Damn. You guys sure know how to make a guy eager. I'm almost 9-months into the wait and it is starting to get to me.
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I thought about the clear pickguard for my P/J 5, but I decided that I wanted the universal route (and I have pickguards for both regular and reverse P setup).
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The depth in that figure is out of this world.
Yeah, it was hard to cover it up when Roger sends pictures like these:
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But I think it looks good with the tort guard, too.
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It's funny, a guy came up during intermission at one of my gigs over the weekend to congratulate the pit. When I stood up to talk to him, he couldn't' take his eyes of my bass. He spent literally the next 5-10 minutes talking about it and staring at it; it got almost comical. It's pretty special that they sound even better than they look.
My other Sadowsky is Dakota Red, or whatever he calls it. Sounds great (it's a PJ like yours), but never gets complimented on the looks, just the sound. A producer I work with often says, "Bring your red bass." I know what he's talking about.
Thank goodness basses can't get jealous of each other.
I really do love the tone of the Sadowsky P/J's. It just sounds like "how bass should sound," to my ears, at least.
Tom, I'm not a PJ guy, and if I got a P, it would be a P bass with a P Bass body, but I remember playing that bass at your place and it KILLS!
I have to ask: I've seen a couple of recent Sadowskys with pickups like that (specifically, non-offset polepieces on the P). Do you know who makes them?
(And I agree: gorgeous bass!)
Superb consistency.Not sure if this has been discussed before. I admire Sadowsky and what he has done with his Bass but I wonder what exactly is the difference between a Fender-like basses and Sadowsky basses.
I know from the first page of this thread and from the website that he does the neck (sanding, finishing, contouring), fretwork (dressing, sanding, crowning), circuitry (routing, shielding), body (wood choice, drilling chamber), pickup. Anything else? Just curious on the things he does to make a great bass.
Not sure if this has been discussed before. I admire Sadowsky and what he has done with his Bass but I wonder what exactly is the difference between a Fender-like basses and Sadowsky basses.
I know from the first page of this thread and from the website that he does the neck (sanding, finishing, contouring), fretwork (dressing, sanding, crowning), circuitry (routing, shielding), body (wood choice, drilling chamber), pickup. Anything else? Just curious on the things he does to make a great bass.