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Club Sadowsky!!!

Fear not, Roger has really got the shielding think figured out. He's been known for it since the 70's.

I received my first Sadowsky with singles a couple of years back and I thought the same thing. I was amazed at how little hum was present when I panned, and I live in the worlds noisiest house; short of strapping a beer sign around my neck.

I'm a true believer in the single, go for it!

Not to be deceived: Roger's basses are quiet, but they DO hum when the single coils are not at equal volume. Now, I get ZERO RF hum from my Sads, but single coils gonna hum.....
 
Firesalt said:
Oh, I understand where you're coming from now... I thought you were playing a Sad PJ (doesn't everyone?). You will probably be better at 250hz then instead of 400, it will give you a little more filler (fatter) without stomping over everything else. The 400 will give you more mids push if you have trouble getting heard without making it sound all treble-y.
It sounds like one of those "my low E is fantastic but my A string feels a little... lacking" sort of thing. If your sound tech knows what he's doing it shouldn't take a minute to iron out.
At lest that's been my experience from when I used to run sound professionally.

I agree you with you. I have a bass with a
Bartolini active pre-amp with a 250Hz mid
boost/cut. When I add just a bit of that 250
I have no problem cutting through the mix
with a punchier type sound instead of a mid
(600hz-1k) nasal honk type tone.
I leave my amp EQ flat so that I only use the
on-board bass EQ to color the sound of the
bass.
 
As many of you know do to financial pressures I was forced to sell my Sadowsky NYC about 4 months ago. It was a sad day as that bass was clearly "the one". Anyway, I'm now getting back on my feet a bit and on the market for a Metro. Ideally, I'd like an MV5 (w/SC's) but I'd consider an RV5 and maybe a four if the price difference was worth it. Ironically, the guy I sold my NYC too is thinking about selling, but I'm about a grand to 1500 short on that deal. But, if any of you are about to list a Metro MV or RV5, or know someone selling one please PM me.

PS: If anyone knows where my old Corsica Blue Metro RV5 (NAMM 3 0f 10) is, I'd love to get that one back if it's available. Randy Lopez sold her about a year ago, and can't remember who too.
 
I've been selling off some stuff lately; which, of course, will leave a guy/gal wondering what to do with the paypal balance.

I'd been considering one of the new G&L M2500's, and then saw this bass in classifieds here; and shoved off thoughts of the G&L.

I'm sure the M-Series are nice, and I bet I'd like them more than the L-Series (which I played for decades)...I'd sorta be surprised if this bass and the G&L M-series don't have some sonic similarities; and the Sadowsky won't leave me bothered by the G&L's narrow string spacing...

This should be here mid-next week:

SadM5.jpg
 
I've been selling off some stuff lately; which, of course, will leave a guy/gal wondering what to do with the paypal balance.

I'd been considering one of the new G&L M2500's, and then saw this bass in classifieds here; and shoved off thoughts of the G&L.

I'm sure the M-Series are nice, and I bet I'd like them more than the L-Series (which I played for decades)...I'd sorta be surprised if this bass and the G&L M-series don't have some sonic similarities; and the Sadowsky won't leave me bothered by the G&L's narrow string spacing...

This should be here mid-next week:

SadM5.jpg

That's pretty.
 
Ain't she?

I can't imagine I'll play above 9th position any more than I ever do, so some of that fingerboard will be wasted on me. More than anything else, I just wanted to try one of these and see if it had a place in my toolbox.

I've enjoyed the Sadowsky PJ experiment; and while I do have one I've more or less bonded with, it's not going to ascend to First Tier Assault Weapon status. Maybe this won't either, time will tell.
 
I've been messing with an m5-24 with big singles. Have not taken it out of the house yet, but it's pretty nice. I like the neck pickup solod as a big nasty Pbass type sound but with such a tight low end. Pretty cool. The blended sound is awesome but doesn't have a lot of use in the music play.

It's still undeniably one of the great 5 string basses.

I like it best with sadowsky black steels so far.
 
This is mine.

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Sadowsky NYC (Made in USA) #4769 Vintage 5-String

FINISH | Sonic Blue
BODY | Swamp Ash
FINGERBOARD | Maple, 12" Radius, 1 7/8" Nut Width
PICKGUARD | Parchment
HARDWARE | Chrome, Bell Cover
PICKUPS | Sadowsky Humcancelling
WEIGHT | 8.20 lbs. (3.72 kg)


Thank u
 
This is mine.


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Sadowsky NYC (Made in USA) #4769 Vintage 5-String

FINISH | Sonic Blue
BODY | Swamp Ash
FINGERBOARD | Maple, 12" Radius, 1 7/8" Nut Width
PICKGUARD | Parchment
HARDWARE | Chrome, Bell Cover
PICKUPS | Sadowsky Humcancelling
WEIGHT | 8.20 lbs. (3.72 kg)


Thank u

Drop dead GORGEOUS!
 
Ain't she?

I can't imagine I'll play above 9th position any more than I ever do, so some of that fingerboard will be wasted on me. More than anything else, I just wanted to try one of these and see if it had a place in my toolbox.

I've enjoyed the Sadowsky PJ experiment; and while I do have one I've more or less bonded with, it's not going to ascend to First Tier Assault Weapon status. Maybe this won't either, time will tell.

I really hope you like this bass. Many have given up on it (including me during a brief period of insanity) thinking it didn't have enough pillow or fundamental support. If you take the time you will get past it. I use it for everything from Louis Armstrong to Katie Perry. I can do the Motown thing, as well as techno pop with mine. With the M5-24,the VTC is not only your friend, but your personal sound tech. Check out this clip. Great playing for sure and the bassist shows a nice tonal pallet with his Modern
It can be a pit bull if you want it to, but it has a very sweet side if given the chance.
 
Hey Jerry;
you were one of the proponents of the Modern whose posts I read while researching whether it might fit me. Thanks for that clip.
There were two clips on line that hinted at it being workable for me. One is Will Lee; he sounds pretty fab on anything, so...there's that.
The other clip, I don't know the guy, but the middle two finger style clips are sounds I dig.