I go back nearly 20 years with several club owners. So, I'm fine. I'm squeezing every dollar out of what they'll do these days.
But I'm not trying to make a living at it.
There is zero motivation these days IN MY AREA for an 18-24 year old person to gather like-minded people around, learn a set, polish and act, invest in PA, set up a corporate structure, and go work their way up to the private/corporate scene.
The pro band I played in for a decade was exactly that. There were half a dozen others that started around the same time that did well. Many of the older pro bands AROUND HERE had done the same thing in the 80s or 90s.... a few since the 70s..... one since 1959.
The only way a kid has a shot of making a living in a situation like that IN MY AREA is to take the place of a retiring or fired band member in an established band. But there used to be tons of us. Parking lots at festivals used to have circles of older musicians telling younger musicians stories and whatnot.
Again, I'm not upset FOR MYSELF. All I want to do is get a fair rate for bringing 35-48 year old music veterans and executing a great performance in a few bars. If I don't get that, we'll stay in my jam room and have some laughs. I don't "need" to do what I do in front of a "crowd" like many here seem to (which is fine).
We won't do it for $300. Period. We won't do it for a dime under $800.... and that's an introductory rate. But it's not the need for the money. It's the principle of the thing.
But there's no way a young upstart band should try to become a polished act with a great PA and lighting and start with clubs while contacting agents (the same way every established band around here started for decades). If I were asked I would tell them to forget it. And PART of the reason I would tell them that is they'll starve before they can build a good reputation having to shift through the swamp of what the music scene has become IN OUR AREA.
"Syde Projek" and "Al and the Other Accountants" amd "Wylde Streak" "deserve to blow off some steam after swinging hammers and punching keys all week". And they'll do it for nothing. So that's what OUR MARKET has become. More than 50% horrible bands with horrible 8" speakers on a stick for PA, no lights, gardening clothes, and watered down versions of songs that were never that hard to begin with for people who can actually play.
It's not about me. It's about the future of what was once a pretty good music scene.
Hack bands are a factor. Period. They're not the only reason it's dying. But the ARE a factor IN MY AREA.
I know a lot of people in the "good" bands in my area and none of them, zero, do it as their job. They'll make supplemental income from it, but there just aren't enough gigs to play enough nights in the week to make the money to pay rent let alone mortgage. They're teaching, private lessons, sound company, real estate agents, recruiters, IT, etc. Even what we would call "successful" Nashville musicians often have a second side job with flexibility - or a wife with an inheritance / job with benefits.
Why would an upstart band buy a good PA and lights? Why would someone spend $75k on a bass boat to catch some fish in a river that he could buy at a store for a few buck? It's a hobby. If you want $800 / night to play your bootlegs, great. But that doesn't make economic sense for most bars that most "hack" / hobby bands are playing in. To just break even you need to guarantee that you're going to bring 75 people that wouldn't be in the bar without you being there. You don't have a website nor a facebook page, so you don't have a following. Should club owner risk $800 for a slow night or $300 for a slow night?
A band's number one asset isn't their PA subs, nor their lights, even their songs or sound - it's how many people they can bring with them to the bar. And the bar has to be sized right for a larger crowd or it's not a fit. Maybe you're great and bring 80-100 people, but if the kitchen can't handle that volume and the place is uncomfortably crowded then they're getting crappy Yelp reviews.
"Hack" bands are filling a void that larger bands wish existed.
