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Same as everyone else... you get it, play it at home, and it's cool, but doesn't necessarily blow you away (except for maybe the playability). THEN you take it on some gigs, listen to it through some cans, and you see that familiar "now I get it" pattern forming. Yeah, it's "all that". I'm REALLY diggin' that bass... no mix it can't cope with VERY well.Vic, when did you get #4098? I've been eyeing one that like that for some time now but never pulled the trigger. What are your thoughts on this bass?
Thing is, there's nothing particularly "special" about this bass other than it's an NYC J5. It literally has NO upgrade options of any kind.
Yeah, even tho it had HC's when I played it, I now regret not giving it a bit more air time when I had the chance to check it out. With SC's tho, it's got to really sing!Haven't posted the NYC RV5 for a while. Check out that very red rosewood board! This one has a lot of gigs and a LOT of miles in the van on it! It will soon have single coils!
Hey, if we lived closer to each other, I'd let you play any/all my basses... problem is, would that be cool or cruel??![]()

One more time!
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Cheers,
Jim
...I just can't quite come to terms with all the fancy tops, etc. on a J style instrument (especially given the simple, Fender style maple headstock). The fancy tops look really strange to me when you put a pick guard on them and combine then with the natural (non-laminated) maple headstock...There's just something about the more simple Sadowsky's that say 'I'm a player not a collector'.
...However, it's cool that Roger makes all these options available, and of course, none of it impacts the tone anyway! They are all killer in their own way...

What, this old thing?
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I've been playing this bass a good bit of late, and it always strikes me the same way - this is how a bass should sound.
Tom.
+1
True, but even though I have a fancy top WITH a pickguard (parchment),
I can assure you I am no collector. All my basses see reasonably
frequent performance action, though the pay is often way way pitiful.![]()
Nice!That spec is the best IMO for the J style Sadowsky's. I just can't quite come to terms with all the fancy tops, etc. on a J style instrument (especially given the simple, Fender style maple headstock). The fancy tops look really strange to me when you put a pick guard on them and combine then with the natural (non-laminated) maple headstock (the Standards with fancy tops look pretty cool though if they have maple boards... Joey's red one above is KILLER IMO). There's just something about the more simple Sadowsky's that say 'I'm a player not a collector'.
However, it's cool that Roger makes all these options available, and of course, none of it impacts the tone anyway! They are all killer in their own way.
Your natural ash/maple combination is IMO the best looking Sadowsky so far![]()
Looks can be deceiving. My fancy topped M24-5 is currently my main bass has been played a LOT. Sure, I love the top, but I'm not putting it in a glass case. I play this thing.
I do understand your sentiment however. Although I love fancy topped Sadowsky's but I don't like fancy tops on A-C's at all. Strange.
What the heck... here's the orange bomber
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