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Carvin SB5000 / SB4000 Roll Call...Part 8!

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Is this the satin painted neck finish?
 
That's a pretty nice tone even with a bad recording. I bet the bass sounded great live.

I have been playing my SB5000 for about 7 months now, and I LOVE this thing.
for anyone looking to hear a live sound, here is a little mp3 we recorded live from a local band in Toronto, Canada.
it was recorded off the floor with a TASCAM recorder.
its a salsa tune originally recorded by Jerry Rivera, and Ruben Rodriguez on bass. (da man!) hope you like and sorry for the screw ups, this band hasn't rehearsed for at least a year :)

http://soundcloud.com/ruddy-bola-os/me-acordaras
 
Have had my SB5000 now since August, have done every gig on it except for two. It's great. The tone knob, however, has a very small window between totally off and totally on. Would a new pot fix this?

Also, have people here replaced the pickups? What do people like for a more old school sound out of their SB5000?
 
Have had my SB5000 now since August, have done every gig on it except for two. It's great. The tone knob, however, has a very small window between totally off and totally on. Would a new pot fix this?

Also, have people here replaced the pickups? What do people like for a more old school sound out of their SB5000?

...And adjusting the tone and cutting the high's on the EQ isn't getting you there?? I can get old school on any of my six SBs no problem.
 
The tone knob, however, has a very small window between totally off and totally on. Would a new pot fix this?

I have a 2 band pre on a plate that I've used in another bass and I too thought the passive tone knob wasn't very responsive. It is an audio taper pot too...

I installed a passive tone w/ push/pull, active/passive switching on my SB with a 3 band and it works very well. Although, not sure if I'll ever use this tone knob.
 
Has anyone experimented with new pickup configs? I love the sound of the bass active, not as impressed with the passive, but have always been a passive player. That and the active electronics don't play well with some of my gear. I was looking at some Barts, Norstrands, or even some Curtis Novak 5-string J's.
 
Just curious... how do you guys think an SB5000 with ash body, maple neck and birdseye maple fretboard would compare in sound to an SB5000 with identical neck/body woods and an ebony fretboard? I've heard ebony sounds similar to maple...?

5sg.

Like many topics, there are lots of arguments about this here on TB. My guess: It likely wouldn't be possible to consistently tell one from the other in a sound sample.