• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Club Sadowsky!!!

Thanks for posting the live cut. That was cool. The guys were tight that night.
Were you there?
It's interesting you say that because we all thought the same thing. That EXTRA increment of perfection is probably appreciated more so by players. Sometimes the presence of inspiration does a real number on your own performance. (Mark is arguably considered THE best around these parts). Not that these guys are ever lacking. They do this gig because it's a treat for themselves & we all get to hear something special. (I've got 13 recorded songs from that night)
B.
EDIT: Invalid Link Removed - (love the groove in the ending section of this song.)
 
Tell me its not going to be a big enough difference from my MV4 that I don't need it, please!!!!

I found a smoking deal on an NYC 4 String Vintage J - Ash / Brazilian RW

- its brand new and would cost me $3970 (can't divulge more details than that but I can say its an older one before the price increases).

sheesh.... where are those threads stating Maple & Rosewood sound the same? I need to go read them again :)

HELP!!!! :eek:
 
I don't think maple and rw sound the same at all. In fact I find that fingerboard has more of an effect than body wood. Some guys dig maple and say they can dial a mellower tone in, with my hands I have a tough time getting maple to sound like rw (especially braz - depending on string type and wear). To me pau ferro sounds in between the two.
 
^ Your not helping me!! ;)

No, I know - I hear Maple / Morado / RW - all different too. Not only the sound, also the feel of the strings and how they respond to the different fretboards
(Maple - more pop and snap/bounce)
(RW - more round plush and "give" to the notes).

But man... I wan't expecting to stumble accross this deal....
 
here she is:

SAD.jpg





SAD2.jpg

jeeze this is a tough one.... I wan't really expecting to drop $4K today, lol - but this is sure making me want to! friggin GAS, and yes - I am a tone freek. :)
 
Tell me its not going to be a big enough difference from my MV4 that I don't need it, please!!!!

I found a smoking deal on an NYC 4 String Vintage J - Ash / Brazilian RW

- its brand new and would cost me $3970 (can't divulge more details than that but I can say its an older one before the price increases).

sheesh.... where are those threads stating Maple & Rosewood sound the same? I need to go read them again :)

HELP!!!! :eek:


It'll be fine. Yes, the woods make a difference, but not enough for you to pass that deal up. Once you work in an amp, other instruments and a room's inherent sound, a lot of the differences get evened ou-- waitaminit, I think I've said this before.

Quick, where are Chef and Vic?

But seriously, another thing I've noticed from playing bass12's two (now down to one) Sads, plus the bunch I played at the shop in NYC is that the Sadowsky pre as such a unique voice that it also irons out the woods' natural differences a bit. In contrast, I've messed around on bass12's MTDs and would be terrified to order one rather than play a bunch and choose one, because Mike's electronics are so transparent that the various woods he uses significantly change a given bass's tone. So if you were asking this about a great deal on an MTD, I'd say that you should hold off. The Sadowsky? You're going to love it. It'll be a little different than what you're looking for, but comparatively speaking, it won't be that different.
 
roadkill2309 said:
It'll be fine. Yes, the woods make a difference, but not enough for you to pass that deal up. Once you work in an amp, other instruments and a room's inherent sound, a lot of the differences get evened ou-- waitaminit, I think I've said this before.

Quick, where are Chef and Vic?

But seriously, another thing I've noticed from playing bass12's two (now down to one) Sads, plus the bunch I played at the shop in NYC is that the Sadowsky pre as such a unique voice that it also irons out the woods' natural differences a bit. In contrast, I've messed around on bass12's MTDs and would be terrified to order one rather than play a bunch and choose one, because Mike's electronics are so transparent that the various woods he uses significantly change a given bass's tone. So if you were asking this about a great deal on an MTD, I'd say that you should hold off. The Sadowsky? You're going to love it. It'll be a little different than what you're looking for, but comparatively speaking, it won't be that different.

Totally agree, that pre is a big part of the sound!
 
here she is:
SAD2.jpg
[/CENTER]

jeeze this is a tough one.... I wan't really expecting to drop $4K today, lol - but this is sure making me want to! friggin GAS, and yes - I am a tone freek. :)
Stunning! Ash/ Mad.RW works well for me. If Braz rw is important for you to acquire at some point & if the weight is right - hard to pass on this I would think. If you think you'll roll it over - 'nother story. That's a knockout lookin' bass.
B.
 
Stunning! Ash/ Mad.RW works well for me. If Braz rw is important for you to acquire at some point & if the weight is right - hard to pass on this I would think. If you think you'll roll it over - 'nother story. That's a knockout lookin' bass.
B.

I agree! Love Ice Blue /rw on basses!