Vic said:
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Tommixx and Vic.. Nice basses!!! Love the Vintage style bridge on the CAOJ LG too.
Vic cant wait to hear how it feels when you play through your regular rig.
Congrats
Well, I'm happy to say that I'm actually the lucky owner of that CAOJ LG5. After I bought it I talked to Vic about how great it was and he started looking into an LM5. I told him how cool it would be if we could A/B the LG5, LM5, his Sadowsky and his MTD walnut/ash (same wood combo as mine) through his myriad bass amps/cabs

.
Then it struck me...I don't have any gigs coming up, and I need to start writing my first two chapters of my dissertation or else I will face certain death at the hands of my wife and family, so I offered to send it out to Vic. He graciously obliged to pay shipping both ways and the deal was done.
My fingers aren't doing any playing lately (except for typing on my Mac) so it is great to get a "live mix", A/B report from Vic. We have pm'd so much this past year about tone that I know what he's talking about when he describes tone so I knew that I was in good hands.
Anyway, it's a beautiful bass, sounds great, and I'm already planning an LM5. What really made this bass special, besides the DN fingerboard (with a REALLY cool mark/void/rough spot near the 19th fret or so), is the 9/11 etching on the plate. I will always have a place in my heart for the victims of that day and I feel like the bass honors those feelings. The serial number also ends in a "T" which stands for "transition" - basses that were started in NY and finished in CA. It's already a collector's item
I'm tickled to have this bass and to be an AC fan!
BTW, can I have a club number please?


