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Club Sadowsky!!!

EagleMoon said:
Don't go plain, otherwise you might as well get a Metro and save yourself a bunch of money.

Yeah, I thought of that already too. I really like the tone in mine so I may stay with a quilt top and basically repeat my T red, but with a PJ and Natural finish or dk cherry burst? Dunno. Big decision!
 
Awesome! I TOTALLY want to hear clips of this!

Just arrived:

DSC_2057.jpg


Only had about an hour with her so far, but things look very promising in terms of what I was going for sonically with this build and pickup placement.

Playing out Sunday.
 
EagleMoon said:
Question for those of you who use the Sadowsky strings. Have you had any trouble with dead strings? I've bought two sets, and of the two sets both G strings were dead out of the package. I've had this problem now and then with other brands with the E string, but never the G.

I use Sadowsky steel strings exclusively. Never a dead string. However, had this issue with other brands. Some bad wire obviously. Send an email to Roger and let him know. He'll address the issue!
 
When I said "plain", I meant a cool retro color w matching headstock! Maybe blocks?

I photshop'd pearl blocks. But the BEM just speaks to me. Retro color & headstock? While it's cool and all, it's just not me. If I go solid, it would most likely be Pelham Blue, no, ice blue metallic, mint guard, and blocks, oh my! :)

So many choices!!! Thank you Roger, may I have another? Lol!
 
Picked up this beauty this afternoon. Loving it already.
I'll take a number, please.

DSCN6259.jpg

Gary, that is one nice looking bass. Congrats!

Question for those of you who use the Sadowsky strings. Have you had any trouble with dead strings? I've bought two sets, and of the two sets both G strings were dead out of the package. I've had this problem now and then with other brands with the E string, but never the G.

I had a couple of dead strings in a flatwound Sadowsky set. The metal had a different appearance on those two strings, and they had half the volume of the other strings. I emailed Sadowsky and a new set of strings were sent out right away.
 
Dinosaur Punk said:
Just arrived:

Only had about an hour with her so far, but things look very promising in terms of what I was going for sonically with this build and pickup placement.

Playing out Sunday.

Congrats! That figured walnut top is stunning!!!
 
Congrats! That figured walnut top is stunning!!!

Thanks. I just took a couple of quick badly composed and exposed pics today before I lost the sun.

2012-10-26-10.43.40-copy.jpg


You're right. And pictures don't do the figure and flame justice.

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Even the back is beautiful:
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Had some more playing time with it today. It sounds pretty much like it looks, if you know what I mean. Can't wait to play it with my full rig.
 
Dinosaur Punk said:
Thanks. I just took a couple of quick badly composed and exposed pics today before I lost the sun.

You're right. And pictures don't do the figure and flame justice.

Even the back is beautiful:

Had some more playing time with it today. It sounds pretty much like it looks, if you know what I mean. Can't wait to play it with my full rig.

That is just beautiful!!!
 
I am really curious to hear your take on this one tonewise.

I was going to wait to post comments, but here's my preliminary impressions. This is after about 2 & 1/2 hours playing, both solo and along to some familiar backing tracks.

I first spent about 1/2 an hour playing this acoustically (i.e. no amp). Great definition and the notes just seem to sing.

Next, I plugged into my practice rig, which is a Genz Benz ShuttleMax 12.0 into a Genz Benz Neox 112T. Setting all the controls to flat, I then played a bit in passive mode (i.e. VTC pulled up). The thing I noticed was the great degree of variability simply by panning between pickups. It's also got great touch transparency - meaning the timbre changes drastically based on where and how I pick.

In both passive and active mode, the neck pickup sounds very much (to my ears) like a very clear P pickup. Panning to roll in a bit of bridge pickup, we get into either a PJ feel or a J feel. The bridge pickup soloed seems very J like. (And please I know there are many single-coil J purists on this thread -- and I love that sound myself. I don't mean it equals an Ash/Maple/SC - but you can definitely tell they're related by blood, so to speak)

My objective behind this pickup and wood configuration was "defined fundamental". In chatting with Roger about the various possibilities (neck wood, pickup type and placement), I had asked him about a this particular configuration, and he said,
"It sounds like a J but bigger and fatter."
I'd say he got it right.

Note that this is just initial impressions, with my practice rig, and I didn't even spend too much time going into the various VTC Preamp combinations.

I cant wait to get this in my usual sonic environment with my full rig to really assess where it's at. Sunday night! :bassist:

Me too, especially since those soapbars are a Bart P2 size/shell, I didn't even know Rodger offered those smaller sizes. Do you know if those are big singles, split coils or twin humbuckers in there?

Roger just changed the shell. [Invalid or Expired Link Removed]

They're not singles. Roger discusses their characteristics here
 
I was going to wait to post comments, but here's my preliminary impressions. This is after about 2 & 1/2 hours playing, both solo and along to some familiar backing tracks.

I first spent about 1/2 an hour playing this acoustically (i.e. no amp). Great definition and the notes just seem to sing.

Next, I plugged into my practice rig, which is a Genz Benz ShuttleMax 12.0 into a Genz Benz Neox 112T. Setting all the controls to flat, I then played a bit in passive mode (i.e. VTC pulled up). The thing I noticed was the great degree of variability simply by panning between pickups. It's also got great touch transparency - meaning the timbre changes drastically based on where and how I pick.

In both passive and active mode, the neck pickup sounds very much (to my ears) like a very clear P pickup. Panning to roll in a bit of bridge pickup, we get into either a PJ feel or a J feel. The bridge pickup soloed seems very J like. (And please I know there are many single-coil J purists on this thread -- and I love that sound myself. I don't mean it equals an Ash/Maple/SC - but you can definitely tell they're related by blood, so to speak)

My objective behind this pickup and wood configuration was "defined fundamental". In chatting with Roger about the various possibilities (neck wood, pickup type and placement), I had asked him about a this particular configuration, and he said,
"It sounds like a J but bigger and fatter."
I'd say he got it right.

Note that this is just initial impressions, with my practice rig, and I didn't even spend too much time going into the various VTC Preamp combinations.

I cant wait to get this in my usual sonic environment with my full rig to really assess where it's at. Sunday night! :bassist:



Roger just changed the shell. [Invalid or Expired Link Removed]

They're not singles. Roger discusses their characteristics here

That's one baad bass! Can you please clarify the pickup location - it kind of looks like 70's J-bass. And I'm totally geting what you describe as "defined fundamental."
 

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