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Now that's a good taper design, full gauge just clear of the saddle. These strings must be very flexible to have the saddles intonating so far forward. Thanks for the photos
I checked my 8-string, and it looks like only my F#,B,E strings are tapered. Maybe they start around .095? Did you ever get a chance to email CKS?
Funk, what 8 string do you have? My friend has a Galveston he wants to trade me for a sixer, I just have to obtain one when I have the funds. It looks like something fun to noodle on; if I get it I want to mod it for some properly sized strings.
Sweet looking bass! Regarding the Galveston, read the Harmony Central reviews - they are spot on. It is a surprisingly well-built bass, solid, and does sound pretty darn good. The preamp on his is a bit noisy, but that could probably be fixed (shielding or a ground issue maybe).
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A good candidate for Circle K's, or one can mix and match a set of Rotosounds for this thing for about $50-$60 off Amazon.com. The only issue is getting a string larger than a .145 attached to it as it is strung thru-body. Not sure how I'll do that yet, but it's begging for a much thicker F#.

new .124 dropped set + .158 low B ordered yesterday.
i think CK's are the only strings i get excited about ordering lol
You ordered a .158 for low B? What scale length are you using?
34" for my NS-5.
Skip recommended this "double drop" setup for me in fall 2010 when I told him I needed a set for ACGCF tuning or GCGCF tuning. I haven't strayed since.
Oh, I thought you were tuning it to B. That seemed a bit excessive, even for my high-tension tastes.
I too double-drop (ADADGC) using the .124 dropped 5-string set and a .166 for my low A needs.
To be honest, I have tuned to low G, maybe once and I wasn't a huge fan, so it usually stays in A.
However, I'm fairly comfortable w/ the .158 at this point so I haven't seen a need to change. But after my new bass comes in Brownie is going in for some major work so I could maybe try a .150 with the .124 set and see how that turns out. I have big hands and a heavy fretting technique so hasn't been an issue, thankfully!