In the FWIW category...
Having not a whole lot else to do yesterday, I pulled out my Bergantino NV610T, plopped my Demeter VTBP-201 / QSC PLX1804 racks on top of it; and plugged a few basses in. Really good; no, great basses. Just your standard COVID isolation uninspired type of activity. At least I wasn’t dying.
Anyhow, the WAY YUUUUGE thing I discovered was that into a legit big rig, my NYC 4-24 is probably the finest sounding bass guitar I have ever had the privilege to play. No, that understates it. The moment was literally angels singing, heavenly lights flashing, and the Stanley Cup 2nd sudden death overtime goal buzzer coming on all at the same time. Well, at least that’s close, if a touch hyperbolic.
What I mean to say is that the lights truly came on for me with Roger’s whole chambered design. Previously, I’ve mainly gigged the bass into either Ampless signal chains or smaller 212 at most clubbing amps. Which doesn’t really capture the whole chambered resonance thing. And, to be honest, I was still undecided about that aspect of the build. This being my 4th Sadowsky, but my first chambered build, I just hadn’t been too sure what to think about it.
No more. That chambered 4-24 into a big rig just flat out nails everything I’ve ever hoped for with a Jazz bass and then some. Chalk me up to converted. I have swallowed the kool-aid, and it tastes amazing. I think I’m ruined forever.
As for the rest of my instruments....

Having not a whole lot else to do yesterday, I pulled out my Bergantino NV610T, plopped my Demeter VTBP-201 / QSC PLX1804 racks on top of it; and plugged a few basses in. Really good; no, great basses. Just your standard COVID isolation uninspired type of activity. At least I wasn’t dying.
Anyhow, the WAY YUUUUGE thing I discovered was that into a legit big rig, my NYC 4-24 is probably the finest sounding bass guitar I have ever had the privilege to play. No, that understates it. The moment was literally angels singing, heavenly lights flashing, and the Stanley Cup 2nd sudden death overtime goal buzzer coming on all at the same time. Well, at least that’s close, if a touch hyperbolic.
What I mean to say is that the lights truly came on for me with Roger’s whole chambered design. Previously, I’ve mainly gigged the bass into either Ampless signal chains or smaller 212 at most clubbing amps. Which doesn’t really capture the whole chambered resonance thing. And, to be honest, I was still undecided about that aspect of the build. This being my 4th Sadowsky, but my first chambered build, I just hadn’t been too sure what to think about it.
No more. That chambered 4-24 into a big rig just flat out nails everything I’ve ever hoped for with a Jazz bass and then some. Chalk me up to converted. I have swallowed the kool-aid, and it tastes amazing. I think I’m ruined forever.
As for the rest of my instruments....

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