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Club Sadowsky!!!

There are lots of other high quality Fender style passive basses out there. Sadowsky sets itself apart by having a Fender on steroids sound and that’s due to the preamp.
The preamp contributes to that sound, if that is what a person desires (and obviously many do), but Sadowsky pickups are part of that sound, as well as wood selection and other parts of the bass.

You asked, "Why even buy a Sadowsky if you plan on running it passive?".
A lot of people probably wouldn't, but some people (maybe only a few) are "passive purists", so to speak, yet still love the other aspects of Sadowsky basses.

I would prefer an active/passive switch myself, and the VTC would be a definite requirement.
 
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Agreed. Why even buy a Sadowsky if you plan on running it passive?
That's not what I meant to imply. I agree with Addison. While I do consider the preamp to be an important component of the Sadowsky magic, it's not the whole shootin' match by a LONG shot. There are a LOT of things Roger has done with his design and build process that define why people are so content paying that kinda' money for his take on the fender theme.
 
There are lots of other high quality Fender style passive basses out there. Sadowsky sets itself apart by having a Fender on steroids sound and that’s due to the preamp.
I think his pickups are also a custom wind from each vendor he's worked with.
 
That's not what I meant to imply. I agree with Addison. While I do consider the preamp to be an important component of the Sadowsky magic, it's not the whole shootin' match by a LONG shot. There are a LOT of things Roger has done with his design and build process that define why people are so content paying that kinda' money for his take on the fender theme.

Yep, you have to get one in your hands to see. But there are def others who have played without the pre. I talked to Sven Pipien of the Black Crowes, who often plays his live with the pre switched off.
 
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The preamp contributes to that sound, if that is what a person desires (and obviously many do), but Sadowsky pickups are part of that sound, as well as wood selection and other parts of the bass.

You asked, "Why even buy a Sadowsky if you plan on running it passive?".
A lot of people probably wouldn't, but some people (maybe only a few) are "passive purists", so to speak, yet still love the other aspects of Sadowsky basses.

I would prefer an active/passive switch myself, and the VTC would be a definite requirement.
The active/passive feature is definitely worth it. For me it's a peace of mind feature. I had a VTC installed on my old Metro Modern but never used it much.
 
That's not what I meant to imply. I agree with Addison. While I do consider the preamp to be an important component of the Sadowsky magic, it's not the whole shootin' match by a LONG shot. There are a LOT of things Roger has done with his design and build process that define why people are so content paying that kinda' money for his take on the fender theme.
I usually run in passive mode when one of my NYC P5s is strung with flats.

Also, not all Fender clones are created equal -- not even boutiques. My first boutique FSO (around 2002) was a Lull: impressive, high quality bass, and I'm sure Lull is Just Right for some, but I got a Sadowsky in 2005 and realized that Sadowsky is Just Right for me.
 
Can i join 🤪
 

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I usually run in passive mode when one of my NYC P5s is strung with flats.

Also, not all Fender clones are created equal -- not even boutiques. My first boutique FSO (around 2002) was a Lull: impressive, high quality bass, and I'm sure Lull is Just Right for some, but I got a Sadowsky in 2005 and realized that Sadowsky is Just Right for me.
I've had Lull's before, and also got to know Mike before he passed. Great instruments and a great guy.
 
Sven Pipien of the Black Crowes
I wish Sadowsky endorsers got a but more notoriety. Roger has been at it for 40+ years, one of the best all-time bass builders, and it's crazy how many people have never heard of his brand. But maybe that's a good thing... we don't need NYCs any more pricey than they already are! lol...
 

let's save time and just post it up here. lol
That's a nice bass, but at that price Spaceman must be from a different planet. You can get a brand new one for *deleted*. Edit: OK, it's in CAD. It would be $3470 in USD. That's still roughly equal to a new German one. I know the MIJ Metros are sought after, but that's still above Reverb pricing (which is already high).
 
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