sold shiploads more records, but they weren't exactly no-name bar bands before the change.

Listen to "Jungle Boogie" and "Machine Gun", then listen to any of the hits that these two bands had in the '80s, and you'll see what I mean.
 
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As for the OP's position on the Beatles...
Hey, baby boomers, get over it, the Beatles owed you nothing(before the flames start, let me state that I'm right in the middle of the demographic). To continue to hold on to the 'what if' fantasy is just stupid. They belong squarely in the 60's that they helped to shape. That they existed(as 'The Beatles')roughly from 1960 to early 1970 is poetic justice(technically, George did some finish-up overdubs in first few days of January, '70, and Paul announced his departure that spring, but it was really all over except for the lawsuits by late '69). They started to break up the moment Paul stood alone on the Ed Sullivan stage with his Epiphone acoustic to sing "Yesterday". After the final SF concert at the end of the disastrous 1966 world tour, George was quoted as saying, "I guess I'm not a Beatle anymore". Epstein's death furthered the process, and while Magical Mystery Tour was a fumble but not the disaster it's touted to be, the subsequent White Album was indicative of they fact that they were really no longer a group. They had had enough of each other by that point, well before Yoko made her presence felt(to blame her completely for the 'breakup' is just lazy and uninformed). What would a 1971 Beatles album sound like? Probably a disjointed collection of the key tracks from 'All Things Must Pass', 'John Lennon/Plastic Ono Band' and possibly 'Imagine', 'McCartney'(and let's face it, that's not exactly a 'all killer, no filler' album), and Ringo could could have squeaked in with "It Don't Come Easy". It would have probably prevented those aforementioned albums to exist as complete, separate entities. Don't overlook that Ringo and George contributed to John's early solo stuff. But while yes, the whole was bigger than the sum of the parts, it was time for the four to pursue their own muses.
 
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As for the OP's position on the Beatles...
Hey, baby boomers, get over it, the Beatles owed you nothing(before the flames start, let me state that I'm right in the middle of the demographic). To continue to hold on to the 'what if' fantasy is just stupid. They belong squarely in the 60's that they helped to shape. That they existed(as 'The Beatles')roughly from 1960 to early 1970 is poetic justice(technically, George did some finish-up overdubs in first few days of January, '70, and Paul announced his departure that spring, but it was really all over except for the lawsuits by late '69). They started to break up the moment Paul stood alone on the Ed Sullivan stage with his Epiphone acoustic to sing "Yesterday". After the final SF concert at the end of the disastrous 1966 world tour, George was quoted as saying, "I guess I'm not a Beatle anymore". Epstein's death furthered the process, and while Magical Mystery Tour was a fumble but not the disaster it's touted to be, the subsequent White Album was indicative of they fact that there were really no longer a group. They had had enough of each other by that point, well before Yoko made her presence felt(to blame her completely for the 'breakup' is just lazy and uninformed). What would a 1971 Beatles album sound like? Probably a disjointed collection of the key tracks from 'All Things Must Pass', 'John Lennon/Plastic Ono Band' and possibly 'Imagine', 'McCartney'(and let's face it, that's not exactly a 'all killer, no filler' album), and Ringo could could have squeaked in with "It Don't Come Easy". It would have probably prevented those aforementioned albums to exist as complete, separate entities. Don't overlook that Ringo and George contributed to John's early solo stuff. But while yes, the whole was bigger than the sum of the parts, it was time for the four to pursue their own muses.


To further the thought...Paul stated in a RS article that he went into the studio with John after they had "broken up". The recordings were not good, therefore never released. The band were aways friends. (perhaps sometimes with differences) but, they were done as the Beatles. I think breaking up was the smartest move
 
To further the thought...Paul stated in a RS article that he went into the studio with John after they had "broken up". The recordings were not good, therefore never released. The band were aways friends. (perhaps sometimes with differences) but, they were done as the Beatles. I think breaking up was the smartest move
Consider that we never had to deal with a Beatles disco album.
 
To further the thought...Paul stated in a RS article that he went into the studio with John after they had "broken up". The recordings were not good, therefore never released. The band were aways friends. (perhaps sometimes with differences) but, they were done as the Beatles. I think breaking up was the smartest move
The one thing their break-up did was allowed George to release his work (which he hadn't been allowed to do in the Beatles).
 
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A massive pile of hit songs that are still listened to?

While Gene are Paul aren't the most impressive guys technically, they were both diligent competent songwriters with a very strong drive to succeed.

As is, a huge chunk of their recorded output was done with session guys. Peter by the fourth album, for example, was almost always replaced by a session guy. So the actual *players* on a lot of their stuff *are* musicians. So....I'm unclear on your point.
I don't argue that the Kiss audience loves them and still listens to their records, and I understand why.
As far as the members not being able to make a record as a band, I've never been turned on too much by music recorded by a band that does not play their own music together in the recording studio, and hires (on the clock) studio musicians to play what they are told to play, even though there are occasional cases where that has worked out great.
My point is some bands play poorly to the point of barely being a band, and it's always been hard to get to excited about them, like the Monkees and Paul Revere and the Raiders.
Kiss was signed for the exact same reasons that the Monkees were signed.
Their manager Bill Aucoin was a TV Producer, he was looking for a product to sell to pre-teens and that is what he got.
The Monkees is an example, The Beach boys is another, neither were real bands.
I was sixteen and worked at The House of Guitars, a large music store, when the first Kiss album was released.
All 40 employees (aged 16-25) that worked at that store were musicians or trying to be and everyone there thought Kiss were for younger kids.
The people that showed up to buy their records were almost all 10-11 year old boys, it was obvious that the band had aimed their record and whole cartoon persona directly at that audience.
There has always been a market for those pre-teen bands, they had previously been more pop singer and less rock band and primarily aimed at a female audience like they still are now, but those bands had never been taken seriously by listeners over the age of pre-teen.
Kiss became the exception when their pre-teen male audience had birthdays and became teens and adults.
So, I have a hard time seeing them as anything other than that, I was five years too old to get the Kiss thing....sorry.
I see them the same as Ricky Nelson back in the old days, New Kids on the Block for my daughter, or Justin Beiber now (even though Beiber can sing very well).

Well, now we're just running into opinion, then.
Pretty much the whole thread is just opinion.
I knew this was gonna be a dumb thread because of that, but started it anyway.
I wanted to find out what other people here thought were big mistakes bands had made.
Here is where you're wrong...Dio,Gimmicks,Alice,GnR, etc.
Opinions are opinions, not right or wrong.
.
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I don't argue that the Kiss audience loves them and still listens to their records, and I understand why.

Here we establish that, with or without makeup, they wrote songs that you acknowledge are good enough that people like them 40+ years later.

As far as the members not being able to make a record as a band, I've never been turned on too much by music recorded by a band that does not play their own music together in the recording studio, and hires (on the clock) studio musicians to play what they are told to play, even though there are occasional cases where that has worked out great.

My point is some bands play poorly to the point of barely being a band, and it's always been hard to get to excited about them, like the Monkees and Paul Revere and the Raiders.

Your argument kind of goes off the rails here.

1) they were capable of making records as a band. Just not in an efficient timely manner, and not to Ezrin's expectations.

2) Your second paragraph essentially destroys any potential arguments you'd make about "good" musicianship.

When you hear anything from KISS from Destroyer on you're generally hearing high caliber musicians backing Paul and Gene. So the input of those high caliber musicians is somehow diminished because they were hired to do a job?

So....Steely Dan is bad too? And all of mowtown. And The Beach Boys.....and...and....

Pretty much the whole thread is just opinion.

TBH I'm seeing a lot of people presenting facts that dispute your opinion. You even do above. You asked what KISS had left without the makeup then acknowledge they had some decent tunes.

Your decision to ignore those facts and call them an opinion is a choice, imo.
 
Stopped reading right there.

It's clear you didn't see the Wall show. So while I can see you have an opinion, it's not informed by factual experience.

Roger's show was an audience focused multi-media event.

Dave's was a few dudes standing on stage with an outdated light show.

You needed to see them to understand the gap. You didn't. So you don't. You didn't see how budget Gilmor's setup was so the money grab concept is lost on you.

Gilmore would lose money if Mason was involved. It wouldn't double profits, and he'd want his half. So that argument is invalid.

Also not clear how spending more on your huge band and extensive stage show, and then charging the same for tickets as the guy that does neither, is being *more* focused on money. That literally makes no sense.
I wrote a very big reply, but then I saw that you wrote Gilmor and Gilmore, so I'm not sure that the whole subject was about Pink Floyd, and deleted it. Plus this is not a PF forum where we can fight about who has better hair or nicer cars, Roger or David.
 
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As a HUGE Zeppelin and Queen fan:
1. Jimmy's descent into heroin (see 1977 tour of America)

Yeah - I was actually going to say something like "Page deciding to try heroin...." as well. That was a gradual decline, but really apparent in 77. The boots on Youtube make that abundantly clear.

Heroin's bad, 'mkay?

tumblr_m73snz5IEw1qff0qeo1_1280.jpg
 
And they both needed Rick Wright more than Waters would ever admit.

Of course Nick being only the drummer is easily replaceable.

I'm a big fan of Rick Wright as well. Didn't mention him because the big beef was Waters/Gilmour, but yeah, each member was key in that band. Speaking of, give Mason a second listen. Watch the Pompeii DVD and see how his drumming accompanies/answers the licks played. He's one of those drummers that plays with his ears. (Plus anyone who can keep time on that much acid gets bonus points just for that).
 
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