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Club Fbass (Part 10!)

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+1

This is what I've used in the past... it's easy to find, inexpensive, and works extremely well...

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"...designed for the locking and sealing of threaded fasteners which require normal disassembly with standard hand tools..."

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Very cool tip, Vic. Thanks.
 
Hi all, I have been lurking on this thread for a while, and was wondering if anyone (particularly George or Marcel) knows if there has been a general consistancy in the depth of the neck profile on the BN5 or the VF5?

I hear people describe them as "thin and fast" and some describe them as having a fuller "c" type profile. I have played a few that seemed to be comfortably in the middle.

I think I read somewhere that they used to be thinner but have gone to a fuller profile for depth of tone? I have a really hard time playing 5's that have "thin and fast" necks as a doubler. Cramp city.

Thanks for all the great info, all. Hope to join you someday soon. :)

Hey Dylan,

Our BNs have a thin to medium neck profile and the VFs sit between a C and V shape. The ability to set up really low (with no fret buzz) is also what makes our basses "fast".

That being said, some owners request a slightly different neck shape when ordering. Due to the variation in the used market I'd suggest playing before you buy or state your preference when ordering new.

Hope you find the one that works for you!
 
Wow. I wish I had collected all the nuggets like this that get dropped in these Fbass forums for future reference. Marcel, things like this might make for a great FAQ for Fbass owners.

Oh yea, there's a sea of knowledge in these forums. I'll be sure to add the thread slip remedy to our FAQ's page very soon.
 
Edmond has struck again!

With his AC5, Edmond has posted another youtube video that is just a monster. I swear that at around 2:00 his fingerboard starts smoking!

Incidentally, t is AMAZING how different Edmond's tone is on this recording with his AC5 than Alain's tone is with his AC6. There are lots of reasons for that... redwood top verses spruce, DR DDTs rather than Fbass strings, the amount of piezo that is dialed in... but mostly the styles (and hands) of these players are quite different. You can really hear Jaco's heavy influence in Edmond's playing on this clip.

http://youtu.be/pXBdtUICjZ4
 
Having been a happy BN6 owner for 8 years, and having seen so many other fine insturments coming from Canada, what is it about our northern neighbors that encourages such bass building mastery? I would love to see George and Sheldon Dingwall work together on a build...What would that be like?
 
Having been a happy BN6 owner for 8 years, and having seen so many other fine insturments coming from Canada, what is it about our northern neighbors that encourages such bass building mastery? I would love to see George and Sheldon Dingwall work together on a build...What would that be like?
David! Post a photo of your BN6 so I can give you a club number! Good to hear from you.

I never thought of an F/Dingwall hybrid. I have thought about an F/Barker hybrid: a vertical AC6 classic. (The Barker is the tall black bass to the left).

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Oh boy. I did NOT need to read that. Oh boy.

I have a strong preference for 6 string basses. Just the thought that it might be possible for me to get from a 6er what I use my BN5, VF5 and Alleva Coppolo for... wow.

Good thing my wife is British. If she were from, say, New Orleans she'd probably get a voodoo doll of you. Beware of any random pains in the near future.



:p :hiding:


( sorry.... tell your wife I really love England)
 
Edmond has struck again!

With his AC5, Edmond has posted another youtube video that is just a monster. I swear that at around 2:00 his fingerboard starts smoking!

Incidentally, t is AMAZING how different Edmond's tone is on this recording with his AC5 than Alain's tone is with his AC6. There are lots of reasons for that... redwood top verses spruce, DR DDTs rather than Fbass strings, the amount of piezo that is dialed in... but mostly the styles (and hands) of these players are quite different. You can really hear Jaco's heavy influence in Edmond's playing on this clip.

http://youtu.be/pXBdtUICjZ4



I enjoyed that- thanks Tom. The Caron is one of my all - time favorite basses and they are so consistant. I'm really excited that I have one coming down the line in a few months:

34 " scale
One piece neck
One piece body
18.5 mm string spacing
Redwood top

That should be it for fretless...done.
 
I enjoyed that- thanks Tom. The Caron is one of my all - time favorite basses and they are so consistant. I'm really excited that I have one coming down the line in a few months:

34 " scale
One piece neck
One piece body
18.5 mm string spacing
Redwood top

That should be it for fretless...done.

Wow, really?!!! And you didn't share this with me? I had to find out this way? I thought we were friends... :bawl:
 
Holy Cow!! Amazing playing from Edmond again...

Edmond has struck again!

With his AC5, Edmond has posted another youtube video that is just a monster. I swear that at around 2:00 his fingerboard starts smoking!

Incidentally, t is AMAZING how different Edmond's tone is on this recording with his AC5 than Alain's tone is with his AC6. There are lots of reasons for that... redwood top verses spruce, DR DDTs rather than Fbass strings, the amount of piezo that is dialed in... but mostly the styles (and hands) of these players are quite different. You can really hear Jaco's heavy influence in Edmond's playing on this clip.

http://youtu.be/pXBdtUICjZ4
 
So....

I think my question got lost amongst the different threads....

I have no issues with the Nickel DR Lo-riders on my 60s VF5 other than that they are hard to get in a 5 string set...

Does anyone have any other suggestions for an alternative VINTAGE sounding option???



On my 60s/alder/rw PJ VF5 I use the stock Nickel DR Lo-riders, I like them but they're hard to get hold of, so I'm looking for other VINTAGE sounding options....
 
^
Yup, Flamed Ash



@basses55
Happy Birthday Mitch! If I could wish for your AC to be done in a day I'd make it so...unfortunately magic isn't my forte.
Happy (belated) birthday, Mitch.

And as for magic being your forte', Marcel, I beg to differ. ;) The Fbass site is the nicest website of any builder I know of, and getting better.
 
firebass said:
So....

I think my question got lost amongst the different threads....

I have no issues with the Nickel DR Lo-riders on my 60s VF5 other than that they are hard to get in a 5 string set...

Does anyone have any other suggestions for an alternative VINTAGE sounding option???

I think both Dunlop nickels and d'addario XLs are pretty similar to nickel lo riders.
 
So....

I think my question got lost amongst the different threads....

I have no issues with the Nickel DR Lo-riders on my 60s VF5 other than that they are hard to get in a 5 string set...

Does anyone have any other suggestions for an alternative VINTAGE sounding option???
I don't know if you want to go so far as using flats, but on my Alleva Coppolo I've been using Thomastik Infeld Jazz flats, and what a nice combination that makes. I've got a James Jamerson vibe, only with better articulation and slightly better tone happening with that bass.
 
Hi Tom7, I've been using TI flats on my AC6 for the past few years... thanks to you mainly... :-) They sound great on that bass, but I want a more vintage round wound sound on this bass I think. I also have a Jazz Bass with the same TI flats on, so I'd just like the most vintage-y sounding round wounds first - if that doesn't work then the flats are an option.

In fact, before I got the Jazz with the TI flats on I procrastinated about asking George to just put flats on the VF5 to start with, but I didn't want to mess with George's magic sauce - which I have come to respect in the 10 years I've been playing F Basses...



I don't know if you want to go so far as using flats, but on my Alleva Coppolo I've been using Thomastik Infeld Jazz flats, and what a nice combination that makes. I've got a James Jamerson vibe, only with better articulation and slightly better tone happening with that bass.
 
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