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Compression revelation

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I have been playing a for a long time without any effects. Now I found a second hand markbass compressore which I find myself unable to turn off. (Though the picture was taken without power)

Initially I tried a slow attack, slow release and low ratio, which warmed the sound nicely.

Now, with a higher ratio, rather low threshold so most notes are compressed somewhat and a fast release, I found everything just sounds better.

It actually does not sound super compressed, though the lower strings have a nice squash to them. I can definitely hear the tube in the circuit. And I will probably dial back the threshold or ratio a bit.

It might not be a good habit to practice with these settings daily, but I am very surprised at the difference. I am getting more confident at playing and finding that my left hand speed is actually very good, rather that my attack is a bit uneven when playing fast.

The space between the notes is filled out and somehow everything flows together naturally, improving my timing. With these settings I would dare to actually perform on a stage. The improvement is on a level where what earlier sounded empty and thin now sounds ready mixed, like the compressed music you would hear on a cd, much more so than the bass straight into the amp.

Anybody else having the same experience?
 
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I have been playing a for a long time without any effects. Now I found a second hand markbass compressore which I find myself unable to turn off. (Though the picture was taken without power)

Initially I tried a slow attack, slow release and low ratio, which warmed the sound nicely.

Now, with a higher ratio, rather low threshold so most notes are compressed somewhat and a fast release, I found everything just sounds better.

It actually does not sound super compressed, though the lower strings have a nice squash to them. I can definitely hear the tube in the circuit. And I will probably dial back the threshold or ratio a bit.

It might not be a good habit to practice with these settings daily, but I am very surprised at the difference. I am getting more confident at playing and finding that my left hand speed is actually very good, rather that my attack is a bit uneven when playing fast.

The space between the notes is filled out and somehow everything flows together naturally, improving my timing. With these settings I would dare to actually perform on a stage. The improvement is on a level where what earlier sounded empty and thin now sounds ready mixed, like the compressed music you would hear on a cd, much more so than the bass straight into the amp.

Anybody else having the same experience?



Why would it be bad to practice with those settings daily?

Your technique is improving by your account?
 
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I find that I can attack the strings very hard and getting a different sound, but not much louder. If always playing with compression, there is no downside of the goal is just to sound as good as possible. But from a perspective of playing technique I am thinking that one could lose some sensitivity in the attack, and if suddenly turning off the compression it becomes more difficult to play evenly.

That said, while I always like to improve my playing, the goal always has to be sounding as good as possible, if effects are needed, I do not mind.
 
Yes. Mine feeds my other effects and it really focuses everything and adds punch. Ghost notes really pop out in the funky finger style stuff now, too.

The sustain and clarity it adds to effects is tremendous. I foolishly used to think that it would make me lose my dynamics when in reality it gives such greater control over the dynamics with those wonderful sustains and the ability to let things ring out...
 
I was a "no compressor snob" because I used to play with my OD on all the time and the my general belief is that it's useless to compress an already compressed signal.

I saw lots of people using compression before the overdrive/distortion and getting awesome results, so one day I decided to be open minded and invest sometime learning how to use compression.

I started by tweaking all the compressors on my Zoom MS60B and learning the bassics of how different controls interact. Too many parameters scared me...I didn't want to spend money in a stand alone compressor pedal without being sure about if I could get good results from it.

After a while I get decent results from the on board compressors and I understand what kind of results I want to get, I decided to move a step forward and save some money to buy a compressor pedal.
 
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I intermittently use a Keeley 4 knob after overdrives (before fuzz) with a slow attack so I can get a low end attack slamming effect, it's good for finger funky tight plucked notes too. But always on is a TC multiband toneprint to gently dust off the dullness near the end of the line maybe before delay if any. Been using compressors live since 1989 because they made my under-powered amps more effective.
 
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