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I have a question, that I failed to Google my way to.

How does one chose which cab sims to use, and what kind of parameters can be tweaked in that regard?

A link explaining this would be welcome.

I am already routing out potential signal chains in my head, and pondering which single pedals I should probably keep and include in the two effects loops.
 
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The package have arrived, going to pick it up in a couple of hours.

So exited!

Read through all the documents I could found, and think I should have a good idea about how to set it up now.

And I already have a potential signal path drawn up, and planed out how to assign the 5 foot switched (I got an additional 2 foot switches extension control that I will add), though this may be subject to change once I find out how this actually works out and sound.
 
I will start this out by saying I love the core, but gas has be looking at the cores mortal enemy: the hx stomp.

For those of you who have tried both, what are the stomps shortcoming? I'm really interested in whether I can plug in two instruments, how flexible the eq blocks (can I go through more frequencies vs the cores set frequencies), drive sounds, and ease of use.

Any insights in 2025 would be great.

Owned Helix Rack, HX Stomp, still have GTKCore and Helix Native

Two instruments, the HX Stomp doesn't have two separate signal paths like the full Helix, so it's kinda possible but the solution is going to be a bit hacky.

HX Stomp vs GTKCore:
- only 8 blocks
- half the DSP of a full Helix
- freely selectable EQ freq and Q
- much better software editor, editing from the front panel is a pain (tiny screen, encoders feel cheap)
- drives sound good, sound quality really isn't a concern with these devices
- higher current draw
 
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Ok, I think something is wrong with my unit, when I initiate a patch the entire original signal chains remains.

It does say it clears the patch, and then it is automatically renamed to init patch, or something like that, but nothing actually happens.

How do I clear a patch completely so I can start building my signal chain from scratch, and how do I delete individual pedals/dividers/mixers?
 
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Ok, I think something is wrong with my unit, when I initiate a patch the entire original signal chains remains.

It does say it clears the patch, and then it is automatically renamed to init patch, or something like that, but nothing actually happens.

How do I clear a patch completely so I can start building my signal chain from scratch, and how do I delete individual pedals/dividers/mixers?

You can't. The Core has a fixed block layout. You can only move and disable individual blocks.
 
Probably a bit early to judge it fairly, but my initial impression is that I do not like it, and I am fairly disapointed.

Way too complicated to set up a signal path, the fact that you can only chose 1 "Mod Dly", 1 "Reverb" and 2 overdrive/dists blocks in each path is not to my liking either.

And there is something about the sound of it, I can't quite put my finger on it, but it somehow feels 1 dimensional.

I also prefer the sound of the reverbs on my old Zoom B1Xon to this, and my NUX Tape Core Deluxe to the Boss Space Echo (they seek to emulate the same thing).

I will delve in deeper tomorrow, and see if I can cope a great basic tone out of it, and if I succeed I might keep it, otherwise I am probably going to sell it off again.
 
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Probably a bit early to judge it fairly, but my initial impression is that I do not like it, and I am fairly disapointed.

Way too complicated to set up a signal path, the fact that you can only chose 1 "Mod Dly", 1 "Reverb" and 2 overdrive/dists blocks in each path is not to my liking either.

And there is something about the sound of it, I can't quite put my finger on it, but it somehow feels 1 dimensional.

I also prefer the sound of the reverbs on my old Zoom B1Xon to this, and my NUX Tape Core Deluxe to the Boss Space Echo (they seek to emulate the same thing).

I will delve in deeper tomorrow, and see if I can cope a great basic tone out of it, and if I succeed I might keep it, otherwise I am probably going to sell it off again.
Remember that you have a few fx blocks that can be used in various ways, including adding another reverb or distortion. Also don’t overlook programming midi commands that change one block to another.
 
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It's definitely not a plug n play unit. I think you need a digital sound design mindset to make it do what you want it to do. To get the amp sound you want, it might mean using extra EQ blocks, using two compressors and a limiter, using parallel/bi amping AIRD amps.
 
I tried again and I was definitely capable to improve the tone to decent.

But I also think it's a matter of me having perfected a rather complicated single pedal set up, with several analog parallel patches going on, through a lot of experimenting and a lt of thought going into it, just for my basic "clean" tone, so I should probably not expect and it is probably too much to ask of a relative generalized digital multi effect to be able to live up to that.

I just had hoped I could simplify it with this, but it just doesn't sound the same.

I am probably going to sell this off again, and invest in a couple of more single pedals, to complete my current setup.

It will be a hell to drag around with, but too much to ask from the Boss to live up to my rather specific requirements.

I just really liked the idea of a small compact unit doing it all, and I do love the fact that it allows for up to 3 parallel signal paths.

Ah, well, at least I got it to a good price, so I won't end up losing any money on it.
 
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Remember that you have a few fx blocks that can be used in various ways, including adding another reverb or distortion. Also don't overlook programming midi commands that change one block to another.
I can't see giving me the option to chose reverb for the general modulation "FX" blocks.

The options I get from the drop down menu for those is various modulation and pitch shifter effects, no drives or reverbs.

How do you do that?
 
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@Ritter667 You only get 1 reverb with it I'm afraid.

I'd give it chance, it's a very powerful device but there's just a few bits you need to get right. Getting your input levels right is vital I found, a good global eq can make a world of difference too.

It makes an excellent utility pedal, even if it can't replace your entire pedal board, it can do a lot to simplify it.

Out of curiosity what is your current board setup?
 
Like MrDinsale said the FX1/2/3 blocks do not have a reverb, it does do drives though. It's in the list, right after ''DEFRET B'' .

I have seen your pedal-board layout and I agree with you that it is probably too much to ask from a 'generalized digital multi effect' to replicate that! Well, it was worth the try : )

I can't see giving me the option to chose reverb for the general modulation "FX" blocks.

The options I get from the drop down menu for those is various modulation and pitch shifter effects, no drives or reverbs.

How do you do that?
 
I will start this out by saying I love the core, but gas has be looking at the cores mortal enemy: the hx stomp.

For those of you who have tried both, what are the stomps shortcoming? I'm really interested in whether I can plug in two instruments, how flexible the eq blocks (can I go through more frequencies vs the cores set frequencies), drive sounds, and ease of use.

Any insights in 2025 would be great.
I have a HX Effects (it has one more 'block' than the eight on the Stomp) , here is my experience.

I want:
1 compressor
2 LPF on clean path
3 HPF on drive path (the cross-over on the signal-split is not flexible enough to my liking..)
4 of course the drive itself on the drive path
5 send/return for a secondary external drive
6 volume pedal
7 noise gate
8 'amp' block for DI to FOH

...and than I want a delay/reverb and a 'crazy'-effect... Eight blocks is not that much if you also want/need some 'utility effects' (1, 2, 3, 5, 6 and 7). If you want to plug in two instruments eight blocks does also seem not that much, for starters you need a fx-send/return block for the secondary input.

Ease of use: Something I really dislike on the HXFX/Stomp; the tap tempo and tuner function share the same foot-switch > to access the tuner HOLD the switch and WAIT until the tuner screen appears : (
Also, there is no compression-level indicator.

Still using the Boss GT Core : )
 
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@Ritter667 You only get 1 reverb with it I'm afraid.

I'd give it chance, it's a very powerful device but there's just a few bits you need to get right. Getting your input levels right is vital I found, a good global eq can make a world of difference too.

It makes an excellent utility pedal, even if it can't replace your entire pedal board, it can do a lot to simplify it.

Out of curiosity what is your current board setup?
My current signal chain is listed on my forum profile.

As noted I still need to set up my modulation chain, which will be my analog phaser, flanger and tremolo pedals, which is the plan all will go in each their own respective effect loop of an EHX Tri Parallel Mixer that I still need to bye, and then towards the end of the chain an EHX Pico Deep Freez, that I also still need to buy, as well as my Boss RC-500 Loop Station, that I already own.
 
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Ahh ok, there's a lot of stuff going on there. As others have suggested though, its worth trying to approach it differently to how you might with actual pedals. You have the benefit with the core of using assigns to drastically change a blocks parameters etc.

If its not right for you though its not right.
 
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I tried again and I was definitely capable to improve the tone to decent.

But I also think it's a matter of me having perfected a rather complicated single pedal set up, with several analog parallel patches going on, through a lot of experimenting and a lt of thought going into it, just for my basic "clean" tone, so I should probably not expect and it is probably too much to ask of a relative generalized digital multi effect to be able to live up to that.

I just had hoped I could simplify it with this, but it just doesn't sound the same.

I am probably going to sell this off again, and invest in a couple of more single pedals, to complete my current setup.

It will be a hell to drag around with, but too much to ask from the Boss to live up to my rather specific requirements.

I just really liked the idea of a small compact unit doing it all, and I do love the fact that it allows for up to 3 parallel signal paths.

Ah, well, at least I got it to a good price, so I won't end up losing any money on it.

An update:
So onwards in the sage of my fight against the Boss:

I refused to give up, and my final conclusion is:

I like my single pedals better in every aspect, except one.

I like the amp modeling I got out of it much better than that of my NUX Melvin Lee Davis Preamp, however only if I use the one of the stock IR cab sims on the NUX, that is the Ampeg SVT-212AV IR.

Unfortunately NUX doesn't offer it outside of being build into the box, and I Google doesn't help me find anywhere where I can get an IR cab sim of the Ampeg SVT-212AV, and I kind of assume it wouldn't sound exactly as the one in the NUX anyway.

So now I ended up with having even more boxes, instead of simplifying my setup, and kind of underusing the GT-1000CORE.

The amp modeling patch I came up with by the way is the Orange Stack guitar amp, into a parametric EQ, then into the stock cab sim, mixed in parallel with the Gallien Krueger bass amp model, both mixed down and going into another parametric EQ, then into the bypassed cab sim for the Gallien Kreuger (Mic level all the way down, direct signal maxed, and then into my disengaged NUX, with only the Ampeg SVT-212AV IR cab sim active.

........ -> Orange Stack -> Para EQ -> Cab Sim ->
O<=.................................................................................... >=O>-> Para EQ -> (Bypassed Cab Sim) -> NUX Ampeg SVT-212AV IR Cab Sim
........ -> Gallien Krueger ->..................................... ->

I love how this sounds, but yeah, doesn't really help me simplifying my setup, quite on the contrary, and kind of waste to only use the 1000CORE for one single amp patch.

But I do love how it sounds now.

I'll refrain from derailing the thread further from now on, but thought this follow up might be in some people's interest.

I further made use of the 1000CORE's effect loops, which allowed me to ditch my 2 Boss LS-2 pedals that I otherwise used for parallel processing, so I am actually down one pedal, and with the LS-2's inconvenient side mounted jack sockets the CORE takes up just about the same amount of space, so my full signal path now looks like this:

My "amp-less" setup:

My signal chain explained in written form:


(
*pedals listed in [ red/bold/underline text ] are "always on" effects*)


5 string 28.6" scale Ibanez GSRM25 Mikro Bass (strung with Elixir Nanoweb guitar strings, of the gauges .080 - .062 - .046 - .036 - .026, tuned in G# standard tuning, that is one half step bellow the upper 5 strings of a 7 string bass in regular B standard tuning) ->

->>
XVive Undulator (tremolo pedal, but never actually engaged and used exclusively for its great buffer) ->> EHX Black Finger (tube driven optical compressor, with 2 preamp tubes operating at proper high 300V plate voltage, primarily functioning as a tube preamp stage, driven to just at the edge of the tubes's breakup point, but with some very subtle compression dialed in as well) ->> TC Electronic Sub'N'Up Mini (for adding a 1 octave up, mimicking an effect somewhat similar to that of an 8 string bass, using a custom made Toneprint) ->> DigiTech FreqOut (feedback generator) ->> EHX English Muff'n (Marshall based genuine tube preamp/overdrive) ->> EHX Tri Parallel Mixer (parallel effect loops mixer/switch) ={ [Loop 1]: ->> HoTone Trem (tremolo) |+| [Loop 2]: ->> Monarch MFL-22 Stereo Flanger (basically a rebranded Arion) |+| [Loop 3]: ->> Behringer VP1 Vintage Phaser (clone of the original big box EHX Small Stone) ->> [Return Loop 1-2-3] (each loop soloed with parallel clean blend, or combined in various ways) }=>->> Boss GT-1000CORE (digital multi effect) ={ Divider <= [Path A]: FX Loop 1: ->> Mosky Black Rat (RAT clone, in Turbo RAT, LED diode clipping, mode, quite raunchy, high gain distortion) ->|+|<- [Path B]: X-Dist (medium gain distortion blended with "clean" signal at a clean signal 52 : Dist 48 ratio) => Mixer (Black Rat/X-Dist blended at a 100/40 balance) ->> FX Loop 2: ->> Joyo Oxford Sound (clone of the Tech 21 Oxford, which is an all analog emulation of an Orange Amp type preamp, dialed in to deliver a high gain overdrive, always used blended with "clean" signal at a 100/100 balance) =>->> Divider <= [Path A]: Orange Stack (Orange guitar amp model) ->> Para EQ ->> Orange Stack Cab (I assume a 4x12 cab, mixed Mic: 100 Direct signal: 52) ->|+|<- [Path B]: Solid Stack (Gaillien Krueger bass amp model) => Mixer (Orange/Gallien Krueger mixed at a 56/100 balance) ->> Para EQ ->> (bypassed Gallien Krueger cab, Mic: 0 Direct signal: 100) }=>->> Zoom B1Xon (used predominantly as reverb and delay unit, with various different reverb and delay patches, including my always on {very subtle Plate Reverb -> subtle Spring Reverb} reverb patch that is part of my basic "clean" tone, and beside that, among others, an extremely thick, lush reverb patch, used as a pad effect with volume swells from the build in expression pedal, and a trippy reverse delay patch, though also used for a couple of additional other effects, including a prominent "wah" pedal patch) ->> Mosky XP Booster (Xotic EP Booster V.1 clone) ->> EHX Pico Deep Freeze (sample sustainer) ->> NUX Tape Core Deluxe (amazing digital emulation of the legendary Roland RE-201 Space Echo tape delay, most of the time dialed in to deliver a lush reverb like effect) ->> NUX (NBP-5) Melvin Lee Davis Bass Preamp + DI (not engaged, so only the cab sim and HPF/LPF is active: Ampeg SVT-212AV IR cab simulation, with HPF @ 40Hz, LPF @ 14kHz) ->> Boss RC-500 Loop Station

->>
ART Tube MP Project Series (tube preamp and DI, with build in HPF, fixed @ 40Hz, engaged, tube driven to just on the verge of breakup point) ->

// ->> Band rehearsal/jamming/gigging // ->> Home practice // ->> Home recordings // :

// ->>
Band rehearsal/jamming/gigging ->> Effects Return (poweramp input) of a Peavey Solo Special 112 (160W combo amp, with the build in speaker disconnect and instead hooked up to a passive PA speaker) ->> The Box PA 502 (passive full range flat frequency response PA speaker with 1x 15" woofer/mids driver + 1.7" high frequency tweeter horn (crossover 2.3kHz)) // ->> Home practice ->> The T.Mix Mix 502 (mixer) ->> Sennheiser HD 380 Pro (studio grade, that is FRFR, headphones) // ->> Home recordings ->> M-Audio Fast Track (audio interface) ->> Reaper (DAW) //


I plan further to add a master sometimes on basic delay on the CORE, for regular rhythmic delay effects, so I keep the NUX Tape Core as an always on reverb like delay effect, and perhaps 2 additional ambient effects as well, one of them likely a pre drive reverb, as well as I will add my NUX Ampero Footswitch, for an additional 2 control foot switches.

This should give me 1 foot switch to turn on/off the X-Dist, 1 switch to turn on/off the master basic delay, 1 foot switch for delay tap tempo, and 2 additional switches to turn on/off additional ambient effects.

It will all be within 1 patch then.
.

I should maybe add that the SVT-212AV cab got a tweeter, so the NUX IR I use of it doesn't start to roll off high end steeply before around 7/8 or so kHz.

So essentially this is still a bi-amping sort of setup, mind an old fashioned kind, with no crossover as such, though I do have HPF engaged in the parametric EQ between the Orange guitar amp and cab, the cab doing it's part as well.

As well as the Joyo Oxford Sound, earlier in the chain, mixed with direct/"clean" signal, got a simple analog cab filter build in, that also rolls off some low end.

Very punchy and snappy tone, with a lot of zing, which of course partly is also thanks to the fact that I use the bridge J pickup of my bass soloed, as well as the bass it self inherently got a very growly clear character.

And by the way, the drives on this unit sounds great, albeit you can still hear that they are digital, there is just something too clean/hi-fi and predictable about them to be analog drives, now this isn't necessarily a bad thing, as said they do sound great, but personally I wouldn't use them without being blended or stacked with analog drive pedals.
 
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