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Criminally loud concerts

Too loud is NOT subjective - OSHA has regulations. Especially with today's technology, there is no excuse for having stupid loud music. How many people here at TB have tinnitus? How many of them got it before they were old enough to know how/why it happens?

Concern over your hearing in not old and stodgy - it's smart. I'm 51, and have been performing and enjoying rock music for over three decades. I have my hearing, and like it that way.

OK, so what do you propose? OSHA should patrol concerts and tell them to turn down? Or, maybe a special "concert police force" that regulates volume levels at concerts. That would be fun.
:rollno:
 
Too loud is NOT subjective - OSHA has regulations. Especially with today's technology, there is no excuse for having stupid loud music. How many people here at TB have tinnitus? How many of them got it before they were old enough to know how/why it happens?

Concern over your hearing in not old and stodgy - it's smart. I'm 51, and have been performing and enjoying rock music for over three decades. I have my hearing, and like it that way.

OP brought earplugs and didn't use them. now he's crying about it. wouldn't be surprised if he doesn't live in one of those developments around here that were built in the airports flightpath... and then they complained about all the air traffic. total bs.
 
1989, Toronto - Blue Oyster Cult in a basement rock club called Rock n' Roll Heaven. I was actually driven out of the club, by the volume. It was so loud that I couldn't tell what songs they were playing. It was awful - disorienting and painful. They had enough PA to do a stadium show!
 
Well, in their defense, they had to play loud enough for Gawd to hear them. :D

I think they were trying to be the very Voice of God itself. It was balanced and mixed great, but it was like something you'd do to disorient the enemy if you were at war. And the musicianship was spot-on flawless. They were a legitimate metal outfit in many respects.
 
OK, so what do you propose? OSHA should patrol concerts and tell them to turn down? Or, maybe a special "concert police force" that regulates volume levels at concerts. That would be fun.
:rollno:

Like anything else. You set standards, and if they are violated, the band and venue are liable for damages.

If you work in a factory, airport, whatever, and OSHA standards are violated, the facility is liable. They also get fined. Simple.

Keeping concert volumes at a reasonable and safe level would not make the concerts any less "fun" - if anything, they would be more enjoyable. Someone should not have to choose between risking hearing damage and enjoying a concert. There have also been plenty of shows where even with hearing protection, people are risking permanent damage.
 
I did once see the London Symphony Orchestra at the Royal Festival Hall in London. It was bones-shaking loud. I think it may have been Gayneh/Spartacus (it was a long time ago..).
It's probably the acoustics of the hall, plus the 'wall of sound' orchestra, but who would have imagined acoustic instruments could get to that kind of volume.
 
It's among the reasons I have no aspirations to gig. I go way back, so I have 60's memories of bands when I was a kid and before I fell into a classical career. Most people are in disbelief when I tell them Jimi Hendrix was quite listenable live. All the nuances, his delicate fills you'd hear on his recordings were all there. Both times I saw him I could easily carry on a conversation with the person next to me. The first time too was a fairly large venue, Chicago's Auditorium theater. The second was much smaller at the University of Illinois's Chicago circle campus but it was abbreviated due to equipment problems. That was 1967 and 1969 respectively. I'd say top volume was equivalent to a full orchestral tutti, maybe 110 decibels but on average, 100. Of course on both occasions there was no PA. That was not yet part of the live performance paradigm. The musicians on the stage controlled the sound. This pretty much was the same with The Byrds, The Soft Machine, The very early Fleetwood Mac, no women in the band yet and a few others whose names escape my memory.
I blame the Beatles, whose promoters in their infinite greed decided baseball stadia were the best venue for rock & roll. Enter the PA system, then of course enter the sound guy. Exit my butt from the seat.
I did give the modern approach a few chances. About 14 years ago my daughter, then 18 became interested, as I did, in the music of the Eels. I saw them perform Trouble With Dreams on Letterman and thought she'd get a kick out of seeing them live at the tiny Pabst theater in downtown Milwaukee. The Eels, I should add, bear no resemblance in their instrumentation or approach to Motorhead. For example, the aforementioned "Trouble" was scored for electric bass, 2 celli, drums, singer and glockenspiel with electric piano.
When we took our seats, which were well away from the stage, i wondered what the console was for in the orchestra pit. At the time, I knew nothing about electric music performance and its do- dads. From the get go, amplitudes were always on the threshold of pain. Neither of us could identify material, "do you know what this is?" "What?" "DO YOU KNOW WHAT THIS IS?" "Maybe Blinking Lights?" Most of the time though it was impossible to communicate through this ugly smear of pulsing noise. A year or so with my wife in Milwaukee again at Turner hall we saw They Might Be Giants and for crying out loud it was just as bad. Unidentifiable material as the 130 db or so they were fooling with flat-lined into a wave of noise. I did manage to see one successful popular music concert when we saw Suzanne Vega at 60's Hendrix volumes which meant her material was completely identifiable.
Unfortunately this has of course trickled into the practice of local bar bands so my wife's colleague at work who generously had this open bar birthday party at an upscale watering hole had to also have a live band . And though it was not their name could just as well gone by, Burst Eardrums. As an addendum, I notice most of the equipment conversations at Talkbass eventually drift to not sound quality but "how loud is it?"
I do apologize for the length of the post.
If you get a chance to catch Mark Knopfler live, his live sound is about as good as it gets these days. I could use it a bit louder, but you'll probably find it just right. He also seems to play higher quality venues, not cattle barns. Also (prog guy) Steven Wilson's live sound is stellar, but a tad on the loud side. Everyone else is pretty much doodoo and no one seems to care. I guess a lot of folks don't know how good live music can sound.

One other thing that has changed is that back in the 60's, people didn't seem to chatter as much. They were there for the music and knew how to shut up for the most part. I'm sure cannabis had a lot to do with that. Now concerts are alcohol fueled singalong parties.
 
I walked out on Jeff Healey. We were in the second row, I had earplugs in, and the volume coming off the stage was incredible, he was completely overpowering the PA. Eventually, it was just too much... so out the door I went.

Iron Maiden frontman could hit notes that pierced my brain, penetrated the plugs and my hands covering my ears. I was ready to confess to pretty much anything when he belted 'em out... JUST STOP, PLEASE!!!

Ear plugs are a must. My audiologist told me that even in movie theaters the volume gets up around 125db, so between iPods, movies and concerts, we're looking at a deaf generation.
 
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Like anything else. You set standards, and if they are violated, the band and venue are liable for damages.

If you work in a factory, airport, whatever, and OSHA standards are violated, the facility is liable. They also get fined. Simple.

Keeping concert volumes at a reasonable and safe level would not make the concerts any less "fun" - if anything, they would be more enjoyable. Someone should not have to choose between risking hearing damage and enjoying a concert. There have also been plenty of shows where even with hearing protection, people are risking permanent damage.

Unnecessary. OSHA measures sound levels in manufacturing areas, and if they exceed a certain level, the company is required to post warnings, and provide (and enforce the use of) hearing protection. They don't mandate the company "turn the equipment down".
Likewise, I'm all for all concert facilities posting warnings about sound levels, and suggesting the use of hearing protection. If they desire, they can go so far as to sell earplugs to those who want (or forgot) them.

I DO NOT agree that we need to "idiot-proof" the world. The next thing we'll hear is that we need to wrap everything on Earth in Nerf material so that no one gets hurt by touching anything.
 
One other thing that has changed is that back in the 60's, people didn't seem to chatter as much. They were there for the music and knew how to shut up for the most part. I'm sure cannabis had a lot to do with that. Now concerts are alcohol fueled singalong parties.

Amen.

I have Red Rocks in my back yard, one of the most iconic concert venues in the world, and the party people walking around with a beer sloshing around in one hand and talking on their cell with the other has ruined it for me. What in the hell are these people even doing there? It's not for the music. I won't go see even my favorite artists if they play there.
 
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I did once see the London Symphony Orchestra at the Royal Festival Hall in London. It was bones-shaking loud. I think it may have been Gayneh/Spartacus (it was a long time ago..).
It's probably the acoustics of the hall, plus the 'wall of sound' orchestra, but who would have imagined acoustic instruments could get to that kind of volume.

This is so true! My dad was a lover of all genres of music and took me to many symphonies (we also saw Sinatra, Zappa, the Stones and the Dead). I recall being blown away by the in-your-face volume of some works. Wagner in particular.
 
1989, Toronto - Blue Oyster Cult in a basement rock club called Rock n' Roll Heaven. I was actually driven out of the club, by the volume. It was so loud that I couldn't tell what songs they were playing. It was awful - disorienting and painful. They had enough PA to do a stadium show!
The opposite side of that is that I saw them at the Wolf's Den at the Mohegan Sun casino in Ct maybe 3 years ago, and they were so quiet that I had to strain to hear them.
 
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Unnecessary. OSHA measures sound levels in manufacturing areas, and if they exceed a certain level, the company is required to post warnings, and provide (and enforce the use of) hearing protection. They don't mandate the company "turn the equipment down".
Likewise, I'm all for all concert facilities posting warnings about sound levels, and suggesting the use of hearing protection. If they desire, they can go so far as to sell earplugs to those who want (or forgot) them.

I DO NOT agree that we need to "idiot-proof" the world. The next thing we'll hear is that we need to wrap everything on Earth in Nerf material so that no one gets hurt by touching anything.

If OSHA regs are violated, the company can be fined. There is also worker's compensation available. If your kid comes back from a concert, and his hearing is damaged, he/she is SOL.

It's not a matter of "idiot-proofing". Read the posts about people who have walked out of concerts because of the volume, or whose hearing was damaged.
 
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Mentioned a couple of times, Blue Oyster Cult, in 1974 at Kent State Stark Campus with Manfred Mann. GREAT show but woke up the next day with dried blood in my right ear and on the pillow. Was up front close to the PA.

Best sound I ever heard was Supertramp. Twice. Anyone ever see them? Crystal clear sound.