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Club Sadowsky!!!

I have an RV4 NYC from 2004 that has had TI Jazz flats on it for probably around 5 years or so. I seem to prefer the sound of flats these days and this bass now has become the one that gets most of my gigs. (Mainly rock/blues e.g. Joe Bonamassa covers etc.)
I always liked the flatwound sound that Meshel Ndegeocello had on her Jazz basses and I think she used/uses TIs too.
They are low tension compared to other flats I have tried but as I play with a fairly light touch they suit me well.
The front pickup also gets me into P bass sound territory too.
Thank you.. these are the strings I will use for this experiment. 👍
 
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Hmmm... I think my repair guy swapped the P of my PJs backwards. Just noticed.

View attachment 7128111

The P pickup in my Lull P5 was configured like that. I did notice a tonal difference on the A string. I could have flipped the pickup, but I flipped the Lull once I got my Sadowsky P5. :)

Nothing against the Lull, it was a high quality bass, but the Sadowsky is a better fit for me for a few reasons.
 
I wanted to hear from any Sadowsky NYC 4 stringer users who have their basses strung with flats. I’m considering installing a set on my 4 stringer J and wanted to hear from some others who have done this.
Any information would be appreciated.

THANK YOU !

I play fivers, but my 2¢ might still apply. I've been through almost a dozen different sets of flats and tapes. My favorites for my Sadowsky NYC P5 are TI Jazz and Sadowsky Blue Labels*. Of course I use flats for warmth compared to rounds, but I don't want them to sound dull or dead. I suppose I want my flats to sound a notch or two warmer than groundwounds/half-rounds, which are a notch or two warmer than rounds.

*Those weren't the only two sets I liked, but were those I liked best.
 
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Well, after many years of experiencing Sadowsky’s (and other brands), I’m super impressed with these late 90s pieces I have.

I’ll give Kudos to the White Mike Lull DA5 in the photo too. 35” scale, Ash / Maple, Nordstrand Pickups and Aguilar OBP-1, I never would glanced this one over after man years Alder / Rosewood (many times Brazilian).

Honestly, I haven’t been a fan Ash / Maple for a while until I experienced these 3 basses!

Just strung a fresh set of 40 to 120 Black Diamond strings on the 1997 NYC 5 today, wow! Don’t need the VTC…I just want to play it!

The 1996 NYC 4…forget about it!
These are golden era Sadowsky’s!

IMG_9670.jpeg
 
The measurement is done between saddle to saddle. Matter of fact, groove to groove.

Is this the universal standard for every bridge from every manufacturer?

I know some brands of bridges that deviate.

If I compare my Mike Lull to the Sadowsky, theres a difference. This Mike Lull has less space with all saddles centered. I’m comparing Hipshot bridge on a bass built in 2023 to Gotoh bridge from a bass built in 1997.
 
Is this the universal standard for every bridge from every manufacturer?

I know some brands of bridges that deviate.

If I compare my Mike Lull to the Sadowsky, theres a difference. This Mike Lull has less space with all saddles centered. I’m comparing Hipshot bridge on a bass built in 2023 to Gotoh bridge from a bass built in 1997.
If that's a J510 from Gotoh, and I'm pretty sure it is, then it's 18mm.

The only Gotoh 5 string bridge with 19mm actually is the S510B-5, which is a different design.
 
If that's a J510 from Gotoh, and I'm pretty sure it is, then it's 18mm.

The only Gotoh 5 string bridge with 19mm actually is the S510B-5, which is a different design.

It may be a previous version of the J510-SJ, it has different saddle slots then your cut sheet

IMG_9718.jpeg


Even measuring to the grooves I’m measuring 3/4”.

Fodera claims their 5 string bridges are 19mm but they measure in at 20mm
 
Well, after many years of experiencing Sadowsky’s (and other brands), I’m super impressed with these late 90s pieces I have.

I’ll give Kudos to the White Mike Lull DA5 in the photo too. 35” scale, Ash / Maple, Nordstrand Pickups and Aguilar OBP-1, I never would glanced this one over after man years Alder / Rosewood (many times Brazilian).

Honestly, I haven’t been a fan Ash / Maple for a while until I experienced these 3 basses!

Just strung a fresh set of 40 to 120 Black Diamond strings on the 1997 NYC 5 today, wow! Don’t need the VTC…I just want to play it!

The 1996 NYC 4…forget about it!
These are golden era Sadowsky’s!

View attachment 7128573

For those interested I have both my Sadowsky’s listed in the Classifieds and I’m open to trades which doesn’t have to Sadowsky :)
 
Blacked out my Metroline MJ5 last night - this has become my go to live bass for my hard rock cover band. 8lbs feels great on my back for 3 hours, and it sounds amazing. Plus, here's a bonus live shot with chrome hardware from a week and a half ago at a benefit we played at.

oiE5iFE.jpg


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I've been so satisfied with this bass that I've barely logged into TB since August. Crowning moment was at a gig in September at a larger venue near me, and a good friend of mine who's also a bass player was out in the crowd. I had just gotten a new bass amp (Fender Super Bassman 300) because I managed to blow up my Mesa WD800 somehow, and it was my first gig through it with the MJ5. The Super Bassman was going into my Barefaced 6x10 stack and I was only using a little compression in front, since I get a bit aggressive when playing live.

At the end of the night, my friend told me the bass tone was like a sledgehammer and one of the best sounds he ever heard. Which was great to hear since the monitoring situation on stage was a mess and we were all just holding on for dear life.

I love this MJ5 - to the point that I'd rather use a capo than swap basses for a couple songs that are in C standard (I know I can transpose, but too many low C's are needed so this is easier). Coming from a diehard 4 string Spector guy, it's really been life changing.