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Club Sadowsky!!!

After reading about 2 pages about the pan knob I have an easy solution. Stop playing your other brand basses and only play your awesome Sadowsky and you'll simply get used to it! I think it took me 2 days to get it after my first Sadowsky.

Pic for distraction, let's see some awesome Sadowsky basses!
20200122_140834.jpg
 
After reading about 2 pages about the pan knob I have an easy solution. Stop playing your other brand basses and only play your awesome Sadowsky and you'll simply get used to it! I think it took me 2 days to get it after my first Sadowsky.

Pic for distraction, let's see some awesome Sadowsky basses!
View attachment 3881715
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To be more clear, when rolling the blend knob towards the rear pickup, I'd like the change to be more gradual. Currently, the mid bump seems to happen in the first 1/8th of rotation, I'm looking for a little more nuance.

I've mostly been a single-pickup guy, but IME that's typical for a blend. Same with a volume/volume config: doesn't take much of a turn to make a pickup disappear.

But there might be solutions so consider this a bump.
 
Lucky Americans don't drive German cars then, if you can't manage a Sadowsky blend control then the German indicator/wiper stalk would possibly kill you.
Having just shopped for a german SUV (less than 5 years ago it would have been a sport sedan), Audi, MB and BMW all have different gear shift set ups, thankfully basses aren't THAT complicated.
 
I've mostly been a single-pickup guy, but IME that's typical for a blend. Same with a volume/volume config: doesn't take much of a turn to make a pickup disappear.

But there might be solutions so consider this a bump.
the highly non-linear situation with passive blending IS very typical, but it's not as bad with vol-vol configs. And not to revive the endless debate over vol-vol vs blend, I just love the convenience of blend, so i put up with its issues. some companies have tried to design passive circuitry to help, but honestly, I don't think it makes a huge diff.

in short, no biggie, just dealwidditt.
 
Ok well a couple of years ago I had purchased a Sadowsky M24 5 string that I had traded for a MV 5 in trans white that I sold afterward. I am back in the Sadowsky family with this one now
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a MV-4 Special Edition. This one will stay with me.
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Nice! This close relative just came out of the shop:
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Howdy Vic!

I also prefer blend. It's easier for me to change on the fly if I need to do that.

Back when I was modding P-basses into PJ, I set them up for Master Volume + J Volume. I never wanted J to be louder than P, so this way P was always max (relative to J), and J growl could be dialed in to taste. Just as importantly, once I had the J pickup dialed in, then I could adjust overall volume level with just one knob.

I realize this wouldn't be acceptable for most (e.g. those who want JacoTone), and requires a reasonably well balanced PJ set, but I loved it. Not surprisingly both of my Sadowsky P-basses have just a single P -- I eventually decided that the mod factor was cool, but I didn't need the J.
 
......I set them up for Master Volume + J Volume. I never wanted J to be louder than P, so this way P was always max (relative to J), and J growl could be dialed in to taste. Just as importantly, once I had the J pickup dialed in, then I could adjust overall volume level with just one knob....
I do the exact same thing...have both my PJ’s wired vv.

Another thought for vv in my ‘ocd mind’ ...wanted to make sure the P solo’d had truly no influence from the J. Now, someone’s probably going to tell me wiring makes no difference—but I’ve always been more ‘placebo at peace’ with vv...;)
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[EDIT/add pic]...always need more pics! :cool:
 
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