I have a set in my metro Express and they sound excellentIs the consensus that the new stacked coil pickups sound a lot closer to single coils than the previous hum canceling pickups do?
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I have a set in my metro Express and they sound excellentIs the consensus that the new stacked coil pickups sound a lot closer to single coils than the previous hum canceling pickups do?
I had the NYC shop swap out my Satin 5-string HC jazz pickups (3 string coil + 2 string coil) with the newer stacked version due to some lighting interference I was getting. I could not compare them A to B, but I did not notice much difference in tone when I got it back from the shop. Not closer to a SC tone, as I recall.Is the consensus that the new stacked coil pickups sound a lot closer to single coils than the previous hum canceling pickups do?
Is the consensus that the new stacked coil pickups sound a lot closer to single coils than the previous hum canceling pickups do?
I have a set in my Satin 5-21, and I really like them as well.I have a set in my metro Express and they sound excellent
Was the interference with your old HC pickups a high frequency thing?I had the NYC shop swap out my Satin 5-string HC jazz pickups (3 string coil + 2 string coil) with the newer stacked version due to some lighting interference I was getting. I could not compare them A to B, but I did not notice much difference in tone when I got it back from the shop. Not closer to a SC tone, as I recall.
It was induced hum from the lights, like the hum a single coil is susceptible to. Not really high frequency noise. It was explained to me that the 5-string HC jazz pickup had two side by side coils, one for three string, the other for two string. Because of their unequal length they did not totally hum cancel. The newer stacked design solves that and they were silent in that same venue. Roger discussed the switch to these new pickups a few months ago in this thread.Was the interference with your old HC pickups a high frequency thing?
Does the 5-string MetroExpress come with the stacked HC pickups? Or the original side-by-side design?I have a set in my metro Express and they sound excellent
Does the 5-string MetroExpress come with the stacked HC pickups? Or the original side-by-side design?
...isn't it possible to obtain the same nuances with just another type of string set? ...no need for soldering!I had some Nordy SC's in an older Metro I had previously owned. I'm with @Vic - to my ears they were aggressive in the mids/low mids. Not bad at all - just had a little more bite than I prefer. The SD's in my Satin JJ5 seem a little more balanced and smoother to me. YMMV
Two slightly different but awesome flavors. Can't go wrong with either, really.

yes, it's RFI, most typically created by dimmers or ballasts in venues that have issues (which unfortunately, is fairly typical).It was induced hum from the lights, like the hum a single coil is susceptible to. Not really high frequency noise...
You can dismount the electronics and remount them in, for example, the Sadowsky “diamond” arrangement. No idea what the spec limits are. You would have to call and discuss with the shop folks for specific info.Hey guys does the Sadowsky Preamp have fixed knob positions or can they be moved to different configurations, if so do you know what the maximum distance would be?
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Agreed. It’s not always the pickups. Even in new/modern venues. They put up fancy stage set-ups with all kinds of lights and effects that are not isolated from the instruments. Most times you can minimize it by keeping in contact with the strings.yes, it's RFI, most typically created by dimmers or ballasts in venues that have issues (which unfortunately, is fairly typical).
True, but humcancelling pickups go a long way towards dealing with the issue.Agreed. It’s not always the pickups. Even in new/modern venues. They put up fancy stage set-ups with all kinds of lights and effects that are not isolated from the instruments. Most times you can minimize it by keeping in contact with the strings.
And, no. It’s not a grounding/shielding issue with the bass.
yep, telltale sign is if it changes a lot as you turn towards or away from fixtures and dimmers... sometimes even a bad ground in the building will do this, high tension wires or step down transformers fairly close to the venue.Agreed. It’s not always the pickups. Even in new/modern venues. They put up fancy stage set-ups with all kinds of lights and effects that are not isolated from the instruments. Most times you can minimize it by keeping in contact with the strings.
And, no. It’s not a grounding/shielding issue with the bass.
absolutely. it's what they were designed for.True, but humcancelling pickups go a long way towards dealing with the issue.
...isn't it possible to obtain the same nuances with just another type of string set? ...no need for soldering!
It's on his website...Question for Sadowsky ? How do the Morado fretboards differ tonally or how do they compare? Are they like Rosewood with more warmth?