View attachment 3134601
Snagged this lil' sweetheart after letting go of my WL5. The only wood/pickup combo I've never owned, and it looks like these early Satins were made as alder/indian rosewood configurations instead of Pau Ferro. All due respect to Pau Ferro and Pau Ferro's family, but I never have been a fan. Certain 'sploink' to the note when slapped that I've never cared for.
Really like this setup. I've only owned ash/maple Modern/M5's, and the combination here of alder/rw warmth and that Ken-Smith-esque pickup configuration is exactly what I was looking for. Always thought that the neck pickup soloed is reminiscent of a Pbass, and the warmth of the wood combo brings it even closer.
Only thing I'm contemplating is whether I should throw some super-aggressive big singles from Nordstrand/Aguilar. Because why not right?
Side note:
The smooth candy shell finish on these basses makes me want to bite into it and see if there's any nougaty-goodness underneath.
So, did some side-by-side, on-the-gig testing with my Sadowsky(s):
LONG story short is that I'll be putting this one up for sale. Glad I got to try this wood combo out, but it breaks down like this:
1) My flat-wound and foam mute-equipped PJ5 (alder/braz rw) is simply the best bass I own for old school tones
2) My fretless Modern/M24-5 has 'that' sound in spades, and switching back and forth between it and the fretted Satin above was illuminating. The NYC fretless (aside from the really obvious frets-versus-no-frets thing) just had more balance across the fretboard. The fretted Satin, and to
me all of the Modern Pickup Sadowskies reveal the following to me:
PROS
- Absolutely perfect B-string clarity
- THE best 'back by the bridge' tone ever
CONS (for
me):
- Notes in the middle of the neck on the D/G string are a little thin (yes I use the setup guide and a machinist ruler)
- Slap tone really sits in a mix perfectly, without overwhelming it, but is in the end an acquired taste.
3) My 'I can't believe the sacrilege' MTD 634, which has a Sadowsky Pre and Aguilar Big Single pickups. You wouldn't believe all the warm, tube-like warmth that Roger's pre imparts to this bass, which is
very 'Warwicky' for lack of a better term. All walnut body, no top, and with a Wenge neck and board. VTC off? The 6-string Sadowsky I've always dreamed of. VTC on? More complex and mid-rich take on the J-bass tone when slapped, and a down right
nasty/who-put-a-hamhock-in-my-cornflakes neck pickup tone when slapped.