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Combo Amps

I had an old Ampeg B115 and, it just didn't cut it. The same went for an SWR Working Man's 12. A Peavey Combo 300 and an SWR Working Man's 15 did the job. I still have the SWR 15 and like it very much.
 
i don't remember what my GK210 combo cost me new, and i get plenty of PA/FOH support, most gigs, so that really is enough. but: on the rare occasion that i've been required/asked to supply more: i bring an 18" cabinet to sit underneath the combo rig, get 500 watts, and am always asked to turn down during soundcheck (could've left the 18" at home!).

the GK stuff is pretty cool, too!
 
I LOVE my Ba112 v2! I don't like a giant low end because for me it just creates mud. I do quite enjoy the Ba115, though. Played a few Rumbles, and they're cool, but I didn't care for the overly done lows and the difficulty I had getting a non-scooped tone out of them.

Last November I had a chance to audition at GC (Hollywood) the BA115, Rumble 200, TC Electronic BG250, Acoustic B100 and some Hartke, not sure which model but it had 12 inch. Hands down, the Ampeg for me. It delivers Ampeg goodness in every respect with the only drawback of being a tad heavy for those who mind that. Along with the Hartke it gives the player the ability to tilt the combo for better sound dispersion in tight quarters.

I use the tiny brother, the BA108 but if I were to upgrade, I'd give the BA115 a serious consideration.
 
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I use the Orange crush 100BXT 15" speaker, can't fault it at all. Great sound, easy enough to move around (And I live on a boat, so have to get in and out of a dinghy!), keeps the guitarists honest as well!!!

There are so many different inflections yoy can use to say "And I live on a boat, so have to get in and out of a dinghy!"

You're a poet. I forgot what this thread was about.
 
Exactly. They're rare birds where I am too. Even Googling for them, the only places I see them for sale is on Reverb and eBay.

Living in Canada where the stuff is made and readily available it's really easy to take Traynor for granted but it's generally a ton of bang for your buck. It's Long & McQuade's house brand and always available from them. With the Canadian dollar at about $0.70 against the US right now it would probably be worth buying from L&M and having it shipped.
 
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Living in Canada where the stuff is made and readily available it's really easy to take Traynor for granted but it's generally a ton of bang for your buck. It's Long & McQuade's house brand and always available from them. With the Canadian dollar at about $0.70 against the US right now it would probably be worth buying from L&M and having it shipped.

Good to know.

I used to see them around Boston back in the '70s. A couple of the bigger stores carried them. They were moderately popular. A lot of watts for the money asked IIRC.
 
I have a Genz Benz Shuttle 6.012T combo that is the bomb. Search the classifieds here if you look long enough you will find one in you price range also a,Genz Benz Contour 500 can be found in your price range
GL
Duke

Lo and behold, a Genz Benz Contour 500 with 1 15" speaker, for $375 plus shipping…or go big and buy the extension as well!

For Sale - Genz Benz Contour 500 1-15 + Focus 15 Cab

Seriously, these are great combos - I have two of them, and am keeping one.
 
I would suggest a Traynor SB115 over both of them but the Rumble is a nice amp.
Wish you luck on the search.
I concur. After auditioning the GK, Ampeg, TC Electronic, and Fender Rumble combos, I went with the Traynor SB112. I use this on smaller stages with FOH support, and I can report that this little combo is a beast!
 
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TC Electronic BG250-112 (with piezo tweeter)... i love mine. it's loud... solid... versatile... lightweight... Class D electronics... simple to operate... onboard tuner... and built-in effects you can download and assign from your smartphone.

i know there's a squad of BG250 haters here... but hate and flame away... you're not gonna change my opinion.