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Chromes VS Fender Flats

Do I have to restate this every time, or is someone else finally going to look closely enough to see the differences between Fender and D'Addario:
Fender - grey, winding the opposite of Chromes, the wrap is narrower especially on the E string, core-to-wrap ratio is different, etc.
D'Addario - shiner, winding the opposite of Fender, the wrap is wider and the strings are less flexible.
 
Fender - grey, winding the opposite of Chromes, the wrap is narrower especially on the E string, core-to-wrap ratio is different, etc.
D'Addario - shiner, winding the opposite of Fender, the wrap is wider and the strings are less flexible.

I can understand how the size of the wrap wire and the core-to-wrap ratio would affect the overall feel and playability.

But I'm very curious about the fact these two are "wound in opposite directions" - whether it has any bearing on the tonal quality or the playability. Any significance there?
 
Just bought a set of fender 9050s in medium gauge for a P-Bass and they sound like roundwounds. Completely disappointed. Many reviews say the fenders are nearly identical to chromes which I have on my jazz........oh so far from the truth!! My chromes which are about 4 weeks old sound like Stax and Motown. Pure jamerson tone. The fenders sound very metallic or "tinny" in comparison. I feel like I might has well have bought roundwounds. Anyways, I'm going to take them off and buy another set of chromes in medium gauge. What a waste of time, energy, and funds. Not a fan of Fender flats.
: (
Eric, I know this doesn't apply to the two brands you're talking about; but for fresh-out-of-the-pack-broken-in-sounding-flats, you should try GHS Precision Flats. I love them. I love Chromes also, but only after they've been on for about a month or more. But the GHS flats sound just right (to me, anyway) right out of the pack. About half of my current basses are wearing Chromes, and half GHS Precision Flats.
 
Well, the problem has been cured. 9050s came off and a new set of chromes put on. Wow!!! What a difference. No Clangy Zingy metallic sounding ********. Just warm robust low end thump. These are going to sound amazing in about 4 weeks. Can't wait to break these in. But already 1000% improvement over 9050s right out of the package.

In the future I will try GHS precision flats on one of my basses to compare to chromes. But that will be a LONG time from now as I plan on leaving these on for years.
 
I can understand how the size of the wrap wire and the core-to-wrap ratio would affect the overall feel and playability.

But I'm very curious about the fact these two are "wound in opposite directions" - whether it has any bearing on the tonal quality or the playability. Any significance there?
I could make a bad joke about it does for me, since I am left handed playing a right handed bass, but in reality, probably not.
 
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Do I have to restate this every time, or is someone else finally going to look closely enough to see the differences between Fender and D'Addario:
Fender - grey, winding the opposite of Chromes, the wrap is narrower especially on the E string, core-to-wrap ratio is different, etc.
D'Addario - shiner, winding the opposite of Fender, the wrap is wider and the strings are less flexible.
Yes, apparently so. If I did not have GHS Precision Flatwounds on my Fender Precision, I would have Fender flats for sure.
 
I could make a bad joke about it does for me, since I am left handed playing a right handed bass...

If I did not have GHS Precision Flatwounds on my Fender Precision, I would have Fender flats for sure.

I would definitely agree with the idea that the two of you as lefties can benefit from the fact the Fender Flats are wound the opposite way! ;)

(Sorry I couldn't resist.)
 
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Just bought a set of Fender flats 45-105. To me they sound and feel like Chromes at least now when new. Too brite and clanky and a bit too stiff... and I'm not talking tension, it's just something about how they react to my right hand touch. If i buy a flatwound string I want a warm, articulate, organic sound and feel and I don't find that in the Fenders, Chromes or Rotosound flats.
I will keep them on for a while though to give them a chance of breaking in and maybe I'll have to reconsider my opinion later on. But for now Fender flats and chromes are the same string to me.
 
Just bought a set of Fender flats 45-105. To me they sound and feel like Chromes at least now when new. Too brite and clanky and a bit too stiff... and I'm not talking tension, it's just something about how they react to my right hand touch. If i buy a flatwound string I want a warm, articulate, organic sound and feel and I don't find that in the Fenders, Chromes or Rotosound flats.
I will keep them on for a while though to give them a chance of breaking in and maybe I'll have to reconsider my opinion later on. But for now Fender flats and chromes are the same string to me.

I hate the way the Fender flats sound when new. As you say, very bright and clangy - too much like the Chromes.

That said, I would suggest you give them at least three months before passing any judgement. The initial metallic clang will eventually settle into a fairly pleasing full-bodied low-mid grind. Chromes and Fenders do share some family resemblance, but my experience with them tells me they're not identical twins.

Meanwhile, for something with a "warm, articulate, organic sound and feel", I would recommend the Sadowsky Black Label Lite (40-100).
 
Yes, I've been a Sadowsky flats or LaBellas 760FS guy for years and that's probably where I'll end up again ;)
Just thought I would try something 'new' and leave my comfort-zone.
Right now I think I want to try the new Sadowsky Blue label flats. I like the fact that they're supposed to be warmer with more midrange, but as always I need to play them for awhile before I know.
As with the Fender flats that has been highly recommended.... so I'll try to leave them on for a couple of month and see where they'll go.
 
As with the Fender flats that has been highly recommended.... so I'll try to leave them on for a couple of month and see where they'll go.

The Fender 9050s are definitely not for those who are looking for a traditional flatwound sound and feel. Neither are they for every bass. I love them on my J for their throaty grind and a hint of growl, but not so much on my P.
 
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