They're only available in 1 place currently? Everything is 4-ohms, so no possibility of adding cabs unless you have a 2-ohm-stable amp? And not inexpensive. Wondering what incentive there is to ever buy a 10/12 or 10/15 when 12/12s & 12/15s are available for the same price & are only slightly larger/heavier. .
They're available through one store and direct. Other products that are only available direct are only available from one place, not sure how many have an issue with that.
Here was the mindset behind this:
ONE kickass cab that'll utilize full power from the majority of currently popular heads while being capable of overkill for most gigs. In the smallest package we could make. One cab to replace what might normally take two cabs. Pretty big task but through experimentation and obviously outside the box thinking we think we've accomplished that goal. The design may not lend itself towards stacking with the three vent design for the the lower driver. We've had folks talk about buying two and we tell them that in most scenarios we doubt it would be needed. Imagine telling someone not to buy two of your products. We do it quite often.
I've always had excellent amplification. But I always hold out the possibility that there could be a next level out there. I'm extremely happy with the basses I play but as I've told many folks, I still look at everything else out there for a couple of reasons. One, to be informed. My overall experience and curiosity has paid off big time over my career as a musician. Two, if I were to come across something that was as much of a leap forward as what I'm using was... that's going to be a hell of a bass. I love being blown away.
If someone really wanted or needed to run two of these, we don't see much of an issue with that. Yes, you'd need two ohm stable amplification. Watts have never been cheaper (or lighter) so that's relatively easy to do. I have a 1500w 20 lb. rack setup that can be set to two channel and run four of our cabs. Completely unnecessary IME but it's an option. I could easily put together another rack with used components at 500w per side for around $500 - $600... the price of a average class D head. Or run two class D heads.
We made these for the
production of sound, not reproduction. There's a big difference between the two. We could've tweaked these to be as flat as possible but that was not a design goal. We achieved our design goal.
I'm familiar with most of what's available cab-wise and I'm confident of how our single cab solutions stacks up. This really wasn't about making a 1212 cab to compare to other 1212 cabs by numbered configuration or price-wise or size-wise (I am curious as to what you might think the direct competitors are?), it's about the sum total of the product: the sound quality, the physicality of that sound, the live performance, the ergonomics of the product and how they address common issues many bassists run into. Drue and I both gig. Gigging was the primary focus. We needed to push the envelope... hard. After a lot of work we're pleased with the results. Hearing the cabs, particularly in the mix, is a far better answer to the incentive question than anything I could say. Forgot to mention, people who've tried all four models back to back agree that they sound different. That would be the incentive of buying one Tank model over another Tank model and more important, preferring any or all of them over other cabs
We understand that the price of these is not cheap, by the same token, for what you're getting we think it's very fair and recommend that you compare it to the cost the two cabs you'd need to compete with it. Bottom line, you have to experience these and see if they work for you. Obviously they might not. Fortunately the reception we're getting in real life has been overwhelmingly favorable... once the talking stops and the playing begins.
If I am breaking any CUP rules by stating any of this it is not intentional and any or all of it can be deleted. I hope I addressed what the incentives are in checking these out.