Looks signed on top of nitro.Can you tell if Rogers signature is sealed in with nitro, or just signed over the finished headstock?
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Looks signed on top of nitro.Can you tell if Rogers signature is sealed in with nitro, or just signed over the finished headstock?
NBD Report: Looks like a slow day for Club Sadowsky, so here is a photo journal of Sadowsky NBD and man cave tour. The FedEx guy left a delivery note on the door, but then saw me mowing the backyard and stopped and hand delivered the carton. Very nice of him or I would have had to wait another day.
The shipping folks at Sadowsky do a nice packaging job:
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The black pearl satin finish is a winner. Big time:
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Nice personalizations from the man himself:
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OK, first run through in headphones and backing tracks. Balance is terrific. PJ5 tone is, well, Tully tasty. Maple 'board just snappy enough for these aging ears. The B string? Lots of fundamental and firm. And, oh, to play some fresh Blue Label steels again! But the pickup pan knob appears to be wired backwards! Anyone ever hear of that?
That's my moonwalker photo collection peeking through, here we have the moonwalkers of Apollo 16. I have all 12 moonwalkers signatures, only 4 are still alive:
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The new Satin PJ5 takes its place alongside my (used) 2008 NYC Custom PJ4. The ash/RW PJ4 is a little sports car of a bass, don't be fooled by that fancy top:
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Finally a family photo with some Fender/Lakland equipment in positions 3, 4, and 5. We also have signatures of the Apollo 14 crew. The wall is authentic Tennessee tobacco barn wood. Its my man-cave, home theater, bass space, projectapollo collection, and morning coffee hang out:
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Thanks to this Club, Roger, and Crew for making this Sadowsky bass thing so cool and musical.
Congrats on that purdy bass, first!!!NBD Report: ...
But the pickup pan knob appears to be wired backwards! Anyone ever hear of that?
@Clark Westfield I love the room! What is planned for the white frame on the wall? Or maybe is it a cover for a fuse box or electrical panel?
I brought up the reverse pan control because it was the subject of MANY posts just a couple of days ago. Trying to be humorous. Yes, Roger provides instructions with new basses on how to change the control. But most of us adapt. I am good with it. I like ElMon's mental model of clockwise adding mids. Here is a snippet of the wiring for 4 knob Vol/Pan preamp with the pan knob change:I also dislike the backwards wired pan knob/pot. Is there any guidance available how to change it?
I brought up the reverse pan control because it was the subject of MANY posts just a couple of days ago. Trying to be humorous. Yes, Roger provides instructions with new basses on how to change the control. But most of us adapt. I am good with it. I like ElMon's mental model of clockwise adding mids. Here is a snippet of the wiring for 4 knob Vol/Pan preamp with the pan knob change:
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Thx for the prompt reply, I have a MV5 MetroLine only so I a litte "soldery" is necessary.
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Mischief managed!Successfully soldered!
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Lucky Americans don't drive German cars then, if you can't manage a Sadowsky blend control then the German indicator/wiper stalk would possibly kill you.
Lucky Americans don't drive German cars then, if you can't manage a Sadowsky blend control then the German indicator/wiper stalk would possibly kill you.

To be more clear, when rolling the blend knob towards the rear pickup, I'd like the change to be more gradual. Currently, the mid bump seems to happen in the first 1/8th of rotation, I'm looking for a little more nuance.Speaking of the blend knob (and I use it a lot), it would be great to have a little more nuance. Questions for the group: 1: Are the pots audio or linear taper? - and - 2: Would changing one type for the other make a noticeable difference?
Lucky Americans don't drive German cars then, if you can't manage a Sadowsky blend control then the German indicator/wiper stalk would possibly kill you.
