Thanks chaps! Played it at church today in passive mode for kicks and also was diggin it. I expected to boost the treble at the amp but had plenty flat. Just a touch of bass and it was grinding nicely. Very stoked!!!
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I know how some of you Sadowsky guys are and before tonight I never connected with one. Mind you I'd only played a half dozen or so, but I'd never experienced that aha moment with any of them. I just picked up the 1989 5er from richst (thankx!), it came this afternoon a few hours before my gig. Hell yeah I'm trying it on the gig, after making sure it works.
It was the most satisfied I'd ever been with a jazz bass on a gig. It was a loud rock/r&b gig and for the most part I played the p/u's even, with a few ventures favoring the bridge side. I changed tones a handful of times but never because I wasn't diggin what was goin on. The last set or so was also pretty dark as it was at the beach on an unlit balcony. I felt like I knew the bass well enough already I didn't need to see much.
Now I get why you guys are lifers with these. Very stoked here! This baby shows a bunch of hours of play and I have every intention of adding to it.
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I know how some of you Sadowsky guys are and before tonight I never connected with one. Mind you I'd only played a half dozen or so, but I'd never experienced that aha moment with any of them. I just picked up the 1989 5er from richst (thankx!), it came this afternoon a few hours before my gig. Hell yeah I'm trying it on the gig, after making sure it works.
It was the most satisfied I'd ever been with a jazz bass on a gig. It was a loud rock/r&b gig and for the most part I played the p/u's even, with a few ventures favoring the bridge side. I changed tones a handful of times but never because I wasn't diggin what was goin on. The last set or so was also pretty dark as it was at the beach on an unlit balcony. I felt like I knew the bass well enough already I didn't need to see much.
Now I get why you guys are lifers with these. Very stoked here! This baby shows a bunch of hours of play and I have every intention of adding to it.
![]()
I know how some of you Sadowsky guys are and before tonight I never connected with one. Mind you I'd only played a half dozen or so, but I'd never experienced that aha moment with any of them. I just picked up the 1989 5er from richst (thankx!), it came this afternoon a few hours before my gig. Hell yeah I'm trying it on the gig, after making sure it works.
It was the most satisfied I'd ever been with a jazz bass on a gig. It was a loud rock/r&b gig and for the most part I played the p/u's even, with a few ventures favoring the bridge side. I changed tones a handful of times but never because I wasn't diggin what was goin on. The last set or so was also pretty dark as it was at the beach on an unlit balcony. I felt like I knew the bass well enough already I didn't need to see much.
Now I get why you guys are lifers with these. Very stoked here! This baby shows a bunch of hours of play and I have every intention of adding to it.
![]()
Don't ever say that about yourself. You play to the best of your abilities right now. Get a Sadowsky if you want one. Heck, I did. I don't gig or play in a local band. I play for my pure enjoyment and personal hobby. Then one day, my co-worker asked me to record a bass line to a song he recorded on his guitar. So now, I record my bass and send the sound files thru email to my guitarist buddy who mixes our music together and there you go - we record cover songs together and it is a blast!! I'm getting a little better each time too.
Vic is the only one here on the forum that has heard the tunes I've done. I'm shy.![]()
(and now, P. Bass has heard a sample)
My secret is out. The cat got outta da bag!
So go out and get yourself a Sadowsky - you deserve it!![]()
We are on vacation in NYC and just finished up a visit to Sadowsky. They just received the first batch of Will Lee Metros. I lucked out and there was one at only 8.5#. After trying a bunch of basses, I went with that one. Ash/maple in transparent black with a black pearl pickguard. I will post some pics when I get home bc we used the camera and not my phone. Roger was quite nice and Kevin could not have been more helpful! Psyched!!!!
Woah! Another among the "first bass brethren".We are on vacation in NYC and just finished up a visit to Sadowsky. They just received the first batch of Will Lee Metros. I lucked out and there was one at only 8.5#. After trying a bunch of basses, I went with that one. Ash/maple in transparent black with a black pearl pickguard. I will post some pics when I get home bc we used the camera and not my phone. Roger was quite nice and Kevin could not have been more helpful! Psyched!!!!
We are on vacation in NYC and just finished up a visit to Sadowsky. They just received the first batch of Will Lee Metros. I lucked out and there was one at only 8.5#. After trying a bunch of basses, I went with that one. Ash/maple in transparent black with a black pearl pickguard. I will post some pics when I get home bc we used the camera and not my phone. Roger was quite nice and Kevin could not have been more helpful! Psyched!!!!
Woah! Another among the "first bass brethren".
I got the first Metro MV5-24 and you got the first Metro WL (right?) Nice.
.
Interesting... NOLA musta' been mistaken about the "first batch" comment then.I believe there was someone who got one earlier last month in blue.
Just wanted to say that my Sadowsky NYC fiver with single coils just smokes!
On a different topic:
Here is a picture of the most vintage NYC that I have owned. Didn't dig the trans purple and the lack of a low b, but I did like the tone.
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Interesting... NOLA musta' been mistaken about the "first batch" comment then.
Oh well, doesn't matter anyway of course. What counts is the bass.
Hey, Joe, speaking of the WL's, I know they come with those wonderful SC pickups, but I was just thinking, what if someone had a lot of rude venues to play and/or just really liked to do a lot of pickup soloing... I was thinking someone could put a set of HC's in a WL and use that mid boost circuit to beef up the tone and kinda' make up a little bit for some of what folks hear as a bit less punch in the HC's. Interesting to think about anyway.
Part of what also made me think of this is when I had a WL for a while in the recent past. I ended up turning the mid boost way down because with those SC's, it was really easy for it to be too much. Maybe even kinda' think of it as a scoop control on a bass with HC's installed? Maybe set the mid boost a certain way, and make that your "normal" extra punchy fingerstyle mode, and then pop it out to scoop it a bit for a sweeter slap tone?
Anyway, just some random WL model thoughts.![]()
Cool. Another thing that got me thinking about this was the uber-bridgey tone used on some of the stuff you cover. You'd be a good candidate for soloing, rather than just favoring, the bridge. While bumping the mids would give you great bite, it of course isn't the same sound as favoring or soloing the bridge, which I really think those songs call for. That got me to thinking about putting HC's in, which then got me to thinking about recovering some of the punch with that mid circuit.Some interesting thoughts.....I might entertain that idea with HC pups. They sound so good in my Standard 4 that those with the mid boost you could get a more balanced pup. I am going to try the 800 wide setting tomorrow at practice to see what that does. I love the options available.
No it's not. Keep both. Done....The may be an ongoing battle for my affections. I know. It is a tough problem to have.
We are on vacation in NYC and just finished up a visit to Sadowsky.