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Club Sadowsky!!!

I played my first gig tonight with my new Satin J-Bass! I got it a couple of weeks ago, but my band had a rare couple weekends off in a row. I was hoping for a good gig photo, but didn't get much besides one I took after soundcheck. It was a Christmas party for a medical group that hired us to play. Photo (and a couple of others, below).

This is my second Satin J4. My first (Dark Lake Placid Blue ash/maple) came into my life about 10 months ago and saved my back with its light weight. It was such a game changer that I decided to sell my heavier basses and get a second Satin as a back-up. The newer one is Lake Placid Blue Satin (a slightly lighter shade) and is alder/morado.

I was not surprised that the second Satin had perfect build construction and playability like the first one. These are remarkable basses, so unbelievably good. The new one is similar weight, actually a couple of ounces lighter. I expected the sound (with the same brand/gage strings) to be pretty much the same, but there is a slight difference, to my ears. I don't have anything scientific or clinical like a side-by-side recording, just basic impression, but the new one (alder/morado) when played passive seems to have a little more in the mids than the first one (ash/maple). The first one seems to have slightly more really deep lows. Just my impression. But they are very close. And it might just be these two specific basses, so I wouldn't extrapolate that to anyone else's. When you kick in the pre-amp, there's no doubt they're both Sadowskys.

On the gig, the new one plays pretty much like the older one, with the exception of the look of the darker fingerboard and the feel of the back of the neck (I refinished the older one in gunstock oil/wax). I've been a maple fingerboard player for over 10 years, but I have to say that I like the look of the white side dots on dark wood under stage lights. The fingerboards that Sadowsky use are nice and thick, and the side dots are fully within, not half-and-half like the Fenders I've played before (see photo below). I do like the feel of oil and wax a lot better than the matte satin, so the new bass will get a back of neck refinish like the first one once it's broken in and starts to gloss up.

The new bass will be my #1, based on the slightly lighter weight, slightly more mids (at least my perception) and the beautiful morado board and dots. But they are both 10/10 awesome basses. Photos below... apologies for bad cellphone camera quality, will post better ones from gigs when I get any.

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What you do is whisper to the older Sadowsky, "You're still my favorite"...

... just make sure it's out of ear shot, from the newer one.

Sweet basses... Christmas in December! Ho, ho, ho... who would know?
 
I played my first gig tonight with my new Satin J-Bass! I got it a couple of weeks ago, but my band had a rare couple weekends off in a row. I was hoping for a good gig photo, but didn't get much besides one I took after soundcheck. It was a Christmas party for a medical group that hired us to play. Photo (and a couple of others, below).

This is my second Satin J4. My first (Dark Lake Placid Blue ash/maple) came into my life about 10 months ago and saved my back with its light weight. It was such a game changer that I decided to sell my heavier basses and get a second Satin as a back-up. The newer one is Lake Placid Blue Satin (a slightly lighter shade) and is alder/morado.

I was not surprised that the second Satin had perfect build construction and playability like the first one. These are remarkable basses, so unbelievably good. The new one is similar weight, actually a couple of ounces lighter. I expected the sound (with the same brand/gage strings) to be pretty much the same, but there is a slight difference, to my ears. I don't have anything scientific or clinical like a side-by-side recording, just basic impression, but the new one (alder/morado) when played passive seems to have a little more in the mids than the first one (ash/maple). The first one seems to have slightly more really deep lows. Just my impression. But they are very close. And it might just be these two specific basses, so I wouldn't extrapolate that to anyone else's. When you kick in the pre-amp, there's no doubt they're both Sadowskys.

On the gig, the new one plays pretty much like the older one, with the exception of the look of the darker fingerboard and the feel of the back of the neck (I refinished the older one in gunstock oil/wax). I've been a maple fingerboard player for over 10 years, but I have to say that I like the look of the white side dots on dark wood under stage lights. The fingerboards that Sadowsky use are nice and thick, and the side dots are fully within, not half-and-half like the Fenders I've played before (see photo below). I do like the feel of oil and wax a lot better than the matte satin, so the new bass will get a back of neck refinish like the first one once it's broken in and starts to gloss up.

The new bass will be my #1, based on the slightly lighter weight, slightly more mids (at least my perception) and the beautiful morado board and dots. But they are both 10/10 awesome basses. Photos below... apologies for bad cellphone camera quality, will post better ones from gigs when I get any.

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Sweet color! Nice choice. I love the Alder Morado combination myself, both of my Satin 5's are that way. I'm 100% with you on the weight factor - last night I had the rare-as-hens-teeth opportunity of having both of my bands on the same bill so I got to bring BOTH satins to a gig! They are in different tunings so they rarely leave the house together.

Long story short - 2 solid and very different sets, no shoulder issues, and killer tone the whole time. Bassist from the third band was oogling the Satins hard, probably a new Sadowsky customer in the very near future, lol.

I love these basses!

satins.jpg
 
This is my second Satin J4. My first (Dark Lake Placid Blue ash/maple) came into my life about 10 months ago and saved my back with its light weight. It was such a game changer that I decided to sell my heavier basses and get a second Satin as a back-up. The newer one is Lake Placid Blue Satin (a slightly lighter shade) and is alder/morado.


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Roger has some interesting articles on wood sound properties, especially the difference the board wood makes overall.
Your sisters sound about as different as you can get. 60's v 70's.
I have an NYC J4 and an NYC J5 both alder/ebony but the 5 has HC's and the 4 SC's.
They sound very different and I wouldn't change them.
 
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Received this pic from Roger today.
NBD is only 48 hrs away!
NYC Modern 4 in Satin Black Pearl
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It's Roger's smile...the one that says...here's another one of my thousands of precious children. If you take good care of it, it will serve you well.
 
I had the Sadowsky shop swap out the pickups in my Vintage Satin J-J with the NYC stacked version. According to Roger this required some additional routing of the bass body as the NYC stacked pickups are slightly taller. (The original Satin pickups were humcancelling but in my 5 string were giving me some induced hum from our large church lighting system. The NYC stacked version solved it.)