I may be naive but I'm not that naive. Anyhow show me a premier bassist who gets is tone and sound from one of these neo/mirco rigs and I'll go quietly into the TB night.
You show me one that doesn't have roadies to move their rig around.
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I may be naive but I'm not that naive. Anyhow show me a premier bassist who gets is tone and sound from one of these neo/mirco rigs and I'll go quietly into the TB night.
I may be naive but I'm not that naive. Anyhow show me a premier bassist who gets is tone and sound from one of these neo/mirco rigs and I'll go quietly into the TB night.
I may be naive but I'm not that naive. Anyhow show me a premier bassist who gets is tone and sound from one of these neo/mirco rigs and I'll go quietly into the TB night.
There are people posting that they'd rather bring their small or even micro amp and a 210 on stage and DI out to the PA to get their bass sound. I don't trust most sound guys to get my tone out of the PA.
I want them to mic my cab so I get the tone from the amp AND the cab. That being said I'm still waiting to see the show, small local band or biggest of touring bands, where their bassist hops up on stage, plugs into a 210 and blows me away with tone and "more sound"
It never happens. And if everybody is saying that neo and micro is better why don't we see Geddy Lee or P-nut or John Paul Jones bustin' out a neo and a micro.
It's because they simply cannot provide what a big amp and cab can.
And to each there own BTW, for me I want to sound, look, and feel the way a big cab and amp do for me.
more weight = more macho.
Most of the best local jazz guys around here are using Little Marks or Shuttles, actually
There are people posting that they'd rather bring their small or even micro amp and a 210 on stage and DI out to the PA to get their bass sound. I don't trust most sound guys to get my tone out of the PA.
I want them to mic my cab so I get the tone from the amp AND the cab. That being said I'm still waiting to see the show, small local band or biggest of touring bands, where their bassist hops up on stage, plugs into a 210 and blows me away with tone and "more sound"
It never happens. And if everybody is saying that neo and micro is better why don't we see Geddy Lee or P-nut or John Paul Jones bustin' out a neo and a micro.
It's because they simply cannot provide what a big amp and cab can.
And to each there own BTW, for me I want to sound, look, and feel the way a big cab and amp do for me.
fdeck said:If you play jazz, nobody sees your gear.![]()
I can see your point on this, but I do think all the whining about weight is comical. In this modern age with all our modern conveninces thanks to engineering, we all drive cars to jobs where a lot of us sit at desks all day and jockey a mouse - we get far too little exercise. If this keeps up, at some point won't we all just be atrophied & and muscle-less? I am happy to lift some heavy gear on occasion. Hell, I pay money to lift weights at the gym - I usually get paid for gigs!
Just saying.
I can do that. I hope I make it that far. I'm not a small dude so the heavier stuff doesn't bother me. And I'm a bit of a traditionalist I guess.
Someone mentioned it looked better on stage. Correct, that is part of playing live I think. Part of looking like a band.
My band mates are always willing to help load and unload my 215 at the venue or practice facility. However, they are not willing to come to my house to help me unload it or help me drag it in or out of the basement. Yeah, having help makes me feel like a member of a group, too. But negotiating my basement steps just makes me feel tired. Having said that, as a bass player I expect to have to do more work than certain other musicians.