Sound qualityFor those of you who have tried both, what are the stomps shortcoming? ....
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Sound qualityFor those of you who have tried both, what are the stomps shortcoming? ....
I will start this out by saying I love the core, but gas has be looking at the cores mortal enemy: the hx stomp.
For those of you who have tried both, what are the stomps shortcoming? I'm really interested in whether I can plug in two instruments, how flexible the eq blocks (can I go through more frequencies vs the cores set frequencies), drive sounds, and ease of use.
Any insights in 2025 would be great.
Ok, I think something is wrong with my unit, when I initiate a patch the entire original signal chains remains.
It does say it clears the patch, and then it is automatically renamed to init patch, or something like that, but nothing actually happens.
How do I clear a patch completely so I can start building my signal chain from scratch, and how do I delete individual pedals/dividers/mixers?
Remember that you have a few fx blocks that can be used in various ways, including adding another reverb or distortion. Also don’t overlook programming midi commands that change one block to another.Probably a bit early to judge it fairly, but my initial impression is that I do not like it, and I am fairly disapointed.
Way too complicated to set up a signal path, the fact that you can only chose 1 "Mod Dly", 1 "Reverb" and 2 overdrive/dists blocks in each path is not to my liking either.
And there is something about the sound of it, I can't quite put my finger on it, but it somehow feels 1 dimensional.
I also prefer the sound of the reverbs on my old Zoom B1Xon to this, and my NUX Tape Core Deluxe to the Boss Space Echo (they seek to emulate the same thing).
I will delve in deeper tomorrow, and see if I can cope a great basic tone out of it, and if I succeed I might keep it, otherwise I am probably going to sell it off again.
I can't see giving me the option to chose reverb for the general modulation "FX" blocks.Remember that you have a few fx blocks that can be used in various ways, including adding another reverb or distortion. Also don't overlook programming midi commands that change one block to another.
I can't see giving me the option to chose reverb for the general modulation "FX" blocks.
The options I get from the drop down menu for those is various modulation and pitch shifter effects, no drives or reverbs.
How do you do that?
I have a HX Effects (it has one more 'block' than the eight on the Stomp) , here is my experience.I will start this out by saying I love the core, but gas has be looking at the cores mortal enemy: the hx stomp.
For those of you who have tried both, what are the stomps shortcoming? I'm really interested in whether I can plug in two instruments, how flexible the eq blocks (can I go through more frequencies vs the cores set frequencies), drive sounds, and ease of use.
Any insights in 2025 would be great.
My current signal chain is listed on my forum profile.@Ritter667 You only get 1 reverb with it I'm afraid.
I'd give it chance, it's a very powerful device but there's just a few bits you need to get right. Getting your input levels right is vital I found, a good global eq can make a world of difference too.
It makes an excellent utility pedal, even if it can't replace your entire pedal board, it can do a lot to simplify it.
Out of curiosity what is your current board setup?
I tried again and I was definitely capable to improve the tone to decent.
But I also think it's a matter of me having perfected a rather complicated single pedal set up, with several analog parallel patches going on, through a lot of experimenting and a lt of thought going into it, just for my basic "clean" tone, so I should probably not expect and it is probably too much to ask of a relative generalized digital multi effect to be able to live up to that.
I just had hoped I could simplify it with this, but it just doesn't sound the same.
I am probably going to sell this off again, and invest in a couple of more single pedals, to complete my current setup.
It will be a hell to drag around with, but too much to ask from the Boss to live up to my rather specific requirements.
I just really liked the idea of a small compact unit doing it all, and I do love the fact that it allows for up to 3 parallel signal paths.
Ah, well, at least I got it to a good price, so I won't end up losing any money on it.
So onwards in the sage of my fight against the Boss:
I refused to give up, and my final conclusion is:
I like my single pedals better in every aspect, except one.
I like the amp modeling I got out of it much better than that of my NUX Melvin Lee Davis Preamp, however only if I use the one of the stock IR cab sims on the NUX, that is the Ampeg SVT-212AV IR.
Unfortunately NUX doesn't offer it outside of being build into the box, and I Google doesn't help me find anywhere where I can get an IR cab sim of the Ampeg SVT-212AV, and I kind of assume it wouldn't sound exactly as the one in the NUX anyway.
So now I ended up with having even more boxes, instead of simplifying my setup, and kind of underusing the GT-1000CORE.
The amp modeling patch I came up with by the way is the Orange Stack guitar amp, into a parametric EQ, then into the stock cab sim, mixed in parallel with the Gallien Krueger bass amp model, both mixed down and going into another parametric EQ, then into the bypassed cab sim for the Gallien Kreuger (Mic level all the way down, direct signal maxed, and then into my disengaged NUX, with only the Ampeg SVT-212AV IR cab sim active.
........ -> Orange Stack -> Para EQ -> Cab Sim ->
O<=.................................................................................... >=O>-> Para EQ -> (Bypassed Cab Sim) -> NUX Ampeg SVT-212AV IR Cab Sim
........ -> Gallien Krueger ->..................................... ->
I love how this sounds, but yeah, doesn't really help me simplifying my setup, quite on the contrary, and kind of waste to only use the 1000CORE for one single amp patch.
But I do love how it sounds now.
I'll refrain from derailing the thread further from now on, but thought this follow up might be in some people's interest.
I further made use of the 1000CORE's effect loops, which allowed me to ditch my 2 Boss LS-2 pedals that I otherwise used for parallel processing, so I am actually down one pedal, and with the LS-2's inconvenient side mounted jack sockets the CORE takes up just about the same amount of space, so my full signal path now looks like this:
My "amp-less" setup:
My signal chain explained in written form:
(*pedals listed in [ red/bold/underline text ] are "always on" effects*)
5 string 28.6" scale Ibanez GSRM25 Mikro Bass (strung with Elixir Nanoweb guitar strings, of the gauges .080 - .062 - .046 - .036 - .026, tuned in G# standard tuning, that is one half step bellow the upper 5 strings of a 7 string bass in regular B standard tuning) ->
->> XVive Undulator (tremolo pedal, but never actually engaged and used exclusively for its great buffer) ->> EHX Black Finger (tube driven optical compressor, with 2 preamp tubes operating at proper high 300V plate voltage, primarily functioning as a tube preamp stage, driven to just at the edge of the tubes's breakup point, but with some very subtle compression dialed in as well) ->> TC Electronic Sub'N'Up Mini (for adding a 1 octave up, mimicking an effect somewhat similar to that of an 8 string bass, using a custom made Toneprint) ->> DigiTech FreqOut (feedback generator) ->> EHX English Muff'n (Marshall based genuine tube preamp/overdrive) ->> EHX Tri Parallel Mixer (parallel effect loops mixer/switch) ={ [Loop 1]: ->> HoTone Trem (tremolo) |+| [Loop 2]: ->> Monarch MFL-22 Stereo Flanger (basically a rebranded Arion) |+| [Loop 3]: ->> Behringer VP1 Vintage Phaser (clone of the original big box EHX Small Stone) ->> [Return Loop 1-2-3] (each loop soloed with parallel clean blend, or combined in various ways) }=>->> Boss GT-1000CORE (digital multi effect) ={ Divider <= [Path A]: FX Loop 1: ->> Mosky Black Rat (RAT clone, in Turbo RAT, LED diode clipping, mode, quite raunchy, high gain distortion) ->|+|<- [Path B]: X-Dist (medium gain distortion blended with "clean" signal at a clean signal 52 : Dist 48 ratio) => Mixer (Black Rat/X-Dist blended at a 100/40 balance) ->> FX Loop 2: ->> Joyo Oxford Sound (clone of the Tech 21 Oxford, which is an all analog emulation of an Orange Amp type preamp, dialed in to deliver a high gain overdrive, always used blended with "clean" signal at a 100/100 balance) =>->> Divider <= [Path A]: Orange Stack (Orange guitar amp model) ->> Para EQ ->> Orange Stack Cab (I assume a 4x12 cab, mixed Mic: 100 Direct signal: 52) ->|+|<- [Path B]: Solid Stack (Gaillien Krueger bass amp model) => Mixer (Orange/Gallien Krueger mixed at a 56/100 balance) ->> Para EQ ->> (bypassed Gallien Krueger cab, Mic: 0 Direct signal: 100) }=>->> Zoom B1Xon (used predominantly as reverb and delay unit, with various different reverb and delay patches, including my always on {very subtle Plate Reverb -> subtle Spring Reverb} reverb patch that is part of my basic "clean" tone, and beside that, among others, an extremely thick, lush reverb patch, used as a pad effect with volume swells from the build in expression pedal, and a trippy reverse delay patch, though also used for a couple of additional other effects, including a prominent "wah" pedal patch) ->> Mosky XP Booster (Xotic EP Booster V.1 clone) ->> EHX Pico Deep Freeze (sample sustainer) ->> NUX Tape Core Deluxe (amazing digital emulation of the legendary Roland RE-201 Space Echo tape delay, most of the time dialed in to deliver a lush reverb like effect) ->> NUX (NBP-5) Melvin Lee Davis Bass Preamp + DI (not engaged, so only the cab sim and HPF/LPF is active: Ampeg SVT-212AV IR cab simulation, with HPF @ 40Hz, LPF @ 14kHz) ->> Boss RC-500 Loop Station
->> ART Tube MP Project Series (tube preamp and DI, with build in HPF, fixed @ 40Hz, engaged, tube driven to just on the verge of breakup point) ->
// ->> Band rehearsal/jamming/gigging // ->> Home practice // ->> Home recordings // :
// ->> Band rehearsal/jamming/gigging ->> Effects Return (poweramp input) of a Peavey Solo Special 112 (160W combo amp, with the build in speaker disconnect and instead hooked up to a passive PA speaker) ->> The Box PA 502 (passive full range flat frequency response PA speaker with 1x 15" woofer/mids driver + 1.7" high frequency tweeter horn (crossover 2.3kHz)) // ->> Home practice ->> The T.Mix Mix 502 (mixer) ->> Sennheiser HD 380 Pro (studio grade, that is FRFR, headphones) // ->> Home recordings ->> M-Audio Fast Track (audio interface) ->> Reaper (DAW) //
I plan further to add a master sometimes on basic delay on the CORE, for regular rhythmic delay effects, so I keep the NUX Tape Core as an always on reverb like delay effect, and perhaps 2 additional ambient effects as well, one of them likely a pre drive reverb, as well as I will add my NUX Ampero Footswitch, for an additional 2 control foot switches.
This should give me 1 foot switch to turn on/off the X-Dist, 1 switch to turn on/off the master basic delay, 1 foot switch for delay tap tempo, and 2 additional switches to turn on/off additional ambient effects.
It will all be within 1 patch then.
.