Here is a shot from Winter NAMM where I am flanked by two Sadowsky's!
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great shot Tom, and now: where are the photos of the Sadowsky booth?

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Here is a shot from Winter NAMM where I am flanked by two Sadowsky's!
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Yeah, it woulda' been cool if they did have one. Hugh and/or Will would stop by, maybe others. Definitely a cool hang.great shot Tom, and now: where are the photos of the Sadowsky booth?
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Yeah, it woulda' been cool if they did have one. Hugh and/or Will would stop by, maybe others. Definitely a cool hang.![]()
I would like that, but only time will tell if they choose to go to future NAMMs.Maybe next year?? I've been invited back next year!!!
I would like that, but only time will tell if they choose to go to future NAMMs.![]()
And then get a PJ companion![]()
Sweeet: looks just like mine.
Great bass, and you're sure to love it out live.
Be sure to try some Sadowsky Blue Nickels on there; Sadowsky strings work really well with Sadowsky basses...
And then get a PJ companion![]()
Yeah, exactly, and I think the key to the value of the VTC is the fact that it is a boost only preamp. If it were a more typical boost/cut preamp, I'm not sure I'd have as much interest in a VTC... even though, as bright as these are (especially with the ash/maples like mine), they are not the brightest J style basses I've personally owned.I can see why a lot of people with older Sadowskys are having the VTC installed retroactively, because it's a brighter bass than any other active jazzes I've owned. The VTC makes it extremely versatile though. The bass and treble boosts go from subtle to extreme, giving me a lot of control over my sound.
I got my RV5 the week before last. I bought it based on a lot of internet research but without ever playing one (they're pretty hard to come by this side of the Atlantic). My main reason for buying one is that I'm sick of compromising with my basses, going for the £1000 Fender and still finding it lacking somewhere. So it was with some anticipation that I waited for the FedEx truck to arrive.
It's amazing, basically. I know that a lot of people say that Sadowskys 'sit really well in the mix' and I don't want to just toe the line... but this bass does sit really well in the mix! I can hear myself easier at lower volume levels, all over the neck. Simple as that.
I can see why a lot of people with older Sadowskys are having the VTC installed retroactively, because it's a brighter bass than any other active jazzes I've owned. The VTC makes it extremely versatile though. The bass and treble boosts go from subtle to extreme, giving me a lot of control over my sound.
I've only rehearsed with this bass but I can't wait to gig it. Sadowsky obviously don't compromise when it comes to QC, this bass was the best setup out of the box I've had (it's also the most expensive I've ever owned, so that figures). I'll definitely be buying more!
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Yeah, exactly, and I think the key to the value of the VTC is the fact that it is a boost only preamp. If it were a more typical boost/cut preamp, I'm not sure I'd have as much interest in a VTC... even though, as bright as these are (especially with the ash/maples like mine), they are not the brightest J style basses I've personally owned.![]()
Oh, don't get me wrong, I totally agree with that. I know they are not the same thing.Not sure about that. I'm finding that the VTC alters the vibe of the bass, and not sure a typical boost/cut would have quite the same effect.
This absolutely blows away the two Fodera's I had in the past for sure!