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Boss new wireless WL-50 and WL-20

Looks interesting they claim to have solved the active bass problem with the 20L that other units with the same design philosophy have. The only price that I have seen is $180 for the WL-20 models and $200 for the 50 model

It would appear that the difference between the 20 and 20l is the cable tone simulation. Apparently, the 20L has this simulation removed which works better with active basses. As such, the 20L would prob be better suited between the two for bass whether active or passive - you can eq the subtle treble roll off.

That said, considering the price, it would seem the 50 is the better deal for bassists who use both passive and active instruments as it has a cable tone on/off switch.
 
I see the WL-20 as a really nice solution when I just take my bass and a DI (no amps/pedals) to jam with friends. My Yamaha TRBX-505 sounds enough warm in this scenario (and is active so I can EQ for what I need), so just plugging the receiver into the mixer will remove 1 guitar cable + 1 DI + XLR cable. A wireless DI woohoo!!!!
 
I see it has auto channel selection, is this how the other makes operate? (I'm total clueless about wireless systems.)
only certain ones like the line 6 G10; the two halves are connected together, they search for a clear channel and sync to it, the light tells you they're ready then you pull them apart. i think the shure GLX-D16 does something similar.

my line 6 G75 OTOH has a scan function but it's semi-manual; you turn the guitar pack off then set the receiver to scan, once it chooses a channel it likes you turn the pack back on and manually set it to the same channel.
 
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well, they claim a 2.3ms latency (G10 is like 4ms, Shure GLDX can go up to 9ms).
let's see if that's true.
i think the shure's normal latency is at that same 4ms spec. there's something in the manual about other frequency bands it can go to when the interference is bad, with the tradeoff being that higher latency.
 
i think the shure's normal latency is at that same 4ms spec. there's something in the manual about other frequency bands it can go to when the interference is bad, with the tradeoff being that higher latency.

from Shure's website re. latency: GLX-D: 4 ms minimum; 7.3 ms maximum.

I recall it has two modes, one (mode 1) is faster but has less coverage and not recommended to use in crowded wireless environment, the other one (modes 2,3 and 4) is more reliable, but more slow.

actually not bashing the Shure, but recently upgraded my studio's audio interface and that dropped the latency in DAW from 4ms to less than 2ms and that's a huge difference, but the 4ms vs 7ms is far more notable.

it looks for me that WL-50 is like an improved version of G10: same design, but standard 9v power, less latency, no crappy DI, ability to charge the transmitter when not docked... --- on paper it all looks very good. how it will be in real life -- well, let's wait for first owners' impressions.
 
I'm definitely curious about this - I like the idea of plugging the tiny receiver into my amp/pedalboard with no other boxes or whatnot.

I hope this isn't line-of-sight based though - kind of defeats the entire purpose of being able to move around uninhibited by a cable. I just ordered a Stageclix, but if this gets strong enough reviews I'll definitely look into it.
 
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I'm not sure I like the charging arrangement. I have 8 disposable AA batteries. Two in my G30, Two in my Shure in-ears, and the four from the previous gig recharging. I also keep a set of four regular AA batteries in my bag just in case. And 3 cables in case there's too much interference. And if I'm going somewhere new I have a Behringer B205D spot monitor in my car just in case. As soon as I can locate a great deal, I'm getting a spare Class D amp to back up my Aguilar.
 

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