I think Indonesian has fine luthiers and great facilities. That is why they make good basses at multiple price points.
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I've sold a few Korean Skylines. I'll call it out, but never value them over the Indos.... the exception is with early Korean Joe Osbornes... and that has less to do with the country of manufacture and more to call out the factory stack knob control layout. Either way.... wholeheartedly agree with you. Because long ago there was a mistique to fenders made in xxxx that were better than the ones made in yyyy so now everyone thinks that mistque carries over to other brands.... it's not always the caseIt's annoying though how owners of older Korean ESP LTD, Lakland Skyline, etc. basses that moved production to Indonesia later will say "this is one of the better Korean built examples" when they try to sell it. I think it fuels the quality myth. I'm not saying you would do that, but it happens often.
I'm actually glad. I like seeing confused faces of those not in the know.It's a pretty good bass. I hardly touch my nice bass now. Too bad it says Squier. It would be worth more $$.
Yeah, I get compliments on appearance & sound frequently. At my last gig I had the lead player/singer stop mid-sentence to compliment me on the Squier when I took it out of the case. I hate to admit this, I have played it at my last 3 gigs! It is a small more acoustic type venue but with great musicians. I mentioned this earlier, but I was going to swap for a Mex Fender Jazz. The jazz was only very slightly better than the Squier, so I kept the Squier & my $300. Plus the neck on the Squier was better.I'm actually glad. I like seeing confused faces of those not in the know.
And again, this is just me. But I will starve myself out and try to avoid being lured in by the better prices and get a 'real' Lakland. It may mean that I don't have another bass or three for awhile, but I will tend toward a long and detailed search in the Used category anyway. Not saying that your Indo Lackland is not a great bass. It probably is, I just don't want to settle. I have also found out that in the end, I'm getting almost all of my money back on the top line basses if I ever want to sell. It is a pattern that I have not fully binded with but I am getting there. The part about getting all your money back has some things that need to watched as well. If it is a 'super-boutique', you know the ones made by like one guy who puts out a few instruments a year.......that tends to go to the other end where you will take a loss.
I know, I didn't mean it as a direct quote.... My personal opinion is they can and do put out some decent product, and like anything else each example should be judged for it's own merits.I have not been looking at the thread I started for about a half day now, not certain, but I don't think anyone used the term 'suck' in relation to the quality of indo instruments. I am just saying, perhaps after reading the thread and doing the research, that Yamaha is the only maker that 'build country' doesn't mean much. A lot of what I am saying is just MO. It has some backing that I am comfortable with tho.
This is it, basically. If you buy a $150 bass or bicycle, you know what to expect and it's completely unfair to wash all items from the same country with the same brush, when they are entirely capable of making $500 and $1000 and $2000 level instruments that are worth every bit of the price tag, assuming the company buying these items (the BRAND) is one that you trust. The factory simply makes what the brand asks/pays for.You get what the factory you are working with can make at your price point, and that is also affected by your company's rapport with that factory.
"Made in Indonesia" is now, what "Made in Korea" was 10-15 years ago, and what "Made in Japan" was 20-25 years ago.
Well made gear, great Quality Control, and better still, affordable prices.