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Carlo Robelli Club!

Thanks for a quick reply! It is definitely a great sounding bass! As far as preamp and all, part of that is just due to replacing all of the wires, pots, and other components from any corrosion or weather elements that may have affected it. It just easier to replace the whole preamp.
As far as the hardware, the bridge and tuners are excellent, but they are just worn, tarnished and have a little bit of putting. That and I'm not a huge fan of gold hardware - just a personal preference.

I haven't found any pickups yet, in a fairly brief search, that would be a direct drop in replacement just looking at Aguilar and EMG.

As far as refinishing, it's in great shape. I just thought I'd use it as a chance to do something different. The orange isn't terrible and I like the color orange, but I may do some type of flat/matte finish on it or let my wife paint it all crazy, who knows? Lol
You're welcome! I've not been super active on the forum lately, but there's no way I won't respond to a Carlo Robelli post ASAP.

Ah, I see what you mean about the preamp and replacing all of the components. Same for the tarnished hardware. Yeah, I know gold isn't for everyone. What color were you thinking? Same question regarding painting it?

Have you decided on a bridge brand?

I wish I had some pickup information to share with you. Let me know what you do end up finding.
 
I haven't quite decided on anything yet. Maybe black hardware and a matte green finish? Maybe silver hardware and pink? Who knows? Lol
I'm 100% going to put a new pre in mine soon. Can't hurt if you get an active/passive option.
I replaced the tuners on mine with ultralights and it's a noticeable improvement.

The main reason I wanted to comment.. unless there is a reason to replace the bridge entirely, I'd suggest just look into re-finishing it. Changing out the bridge can lead to headaches if the geometry of everything changes (speaking fom experience).
 
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Hi everybody.

I haven't been very active for a while. I hope to change that, now.

Ended up buying this Carlo Robelli fretless to add to my other two Robellis (4 string with flames, and 8 string).

It was in decent shape when I got it, although it was grimy, and smelled like a mixture of pets, and cigarettes. There are some scratches on the body, and ding on the face, and a couple on the neck. (I knew about them before I bought it).
Also, a few dings on the headstock, which I covered up with nail polish.

Took everything apart. Cleaned, lubed, and tightened the tuners. They work as they should.

Cleaned all the grime off of the fingergoard. Used some 0000 steel wool and lighter fluid. Yeah, I know. Ouch. But it worked.
Conditioned the fingerboard with boiled linseed oil on a recommendation from a luthier. Yeah, I know it's a hot topic. I figured I'd give it a shot. I don't feel like any back and forth about the pros and cons of it. Consider it an experiment.

It had some disgustingly grimy round wounds on it. Although they left some minor impressions on the fingerboard wood, once I cleaned it up they mostly went away.

Strung it with La Bella black tapewounds, then did a set-up. Adjusted the truss rod. I think I reached the end of its adjustment. I'm guessing it was never adjusted before. There was a bit of a bow, but I got rid of it.
Letting it acclimate to the dry environment in New Mexico for a week also helped.

Had to clean up the slots in the nut, adjusted the bridge for string height and intonation. The neck is now nice and flat, string height is really low with no buzzing, and the fingerboard feels nice and clean and silky.

Added Fretglo dots for the finger position markers, as the ones on the bass are teeeeeeeeeeeny. Plus, I often practice in a dark room. They help a lot.

It's passive (my other 2 are active). Neck pickup volume knob, bridge pickup volume knob, and tone. The bridge pickup potentiometer isn't working properly. It goes from zero volume to slight volume for 3/4 of the turn of the knob, then somewhat high volume at the end. Need to address that.

I also want to try and steam out the two dings on the back of the neck, because they land right where my thumb sits when playing certain notes.

All in all, I'm VERY happy with it. Glad I got it.

P.S. I have two more Robellis on the way! I'll post those when they're here.

View attachment 5154607 View attachment 5154608 View attachment 5154609 View attachment 5154610
Is this a short s ale or 34". It looks like s platinum series
 
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Hello CR Club! Just got this and thought I would share. Neck through. Longest sustain of any bass I've had. Made me laugh out loud how long a high G sustained.
Pickups look stock but no way that the varitone is stock. Pretty cool and usable tonal options. View attachment 4435165 View attachment 4435166 View attachment 4435167 View attachment 4435168 View attachment 4435169 View attachment 4435170 View attachment 4435171 View attachment 4435172
Hello,

I just found this post. I have searched for this bass for YEARS! I used to own the other 2 in this series and wish i had never sold them. rent was past due and I did what i had to do. still makes me sad. If anyone owns these. Contact me. I might be interested in buying them back!
 

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Hello,

I just found this post. I have searched for this bass for YEARS! I used to own the other 2 in this series and wish i had never sold them. rent was past due and I did what i had to do. still makes me sad. If anyone owns these. Contact me. I might be interested in buying them back!
I have a 6 string I'd consider selling. I am the original owner and bought it new in 1999.
 
Not sure this thread is still active..I bought a Carlo Robelli bass at Sam Ash around 1999 and ended up using it as my first synth bass conversion prototype, with a high level of customization. I always loved the way it played and being a 2 octave thru neck it was a good fit for the project. Yes there are imperfections in the finish but it is a solid instrument overall.

Here are a few pics of the finished bass. I have used it as a regular and synth bass on several shows. I have added a couple more synth bass conversions of higher level basses, but this was NUMBER 1 and allowed me to get a grasp on what would need to be done. Still have it and it is a beautiful and playable instrument!
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First time poster. I have played a 12ver for the last 20 years. I love this bass! Although for the last several months there is an apparent underlying feedback issue (hum) noticed in the speakers and monitors. After trying several things, I believe to be in the electronics. Therefore, I want to replace the pickups, pots and preamp - basically all the electronics. Looking for advice on what to purchase for replacements. Any advice? Thanks! PS I realize I may be spending more on the upgrades that the vaule of the bass, but I love this guitar too much to place!
 
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First time poster. I have played a 12ver for the last 20 years. I love this bass! Although for the last several months there is an apparent underlying feedback issue (hum) noticed in the speakers and monitors. After trying several things, I believe to be in the electronics. Therefore, I want to replace the pickups, pots and preamp - basically all the electronics. Looking for advice on what to purchase for replacements. Any advice? Thanks! PS I realize I may be spending more on the upgrades that the vaule of the bass, but I love this guitar too much to place!
I really don't have any specific advice as to replacement electronics, but I am always happy to read about someone who has, plays, and loves CR basses.
The 12 string is a rare beast! I've looked for one for years, but either they've been unavailable, or the price was more than I could pay at the time.

Would you mind posting a picture of yours?
 
As usual, it seems, I've been off of Talkbass for a while, so sorry for late responses and replies. Truth be told, I've been spending my time for the last couple of years mainly learning/playing Greek bouzouki, so my basses have been just sitting. That being said, I saw this Carlo Robelli for sale locally on Craigslist. Since I am collecting various versions and models of the years, I didn't have a P-bass, and I didn't have a Made in Japan CR until now. Well, that's what the plate on the back says, anyway. If it is a made in Japan model, I think I did well buying the bass, and the hardcase for $160.


All in all, other than being filthy, it's in good shape. Two of the tuning pegs seem to be separating a put between the handle and post. I think that's an easy fix. The paint on the back has a couple of small scuffs, and the neck has a couple of dings, but nothing that gets in the way (people always seem to ding their necks).

I don't know much about the Japanese made CR's, other than they are considered a bit more "collectible" (so to speak) than their later made brethren. Is this true? Does anyone have any info to add? What about the serial number?
 

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I really don't have any specific advice as to replacement electronics, but I am always happy to read about someone who has, plays, and loves CR basses.
The 12 string is a rare beast! I've looked for one for years, but either they've been unavailable, or the price was more than I could pay at the time.

Would you mind posting a picture of yours?
IMG_8364.jpg
 
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